April 2017- What I’m Listening To

April was full of music surprises all set for summer.

George Ezra’s been popping up on festival annoucements ever since they’ve started releasing them late last year and he’s finally announced a UK tour, but shhhh it’s a secret. The nine night tour, which spans across late May and early June, visits some of the UK’s most obscure, intimate venues, with dates in places¬†such as Exeter, Barnstaple and Bath. The tour’s fully sold out now, but I’m sure it’ll be brilliant.

The Kooks played two very intimate shows in Brighton on the 8th April 2017, ahead of their sold out UK “best of” tour (in support of their upcoming greatest hits album). The band played two sold out shows: a matinee show at The Prince Albert (under 14s) at 1pm and a later show at The Haunt at 7:30pm. Tickets were made exclusively available from Resident Records, in Brighton, on the morning of the concerts, for ¬£11. Brighton is deemed the home for the Kooks, with the band forming there over ten years ago. Three of the four members attended BIMM Brighton. The shows were huge and a great way to start a month of touring across the UK and Europe.

America’s prestigious Coachella Festival took place from the 14th to the 16th April 2017 and a week later from the 21st to the 23rd April 2017. It was headlined by Radiohead (who struggled to overcome technical issues during their set), Lady Gaga (who replaced pregnant Beyonce, who has been confirmed for next year) and Kendrick Lamar. Artists, such as Lorde, Bon Iver and The XX, played to huge crowds across the weekend. I managed to catch some of Blossoms’ set via the Coachella live stream YouTube page, on weekend one. Their set was impressively brilliant from the Stockport lads, who dazzled a transatlantic audience. It’s strange to see Blossoms play to smaller audiences, having seen them sell out UK tours and play to big festival audiences, but it’s brilliant to see a band as good as Blossoms getting global recognition.

The news we’ve all been waiting for is finally here… Declan McKenna is set to release his debut album- called What Do You Think About The Car? –¬†which is set for release on the 21st July. The album is set to feature some of McKenna’s finest songs so far, including 2014’s ‘Brazil’, latest single ‘The Kids Don’t Wanna Come Home’ and ‘Isombard’, as well as some brand new tracks. This could potentially be one of the year’s biggest records and I can’t wait to hear it. McKenna sets off on another UK tour in May, before playing a whole host of festivals.

Royal Blood have released details of their second album, How Did We Get So Dark?, which is due out on the 16th June 2017. The Brighton duo also premiered lead single ‘Lights Out’ this month.

Paramore have finally released details of their fifth album, After Laughter, which is set for release on the 12th May. The band announced lead single ‘Hard Times’ (which is heavily 80s influenced and a bold new direction for the band, which feels like a more mature, developed version of parts of 2013’s Paramore), closely followed by the release of another new song, ‘Told You So’, as well as details of a (now sold-out) June 2017 UK tour-¬†Tour One-¬†with the album details. The band’s new line up consists of Hayley Williams, Taylor York and rejoined member Zac Farro, having lost bassist Jeremy Davis in December 2015. I can’t wait for this release. Paramore are still one of my favourite bands ever and I love how their style constantly evolves into something more sophisticated than the albums that come before it.

The Sherlocks, too, are finally set to release their debut album, ¬†Live For The Moment, on the 18th August 2017. The Sherlocks are a band who I’ve been following for the last couple of years now, so this new has been a long time coming. The Manchester band featured on my list of bands to look out for in 2016¬†and I think it’s finally their time to shine.

Haim are back with the brilliant new song ‘Want You Back’. It’s chilled out and feels very summery and I think it’ll be a staple of festival season 2017. It’s nice to have the Haim sisters back again finally; it’s been a while!

