Jake Bugg, All Saints Church for Banquet Records, 31/08/2017 (Live Review)

Just hours before his fourth album- Hearts That Strain– was released, Jake Bugg played two very special album release shows, for Kingston’s Banquet Records, in the heavenly surroundings of the All Saints Church.

Picture this, an ornate church filled with beautifully and carefully crafted Biblical sculptures, with candles and pews destined for dedicated worshippers part of the usual furniture, with colourful stained glass windows depicting an amplitude of Bible stories covering almost every wall. In the middle of the room stands 23 year old Jake Bugg (only slightly elevated) and his guitar- no band this time- in front of a gathering of people who are peppered in between large columns and refreshment stands. The whole thing seems almost evangelical.

Jake Bugg- who “hasn’t finished practising all his new songs”- opens with the album’s title track ‘Hearts That Strain’ before treating the audience to stripped back favourites from his now expansive back catalogue. Songs like ‘Trouble Town’, ‘The Love We’re Hoping For’ and ‘Simple As This’ encase songs from his new album, including ‘Southern Rain’ and his latest single ‘How Soon The Dawn’, reminding the awe-struck audience that this is an album release show. Bugg takes time to tune his guitar and ponder over how to play old tracks and songs straight from the studio; he hadn’t quite started touring the album yet.

The highlight of the set was ‘Broken’, a song from his first self-titled record. This came as no surprise as it always has a huge live appeal. Bugg played and sang as his audience sang with him- it felt almost gospel. The whole performance felt special and somewhat spiritual, if you will.

What struck me most about the event was how intimate it felt. How unpolished and imperfect it was, which made it feel extraordinarily special. Bugg has refined his performance, grown comfortable and confident performing solo- proving he definitely doesn’t need a band- and has stripped back to his roots. He revisits and reimagines the acoustic roots which made him famous in the first place. Interestingly, the room was filled with an older audience, showing Bugg’s mass appeal. He can easily draw a crowd of teenage fans at Reading Festival, but can also attract middle aged concert goers and seemingly ‘unlikely’ fans at a midweek concert in a church. That’s a real skill.

Advertisements
Jake Bugg, All Saints Church for Banquet Records, 31/08/2017 (Live Review)

Reading Festival, 25th-27th August 2017 (Festival Review)

So Reading (and Leeds) Festival is over for another year and this year’s festival was a huge success. The event, held at Richfield Avenue, took place from Friday 25th August to the 27th August and was headlined by Kasabian, Eminem and Muse. There were a couple of (not so) secret sets over the weekend too, including appearances from Wolf Alice and Queens of the Stone Age (who will no doubt be back next year, perhaps the latter as headliners).

Here are my highlights:

Friday

The Magic Gang¬†played a triumphant late morning set on the BBC/NME Stage to set off an exciting weekend of live music. The Brighton band played an enthusiastic and energetic set, filled with previously released songs- including ‘All This Way’ and ‘Jasmine’- as well as their latest single ‘Your Love’.

If you haven’t seen Declan McKenna¬†in 2017 then I don’t know where you’ve been! He’s played pretty much every UK festival and Reading and Leeds was no exception. The 18-year-old played his first ever Reading and Leeds set (having attended Reading for the past two years) on the BBC/NME Stage to a packed out audience. McKenna sang songs from his debut album- What Do You Think About The Car?– and jumped into the audience a few times in the set, with the first time unsuccessfully ending up in the middle of a mosh pit. McKenna laughed off forgetting the words to ‘Paracetamol’ and continued to gleefully run around the stage as the audience sang, cheered and clapped along. Declan McKenna knows how to excite an audience.

Anne-Marie might not have seemed an obvious choice for Reading Festival, but by the sheer amount of people who turned up to see the ‘Rockabye’ singer she’s clearly a popular one. The singer played a mixture of singles, including ‘Do It’ and ‘Alarm’, and lesser known songs, before ending with the hit-singles ‘Ciao Adios’ and a stunning version of Clean Bandit’s ‘Rockabye’, which she features on. The audience were in awe as she sang pitch perfect songs and as she jumped into the crowd to take selfies with the audience.

It’s been quite a year for Two Door Cinema Club. Last year they headlined the BBC/NME Stage and now they’re creeping up the Main Stage line-up, with a new album and countless tours under their belts. Two Door Cinema Club know how to put together a good setlist, which featured hit after hit and a copious amount of fan favourites. They always put on a good, feel-good show.