The prestigious Ivor Novello Award nominations were announced in April. It’s an award ceremony which focuses on songwriting and has seen nominations for artists and writers including Blaine Harrison and Henry Harrison (Mystery Jets- ‘Telomere’), Adele Adkins and Tobias Jesso Jr (Adele- ‘When We Were Young’) and Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (Coldplay- ‘Hymn For The Weekend’ and ‘Adventure of a Life

Reading Festival released a mammoth line up update early this month. Artists such as Liam Gallagher, VANT, Blaenavon and Declan McKenna being added to the already brilliant line up. The festival is shaping up nicely and I can’t wait to be back at the Festival in August. The event is being headlined by Kasabian, Eminem and Muse and runs from the 25th-27th August 2017, which is, as always, bank holiday weekend.

Glastonbury continued to make line up announcements throughout April. Arguably most notably, the festival has announced the Field of Avalon Stage line up, with artists such as Busted, Birdy and Scouting For Girls being added to the already star studded bill. As well as this, Josh Barry won this year’s Emerging Talent Competition and will also perform at the festival. He beat a whole host of brilliant up and coming, unsigned artists, including Lucas & King, Silences and Young Yizzy. Previous winners of the competition include the incredible Declan McKenna. The event, which runs from the 22nd to 26th June, is headlined by Radiohead, the Foo Fighters and Ed Sheeran.

Latitude Festival made another huge announcement this month. The bumper announcement includes artists including Mystery Jets, The Coral, Leon Bridges and Jesus Mary Chain.¬†Katherine Jenkins is also set to perform a special lakeside performance on the Sunday and it’s set to be magical. The festival is held between the 13th and 16th of July, in Suffolk, and is headlined by The 1975, Mumford and Sons and Fleet Foxes, .

In other festival news, Radio 1’s Big Weekend- which is due to be held in Hull on Saturday 27th May and Sunday 28th May-¬†has released its full two day line up. The event is being headlined by Katy Perry and Kings of Leon, with Plan B and Royal Blood set to headline the ‘Where it Begins’ Stage respectively. Artists including Biffy Clyro, Kasabian, Blossoms, The Amazons, You Me At Six, Lorde, Two Door Cinema Club and Alt-J have also been announced to play the event.

Record Store Day 2017 was held on the 22nd April internationally. The annual event saw thousands of music fans scramble for limited edition records by the likes of Bastille, David Bowie and Blossoms. However, as frequently seen in the music industry, limited edition records- once sold out in stores- were appearing across the internet for a grossly heightened price. The day was overall a triumphant success though.

In other news, The 1975 are set to release their third album entitled¬†Music For Cars¬†at some point in 2018. That’s something to look forward to.

This month I have been listening to a lot of Alt-J (because I have been doing a lot of A-Level coursework and Alt-J is perfectly ambient, especially good for revising), Tom Grennan (who is definitely someone to look out for because he’s brilliant), Paramore, Rat Boy (‘Revolution’ is their best yet) and I’ve been rediscovering Wolf Alice and Gorillaz. Pale Waves and The Night Caf√© are two to keep an eye on too.

Next month is a month full of releases, from Paramore to The Amazons. I’m also off to see The Kooks and to Radio 1’s Big Weekend, in Hull. It should be great.

 

 

 

April 2017- What I’m Listening To

Reading Festival 2016 Review

Reading festival 2016 took place from the 26th-29th August 2016. If you’ve not been to Reading before, Reading festival is a festival twinned with Leeds Festival ¬†(in… well… Leeds) and they share the same star-studded line up.¬†Reading and Leeds festival are festivals commonly associated young people, many of whom will have picked up their GCSE results the day before the music kicked off. This being said, there are still many people of all ages there (and I’m still not convinced people don’t bring their kids just to pick up used cups for a bit of cash), especially on the days where they pull in big classic headliners, this year’s being Red Hot Chilli Peppers and 2015’s being Metallica. This was my third Reading festival, but my first time camping and with my friends.

Whilst this year’s line up may have been sightly lack lustre and some of it seemed a bit odd to me, the weekend didn’t fail to impress, as always. The festival was headlined, or rather co-headlined, by Disclosure and Foals (Friday), Red Hot Chilli Peppers (Saturday) and Fall Out Boy and Biffy Clyro (Sunday). Other artists across the weekend included The 1975, Imagine Dragons, Jack Garratt and Blossoms.

Friday 26th August

The Wholls played their debut Reading Festival set on the BBC Introducing Stage early on Friday afternoon. The Bedford band “rolled out”, if you pardon the pun, to a large, inquisitive crowd, all eager and hungry for new music, under the beaming sun. The band played a short set, but attracted a large crowd. They played many a guitar laced rock song, including “Angry Faces” and the huge “X21”. I’ve been following the band for a while now and can’t believe they’re not bigger! With a true rockstar finish, a guitar was handed out into the crowd along with a few t-shirts. Keep tabs on The Wholls; they’ve not even started yet, but they’re about to grab your attention.

Manchester’s latest rising stars The Sherlocks once again dazzled a large Festival Republic Stage crowd. Following the success of last year and promising what was going to be a “special” show for the band, The Sherlocks played an energetic, optimistic set which proved their exciting future. The band played songs such as “Escapade” and “Live For The Moment” whilst fans sang, bounced and danced along. This set was special, as with their 2015 set, and will go on to define and shape their bright futures. The Sherlocks are a band not to be missed- and they’re currently on their UK tour, too.

Chvrches returned to Reading and Leeds following a triumphant set on the NME/BBC Radio 1 Stage in 2014, but this time they played on the main stage. Any band who dedicates a song to Harambe (“RIP Harambe”, Martin Doherty announced before playing “Under The Tide”) deserves a mention if I’m honest. The band played a significant set, which could see them progress to headliner status in no time. The band played a crowd pleasing selection of songs, new and old, from their two albums (2015’s “Every Open Eye” and 2013’s “The Bones of What You Believe”). The distinct lack of collaborator Hayley Williams on “Bury It” was not to be looked down on as the band managed to pull of an ambitious set in front and seemed the perfect transition into co-headliner Disclosure’s set.

I used to have a love/hate relationship with Twenty One Pilots, but after their Reading Festival set they have well and truly won me over. Throughout the day everyone (and I mean EVERYONE) had been gushing over how brilliant Twenty One Pilots are and how good they’d be later on in the day (many people came solely to see them). I must admit, I was originally skeptical. The tent was overflowing with fans who couldn’t squeeze themselves in and I ended up watching most of it from the screen outside of the NME/BBC Radio 1 tent as there was no way I could fit inside. The set was nothing but captivating. For starters, I’ve never seen a man with a drum kit crowd surfing, nor have I ever seen someone finish a show (albeit abruptly… there’s a lot of conspiracy about what happened when Josh (drummer) crowd surfed during the show) on top of a huge pole thing and I’ve only once before (A Day To Remember 2014, incidentally at Reading Festival too) seen someone sing whilst “zorbing”, too… It was genuinely fascinating to watch and they had a¬†non-pretentious showmanship about them. The band played a hit filled set, which was filled from songs from their two albums (2015’s “Blurry Face” and 2013’s “Vessel”). They played songs, such as “Heathens”, “Car Radio” and “Stressed Out” (although many did leave after they played Stressed Out). ¬†Given a few years and seeing their popularity rocket, I wouldn’t be surprised if Twenty One Pilots were headlining in the future, but for now you can catch them play two huge shows at London’s Alexandra Palace later on in the year.

The main stage was closed by Oxford math rockers Foals. The band played a huge headline set which proved the band’s headliner status. Foals are a band who deserve all the success they get; they put on good, entertaining shows, play catchy up beat songs and are so easy to listen to that anyone could listen and enjoy. The band played many songs from their vast back catalogue, but, again, the highlight of their set was “My Number”. The set was not without its long deep-cut songs, such as “Knife in the Ocean”, and it’s old classic. The band reminisced with “Cassius” from their first album, “Antidotes”, which they haven’t played for a number of years, during the encore. The encore was short and consisted of recent hit “What Went Down”, “Cassius” and, as always, “Two Steps, Twice”, where the band were joined by co-headliner Disclosure. It was a pretty special set. I’ve been so excited to see Foals conquer the main stage at Reading as it’s time we found the next generation of headliners.