Bastille brought the Wild Word tour to Reading Festival, with brilliant visuals and stories of politics and life laced throughout. The band played songs spanning their back catalogue and the radio-hits from their latest album. The drumming on Pompeii was an obvious highlight, as the audience loved singing along.

British rock band You Me At Six¬†closed the first day of the BBC/NME Stage. The set- which featured huge pyrotechnic displays- was plagued by technical difficulties, which prompted a spine-tingling acapella rendition of ‘Lover Boy’ from the album Sinners Never Sleep. The band played under a sea of mobile phone lights and lighters during ‘Take On The World’, before bringing guitar lead rock hit after hit to the Reading Stage. The band treated fans to songs from their debut album- Take Off Your Colours– ahead of its 10 year anniversary next year, with front man Josh Franceschi telling his desires of wanting to do an anniversary tour next year. The band were on top form that night.

Saturday

The not-so-secret secret act Wolf Alice¬†played to dedicated fans and festival goers at 11:00am on Saturday morning. The set was incredibly lively with famous fans, label mates and onlookers (including The 1975’s Matty Healy and Slaves’ Isaac Holman) stood side of the stage. The band played songs from their 2015 debut album, My Love Is Cool, and showcased new songs from their forthcoming second album, Visions of a Life,¬†including the singles ‘Yuk Foo’, ‘Beautifully Unconventional’ and ‘Don’t’ Delete The Kisses’. The atmosphere was incredible.

Blaenavon¬†played the BBC/NME Stage early on in the day. The band brought That’s Your Lot to Reading Festival and treated the crowd to their mature, alternative music. The band played songs including ‘Orthodox Man’, ‘Let’s Pray’ and the stunning ‘Prague’ before front man Ben Gregory jumped into the crowd.

Dan Stock¬†played on the BBC Introducing Stage. Singer songwriter Dan Stock stood solo centre stage and played as if he were playing to an arena. His lyrically clever and satisfying songs echoed that of Alex Turner and his assured stage presence commanded the respect of Jake Bugg, Declan McKenna or Liam Fray. With the aid of a band (eventually) he could become pretty huge. He’s definitely one to watch.

A couple of weeks before Superfood¬†released their triumphant ‘comeback’ album Bambino¬†the band played Reading Festival. The festival gave a platform for the band to showcase songs from the upcoming album, including ‘Where’s The Bass Amp?’, ‘Double Dutch’ and ‘I Can’t See’, throughout which they encouraged the audience to dance. The band also played tracks from their 2014 debut album Don’t Say That, including the song ‘Superfood’.

Ahead of their biggest UK tour to date (which features shows at London’s O2 Brixton Academy) Sundara Karma delighted the Reading audience to a spectacular homecoming show. The Reading band played a no-gimmick set filled with tracks off of their (now extended) debut album, Youth is Only Every Fun in Retrospect, which was released earlier this year. The band opened up the Main Stage at Reading Festival last year in what turned out to be a career defining performance and this felt like a triumphant progression. Sundara Karma are continuing to make waves with their effortlessly cool, alternative music and the fans sure are loving it.

Everything Everything¬†played a lot of their new album A Fever Dream¬†at this year’s Reading Festival. The band’s set featured heavily a lot of new tracks, including the single ‘Can’t Do’, with the odd fan favourite peppered in to the audience’s excitement. The highlight of the set was the weirdly wonderful ‘No Reptiles’, with its absurd, yet clever lyrics and infectiously catchy nature, with songs like ‘Distant Past’, ‘Kemosabe’ and ‘Spring Summer Winter Dread’ also loved by the fans. It’s great to see Everything Everything back with refreshing new material though, even if it seems relatively toned down compared to what came prior to it.

Glass Animals¬†are a band so powerful that they brought on an entire pineapple ban at this year’s festival. The Oxford band brought How To Be A Human Being to Reading with it’s chilled out, psychedelic (almost) tracks and performed in front of the world’s largest golden pineapple disco ball and a plethora of pineapples and cacti on stage. The ban on pineapples did not stop fans from smuggling the odd pineapple in, as those successful sat holding their prize goods high on top of the shoulders, commanding proud applause. The band opened up with the gloriously energetic ‘Life Itself’ and closed with the song that brought on an entire fruit ban, ‘Pork Soda’. Front man Dave Bayely even performed the entirety of ‘Gooey’, from their debut album, stood in the crowd. It was a sight to behold.