Saturday 27th August

Reading’s own Sundara Karma opened up the Reading Festival main stage on Saturday morning, a huge leap from their Sunday morning Festival Republic Stage set last year. Sundara Karma are a band full of huge potential and a band I’ve loved for a good year now, so I’d been very excited about seeing the band play again. Prior to the show temporary Sundara Karma logo tattoos were handed out to fans at the front and many were seen dotted about across the day. The crowd were enthusiastic, despite the rain and early morning start, and many mosh pits were formed throughout (whether or not you can mosh to Sundara Karma is debatable, but everyone was enjoying themselves so). The band played a selection of new songs from their upcoming debut album, including new single “She Said”, as well as previously released hits, such as “Flame”, “Loveblood” and “Indigo Puff”. The band are due to release their debut album, “Youth is Only Fun in Retrospect”, in January.

Rag ‘N’ Bone Man is another of the George Ezra kind- what you hear and what you see is not what you first imagined, but it’s better than you could ever have guessed. My mum called me down to ask me who sang a theme tune song off of a programme not so long ago and it happened to be Rag ‘N’ Bone Man, so I felt I had to go and give him a watch. His voice is powerful and booming. It’s distinctive and unique, in a good way. I love the way he sings and how success close he is to success. The highlight of the set for me, though, was “Humans”, a song you should definitely have a listen to, if you haven’t done already. ¬†“Hell yeah!” he managed to get the crowd to yell and “hell yeah” the set was good.

Ahhhh Blossoms, what would a 2016 festival be without them? It was a big weekend for Blossoms. The band played a brilliant little set on the BBC Introducing stage on Friday afternoon and I met them on the Saturday morning in the BBC Radio 1 signing tent and they managed to pull of a faultless Saturday afternoon set on the large NME/BBC Radio 1 Stage, a huge step up from the BBC Introducing stage they played last year. The band played a set full of songs off of their UK Number 1 debut album, “Blossoms”, including “Honey Sweet”, “Blow” and “Blown Rose”. Tom Ogden (lead singer) played a solo acoustic version of the stripped back “My Favourite Room” and dedicated it to a dumped fan and her ex-boyfriend in the crowd. He was engaging, sweet and comical. The band dedicated their, arguably largest, hit “Charlemagne” to their close friends and tour mates Viola Beach and their manager Craig Tarry, who were tragically killed in a car accident earlier this year. The band managed to get everyone to sit down before Charlemagne and jump up after the tune kicked in. Blossoms are on their way to something big, like a huge main stage performance, so keep a look out for the Stockport lads- they’re everywhere.

The Courteeners¬†played a hit filled set under a ¬†sea of colourful smoke flare mist on Saturday afternoon, on the main stage. The band sang songs off of their upcoming album, “Mapping The Rendezvous”, including the first released song from the album, “The 17th”. The set was energetic and engaged with the eager fans, many of whom had been anticipating their performance (judging by the many, many fans with Fallowfield Hillbilly shirts about- “Can you play guitar, my boy? Can you fuck?”). The band played songs from their large four album back catalogue (excluding the latest, unreleased album), including the incredible “Not Nineteen Forever”, which was easily the highlight of my weekend. It’s a song which I love so much, and so did most of the crowd, and the song that got me in to the Courteeners and so it was a pleasure to have caught it! The band are playing on a UK tour in November, in support of “Mapping The Rendezvous”, which is out on October 21st.

I saw Vegas rockers Imagine Dragons at Reading Festival in 2014 and swore down it was one of the most fascinating and captivating performances I’ve ever seen in my life. They had drums, beaming sun and an adored selection of songs from their debut album, “Night Visions”. The same, err, couldn’t be said for their performance at the O2 in November last year, which was easily the most dire thing I’d ever seen (and not because of the band, who were still brilliant). I don’t know why, but Imagine Dragons are a band who just work¬†on festival stages, with the outdoor setting only complementing them. They thrive on the energy and enthusiasm of youth and manage to pull off incredible, fascinating performances consistently. The band played for the festival in the UK as a one off, in support of last year’s album, “Smoke and Mirrors”. The band managed to intertwine hits off of both albums to create a set to please fans both new and old. With a cover of Blur’s “Song 2”, Dan Reynolds (lead singer) singing from within the crowd and a lengthy guitar solo from lead guitarist Wayne Sermon (whose real name is Daniel… The third Daniel in the band), the band ended with a stunning performance of, arguably their biggest hit, “Radioactive”. The song was laced with booming drums and a chorus of people singing along to a song that many love a lot. ¬†Whilst it didn’t top their 2014 performance for me, they sure played a memorable set which was loved and enjoyed by all in attendance.

Two Door Cinema Club are back. The band are due to release a new album, “Gameshow”, in October and played Reading and Leeds in anticipation of its release. The set follows a summer of festivals, including Glastonbury earlier in the year. The set was built around the band’s popular back catalogue, with huge hits, like “Something Good Can Work” (a song which holds many memories for me of being about 12 and shopping in Hollister), “Sun”, “We Can Talk” and “Undercover Martyn”, being played. The set was impressive and had interesting visuals on screens behind the band. It was amazing hearing some of their big songs played, but it was also good to hear songs off of their new album, including the brilliant “Bad Decisions” and latest single “Are We Ready? (Wreck)”. Their NME/BBC Radio 1 Stage headline set proved the bands popularity and potential and I’m sure they’ll be back to play the main stage once again soon.

Sunday 28th August

Spring king played a raucous set on the NME/BBC Radio 1 Stage on the Sunday afternoon. The band played songs from their debut album, “Tell Me If You Like To”. I love their live set up. For a starter, the lead singer,¬†Tarek Musa, is also the drummer, which I find fascinating. The set was energetic and wild and the tent was packed out (and not because it was raining outside). The Manchester lads played songs such as “The Summer” and “Detroit”. They managed to get the crowd to sing “who are you?” along to the song of the same name and then ended the set with the popular “Rectifier”, which was met with applause. The band’s set cemented their place at the festival and welcomed them onto the larger stage, having played the Festival Republic stage last year.

Again, what would a festival be without Rat Boy? Jordan Cardy and his band mates pop up everywhere! The band played many a song off of multiple mix tapes and in the light of their future debut album, “Scum”, which is, hopefully, to be released early next year. The set was wild, hot and sweaty. The band, all bar Cardy himself, came on in masks of themselves, as seen on their Spring/Summer 2016 tour, along with a person dressed in a red boiler suit and a Rat Boy logo (I suppose)/Cardy creation yellow mask, who ran up and down the front of the stage and into the crowd multiple times in the set, like their own personal hype man. The set was full of crowd surfing, mosh pits, set climbing (and subsequent hand cutting) and jumping. The band played songs such as “Left 4 Dead”, “Fake ID” and “Sign On”, as well as their latest, recently released single, “Get Over It”. Rat Boy never fails to impress crowds with his antics- he even got the crowd to sit down (which they “did at Boardmasters”) and jump up at one point. I think they’ll keep going and going and I anticipate seeing them slay the 2017 festival scene once again.