Sunday

Ten Tonnes played to a packed out tent full of festival goers on the Festival Republic Stage. The singer songwriter graduated from The BBC Introducing Stage, which he played last year, onto the Festival Republic Stage in a move that felt fitting with his growing audience. Ethan Barnett- as he’s formally known- is gathering momentum, with his catchy, easy to love, feel-good songs.

Up and coming London band¬†King Nun¬†played a raucous Sunday afternoon set on the Festival Republic Stage, where they showcased previously released singles including ‘Speakerface’ and ‘Tulip’. Their punk riddled indie-rock music proved popular with the young crowd who jumped, danced and moshed accordingly.

The Sherlocks returned to Reading Festival for the third year, having progressed up to the BBC/NME Stage this year. The tent was filled with fans and flares and had a similar feeling of excitement to that of a Courteeners concert. This came a week after their debut album, Live For The Moment, was released, so the band treated fans with hit after hit from the album.

Will Joseph Cook¬†brought his gloriously, sun-kissed indie-rock tunes to a blissful Reading Festival late on a sunny Sunday afternoon. His set rivalled Giggs’¬†on the Main Stage- who brought pop/hip-hop sensation out Drake– and the atmosphere in the tent was chilled out in comparison. He played a whole host of songs from his debut album, Sweet Dreamer, and also treated fans to songs from his earlier EPs.

Blossoms¬†played a tricky set before Liam Gallagher on the Main Stage. Blossoms are a band completely capable and worthy of playing huge stages, but this felt as though they were swimming against the tide, with crowds refusing to participate, Muse fans sitting about in preparation for the evening, huge lack of singing, support and engagement with the audience. The band seemed to pick up on this and it all felt a bit depleting. Having said this, the Stockport lads delivered a set full of the hits- with everyone going crazy for biggest hit ‘Charlemagne’- from their debut self-titled albums, with the usual gimmicks thrown in for good measure. I could probably recite the whole set by this point; it’s quite predictable now!

Liam Gallagher¬†performed a gallant set on the Main Stage at Reading Festival before headliner Muse. The icon, clad in his usual green trench coat, sunglasses and iconic haircut, sang Oasis hits (including ‘Morning Glory’ and ‘Rock ‘N’ Roll Star’) and songs from his forthcoming debut album, As You Were,¬†which is due for release in October. Gallagher ended his set with the indie classic and obvious anthem ‘Wonderwall’, which saw fans of all ages united in song. Liam actually sounded top of his game though and seemed as happy as ever.

Halsey played the BBC/NME Stage whilst her North American tour mate Charli XCX brought her iconic pop hits and bubble-gum pop to the Dance Stage. Charli XCX played surrounded by pink confetti, dancing blow up ‘people’ (I suppose) and her all-female band and brought the party to the festival. The tent overspilled with people jumping and dancing all around. Definitely a highlight.

Haim closed the BBC/NME Stage at Reading Festival with a spectacular headline set. The band’s performance was a year over-due, as they cancelled their headline slot last year due to wanting to finish up their new album, but it was definitely worth the wait. The band played hits from their first album- Days Are Gone – and their latest album, Something To Tell You. The set featured a lot of dancing, bursts of humorous chat, a bucket full of bass face and the most captivating drumming display ending. Definitely a huge highlight over the weekend.

Overall, it was another great Reading Festival and the strong line-up proves why the festival is still going so strong after so many years. The good festivals do it properly and well, setting them miles apart from the rest.

 

Reading Festival, 25th-27th August 2017 (Festival Review)

Declan McKenna- What Do You Think About The Car? (Album Review)

Declan McKenna released his debut album- What Do You Think About The Car? – on the 21st July 2017, on Columbia Records. The album is full of the songs we’ve been loving for years now and the album is nothing short of a success.

“Dec, what do you think about the car? Do you like it?” “I think it’s really good and I’m going to sing my new album now” sounds a sample at the very beginning of the record before bursting into the infectious single ‘Humungous’. The track is humungous and powerful. It’s full of energy. It leads the listener into tracks he’s previously released, tracks we’ve heard before as an audience. The mix of new tracks and established favourites makes this album particularly exciting. Singles like ‘The Kids Don’t Wanna Come Home’ fit perfectly into the context of an album, but are still strong enough to be popular singles. They’re statements. A collection of expressions and confessions.

If there’s anything Declan McKenna can do well it’s writing huge politically charged tracks which sound relatively uplifting and cheerful despite their often deep, reflective lyrics- see ‘Paracetamol’, biggest hit ‘Brazil’ and ‘Bethlehem’. He takes on the role of character and narrator to write incredibly introspective and a close, educated study of the world around him.¬†Similarly, ‘I Am Everyone Else’ is a track about, according to McKenna, politicians pretending to represent the masses and how they try and act and appear ‘normal’. This theme appears a lot throughout.

Songs like ‘Mind’ and ‘Make Me Your Queen’ drawn on studies of love and loss. They work nicely between all the politically laced tracks. ‘Why Do You Feel So Down?’ feels sympathetic. It’s rooted with sadness.

The final track on the album ‘Listen to Your Friends’ is by far the most triumphant song on the album. It feels like he’s establishing something, a lasting message. There’s a spoken word bridge during the song, which again draws on global politics (covering the school holiday ban, the psychoactive substance ban, free health care etc.). It’s incredibly informed and interesting. It forces the listener to reflect, other than that it’s just an incredibly catchy song.

Overall, Declan McKenna’s debut album is a huge success and is easily one of the best albums of the year so far. It’s incredibly well thought out, tackles huge topics and thought provoking. I can’t wait to see what McKenna does next. I know it’ll be big.

Declan Mckenna sets off on a UK tour in October.

 

Declan McKenna- What Do You Think About The Car? (Album Review)

July 2017- What I’m Listening To

 

Wolf Alice have finally given us a taste of their upcoming second album ‘Visions of a Life’ with the explosive Yuk Foo. It’s thrilling from start to finish, with it’s no-nonsense attitude and lyrics. There’s elements that remind me a bit of Courtney Barnett within in.¬† The band went on to release the second track from the record, ‘Don’t Delete The Kisses’, which couldn’t be any more different from the first single. It’s lyrics are almost poetic and are simply quite beautiful. It tells a tale people can relate to personally, which I love. The inner tourment of a love, contrast with the story what’s going on in reality. ¬†The two songs show Wolf Alice’s complete versatility and I trust them fully. I can’t wait to hear more from the album.

The first ever TRNSMT festival, which was held on Glasgow Green from the 7th-9th July, was a huge success. The event saw Radiohead, Kasabian and Scottish rock God’s Biffy Clyro headline, with acts like Stormzy, Catfish and the Bottlemen, George Ezra (who posted A LOT about how good the event was) and ‘special guests’ The 1975, who played one of their final shows from the I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It era, play accross the weekend.

Ed Sheeran announced a mammoth 2018 UK tour this month, which, obviously, sold out in seconds. The UK leg of the world tour see Sheeran play shows at Wembley Stadium and Manchester’s Etihad Stadium. Sheeran is no stranger to playing huge sold out shows- he sold out three nights at Wembley Stadium on his 2014 X tour. These shows sound absolutely massive and not one to be missed.

What the world definitely needed was a Mystery Jets Retrospective Tour, whereby the band will play each of their albums in full across five nights at The Garage in London. The residency kicks off on the 25th September with Making Dens. Personally, I’m more of a Twenty One person myself (it’s one of my absolute favourite albums).

Wolf Alice are back playing shows for the first time since they finished touring with My Love Is Cool last year. ¬†The London band have released a set of dates at intimate venues across the country to celebrate where it all started. This includes a date at The Boileroom in Guildford at the end of August. I can’t WAIT to hear more new Wolf Alice material myself and the band are insane live. You’ll have to be extremely lucky to get tickets.

Lana Del Rey announced a one off date at the O2 Academy Brixton on the 18th July 2017. The event took place days later on the 24th and sold out instantly. It’s the American singer’s first UK show in four years and could be hinting at more in the future. The singer sang hits including ‘Born to Die’ and ‘Video Games’, as well as a few new songs from her latest album Lust For Life.

Liam Fray has announced a solo acoustic tour for the end of 2017. The now fully sold out event- with various upgraded venues to accommodate the huge demand- sees the Courteeners front man play acoustic versions of the band’s biggest hits. I was lucky enough to see Liam Fray sing at an acoustic concert at Banquet Records last year and it was absolutely brilliant. I couldn’t recommend it more.

Linkin Park’s frontman Chester Bennington sadly passed away on the 20th July. The news is extremely shocking and sad and my thoughts go out to all the friends, family and fans.

The BBC announced their Live Lounge Month line up this month, which sees a different band/artist play in the prestigious Live Lounge everyday throughout September. This year’s line-up includes sets from the legendary Foo Fighters, George Ezra and even Coldplay front man Chris Martin.

This year’s Mercury Award nominations have been announced. The shortlist includes incredible albums including Glass Animal’s How To Be A Human Being, Blossoms’ self titled debut album and Alt-J’s most recent album RELAXER.¬†Other nominees are The XX, Loyle Carner, Stormzy, Ed Sheeran and The Big Moon. This year’s shortlist is the toughest yet, with competition being extremely tough. I might do a follow up post on all the nominees at some point because this year’s is an absolute gem.

Who isn’t in Charli XCX’s new video for ‘Boys’? There’s everyone from Liam Fray to Mac DeMarco, Joe Jonas, Mark Ronson, Brendan Urie and Fred MacPherson. I suggest you watch it… Playing spot the famous ‘boy’ is a lot of fun!

This month I’ve been listening to a lot of Haim’s latest album (which came out this month). I’ve also been enjoying a lot of Declan McKenna (as his debut came out this month too and it’s a hell of an album) and Dua Lipa. Tom Grennan is my spot of the month- he’s utterly brilliant! There’s vintage Courteeners and new Wolf Alice too.

Next month there’s so much to look forward too. The main thing being Reading Festival, of course!

July 2017- What I’m Listening To

Declan McKenna- The Hippodrome, Banquet Records, 21/07/2017 (Live Review)

You can’t deny that Declan McKenna works hard. It’s barely even August and he’s already been on two headline UK tours, an international tour, put out a brilliant debut album AND is playing pretty much every significant festival in the UK that you can name and yet his album tour seemed like the most exciting and intimate yet.

On the 21st July 2017- on the evening of album release day- 18-year-old Declan McKenna and his band (the emphasis on age is boring but important because his achievements are so huge) played to an enthusiastic, young crowd for Kingston’s Banquet Records at The Hippodrome. The set- whilst usually only half an hour at a typical Banquet Records release show- was worthy of a full concert title, as it lasted little under an hour. The best part being that he met and signed every single record in the record shop before hand, an appreciated move that made the event extra special (especially as it cost only the price of the CD, which felt like an absolute steal at around ¬£10).

McKenna opened with EP favourites ‘Isombard’ and ‘Bethlehem’, before delving into tracks off his debut- What Do You Think About The Car? – as expected at an album release show. McKenna played new tracks at “a pocket sized Declan McKenna gig with allllll his frieeeennndssss”, including ‘Make Me Your Queen’, ‘The Kids Don’t Want to Come Home’ and latest single ‘Humongous’. He played ‘Listen to Your Friends’ after asking “if anyone actually knew that one yet”, which was, surprisingly, met with a roar of applause. The audience sung word for word to all the songs, new and old. ¬†He regularly paused in between and even during songs to check up on the audience who were becoming increasingly squashed in the excitement. He urged everyone to “look out for each other”.

Declan McKenna popped up in all manner of places during the set. He regularly popped up along the front before running around the crowd to the back during an impromptu break-out into The White Stripes ‘Seven Nation Army’ over chants of ‘OOOOH JEREMY COOOORBYNNN’ in the same rhythm. His playing in the middle of the crowd was short lived as he was swamped by fans and anxious security guards who couldn’t quite put their fingers on what he’d do next. His unpredictability made the set even more exciting.

‘Paracetamol’ was, as always, a highlight, as there’s nothing more exciting than a huge sing-a-long ¬†to such a powerful, deep song, but, of course, ‘Brazil’ proved the most energetic closer. No crowd-surfing I’d like to add though. Not this time… I think he’d have been torn apart. The fans were pretty eager!

I’d like more “pocket sized Declan McKenna gigs” please, but I fear they’re only going to get bigger from now on and rightfully so.

 

Declan McKenna- The Hippodrome, Banquet Records, 21/07/2017 (Live Review)

New Artist of the Month (August 2017)- Ten Tonnes

This month’s up and coming artist of the month is Ten Tonnes.

Ten Tonnes- also known as Ethan Barnett- has previously released two EPs, Lucy (2016) and Born to Lose (2017) and has the most soulful indie-rock voice. This, paired with his fascinatingly written lyrics, makes him undoubtedly one to watch. A BBC Introducing graduate (like his older brother George Ezra), he has already toured across the UK and played at major UK festivals, including Reading and Leeds. His track ‘Silver Heat’ (a track about flashbacks to old memories, many of which about an ex girlfriend), from his 2017 EP Born to Lose, was produced by The Maccabees’ Hugo White.

He played a triumphant set at this year’s Reading Festival to an eager audience, which saw Barnett bring his sun-kissed, soulful indie-rock to the Festival Republic Stage (a leap from the BBC Introducing Stage which he played in 2016). He played the singles ‘Lucy’ and ‘Born to Lose’.

He is set to release his latest single, ‘Cracks Between’, on the 1st August 2017, which was originally broadcast on Huw Stephen’s BBC Radio 1 show on the 30th August.

New Artist of the Month (August 2017)- Ten Tonnes

Community Festival, 01/07/2017 (Festival Review)

The first ever Community Festival, run by Festival Republic (the masterminds behind Reading and Leeds, Wireless, Download, Latitude and V-Festival), was held in Finsbury Park on July 1st 2017. The one day event was headlined by the brilliant Catfish and the Bottlemen and promised to showcase the best new music has to offer. The event consisted of two stages- The Main Stage and The N4 Stage- and saw 14 up and coming acts take to the stage. Community Festival, despite being a new festival, saw no teething problems and proved a roaring success amongst the hundreds of keen festival goers.

Here’s my pick of the day:

RedFaces kicked off the day with a raucous, yet exciting set. The day’s freshest faces played a captivating live set, with a sound and stage presence similar to that of The Libertines and Arctic Monkeys. The Sheffield band played a selection of new songs, including ‘Wise Up’ and ‘Kerosene’, and proved they’re ones to watch, earning their place on such a talented line-up.

Brighton band Fickle Friends¬†took to the stage fresh from releasing their latest EP Glue. Momentum is just starting to build for the band and their set was full of radio hits and established indie anthems, including ‘Swim’ and ‘Cry Baby’. They consistantly write and release songs that you can’t help but want dance to, which are up-beat and infectiously catchy. The crowd were well and truly warmed up by the awe inspiring set.

Darlia are always fascinating. The Blackpool band played songs from their 2015 debut album, Petals, and impressed the audience with new songs, including ‘Ballard of Black and White’ and ‘Beam Me Up’. Their grungy sound is intriguing and also exciting.

You can’t deny that the The Hunna have done a lot over the last year. They’ve put out their debut record, 100, toured nationally and graduated from the BBC Introducing Stage into a world of main stages and chanting fans. Their Community Festival set seemed triumphant, with the crowd lapping up their every move. Granted, it may not be everyone’s cup of tea, but they did bring energy and enthusiasm to an already exciting line-up- what’s a festival without The Hunna these days anyway?

Nothing But Thieves¬†are- debatably- no longer the new kids on the block. They’re established enough to have had hit after hit on their brilliant self-title debut album, including the singles ‘Trip Switch’, ‘Itch’ and ‘Wake Up Call’, and are set for success in releasing their up-coming second album. The band- with Conor Mason (lead singer)’s stunning, mature voice- played a huge set at the festival, with fans gathering in anticipation. They showcased new single ‘Amsterdam’, as well as other new songs.

If you haven’t seen Slaves live then you’re missing out. They’re extremely fascinating and tell the most brilliant anecdotes. The Kent punk duo played a mix of songs from their 2015 debut album Are You Satisfied?,¬†as well as from their latest album Take Control (2016). They even brought out Madness’ Suggs to announce their guest appearance at Madness’s House of Common Festival, on Clapham Common, London.

I don’t think it’s fair to call The Wombats ‘new’ considering their debut album came out ten years ago. They’re one of the best live bands about and aren’t afraid to bring the stereotypically British party to any location. The band played songs spanning their impressive three album back catalogue. The huge crowd sang along word for word with the Liverpool trio and danced throughout the set and into the impromptu instrumental at the end (as they had a bit of time left). They definitely played one of the best sets of the day.

Catfish and the Bottlemen made a rare appearance headlining the new event. ¬†They’ve remained pretty quiet since their sold out run of areas late last year, which saw them playing Wembley Arena, and are hopefully set to release new music soon. The band played hits from their first record- The Balcony– and a selection of tracks form their second record- The Ride. The indie-rock sensations brought a successful day to a close and proved what could happen with hard work and determination in just few years. It was the perfect end to a brilliant day and left the day with a euphoric, triumphant feel.

In conclusion, the first ever Community Festival was a success. I hope the event returns next year as there’s a lot of great new music that needs exposure and it proved such a success this year. The day was laced with the latest music, fan favourites and was a celebration of what can be achieved with drive and enthusiasm. The atmosphere was special too, with friendly fans and a real ‘community’ spirit (if you pardon the pun). I couldn’t recommend it more.

Community Festival, 01/07/2017 (Festival Review)