Everyone loves The Vaccines, or so it seems every time I see them play live. Everyone knows The Vaccines; they’re pioneers of songs you know but can’t place just how and have been around for what feels like forever, or at least that’s what they mean for me. Their Main Stage set was busy, full of sing-a-long classics and thrilling from start to finish (although you wouldn’t have thought Justin Young (lead singer) thought so). They’re a band who can put together killer set lists and please fans of all ages. The band played songs from each of their three albums, including “Post Break-Up Sex”, “Teenage Icon” and “Melody Calling”. The highlight of the set was seeing so many people, old and young, dancing to “If You Wanna” at the end of the set, along with “Norgaard”. Easily one of the best acts of the weekend.

The Wombats¬†are another band that you probably just know and don’t know how. They constantly create relatable songs filled with teenage heart ache, jaded youth and clumsy tales. ¬†They’re, again, a band who hold a special place in my heart as they were one of the first “indie” bands I really got in to. In a weird turn of events, I managed to watch the set by myself and I can’t stress how amazing the experience was (watching one of your favourite bands by yourself and singing and dancing as recklessly as imaginable with no fear of real judgement is incredible). The band played songs from each of their three albums and played to a packed tent- a step up from last years very sweaty Festival Republic Stage headline set. The band played songs such as “Give Me A Try”, “Moving To New York” and “Tokyo (Vampires and Wolves)”. “Jesus… and the Mary Chain” muttered the band as they realised the scale of which they were playing and how “insane” it was. The band closed with “Let’s Dance To Joy Division”, a song which holds many memories to many people. I can’t wait for The Wombats to be back properly again. I miss The Wombats.

The 1975¬†have been building up to their Reading and Leeds sets for a good while now. The band have played many festivals this summer and promised their Reading and Leeds sets would be something special, and they were. Matty Healy (lead singer) was sounding the best I had seen for a while and sang often with cigarette in hand, obviously. I can’t help but love and be fascinated by Healy every time I see him. ¬†The first time I saw The 1975 play was at Reading Festival in 2014, where I was converted to being a fan of the band. The set was boozy, but something else. It was the last thing I properly saw at Reading Festival in 2014 and, incidentally, the last thing I saw at Reading Festival in 2016… Headlining the festival in 2018? It wouldn’t surprise me. The band played in front of their stunning visuals, which they’ve toured with for nearly a year, and back with their drummer, George Daniel, again. They played songs from their debut album, “The 1975”, and their latest album, “I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It”. The band played songs such as “Loving Someone”, where Healy even spoke the spoken word part in the middle, “Sex” and “The Sound”, where everyone had to jump on the count of four. “We’re going to go away and make another record and then come back and headline this whole thing” Healy promised fans, whether or not they will only time will tell, but for now their stunning NME/BBC Radio 1 set was enough to keep them remembered and treasured by fans. I look forward to seeing them play a sold out show at London’s O2 Arena in December.

Overall, Reading Festival 2016 was, once again, a huge success. With secret sets from You Me At Six, incredible performances on the BBC Introducing Stage and huge headline sets across all stages, I look forward to what Reading 2017 might entail. I can’t wait! I might, in the future, make a blog post about what I think festival season 2017 might look like.

 

 

 

Reading Festival 2016 Review

2016- The Ones to Watch

January’s nearly over and 2016 is set to be huge for some new artists. I thought I’d suggest some artists and bands who are, undoubtedly, going to be huge this year.

Rat Boy– I’ve been singing Rat Boy’s praises for the last few months. After triumphantly supporting bands like Circa Waves and The 1975, their success is almost inevitable. They’re set to release an album this year too and are going on a headline tour of the UK in May (some days sold out on the day of release). They’re being tipped to be big by the BBC too. They have the energy and enthusiasm of a young Jamie T and lyrics comparable to those of great artists and bands, like The Streets.

FOR FANS OF: Jamie T, The Streets, those who like a bit of teenage fuelled, political lined lyrics and energetic indie rock.

HAVE A LISTEN TO: Wasteman, Move and Fake ID

Sundara Karma– I stumbled upon Sundara Karma at some point last year. I’m not entirely sure when or where but I’ve been following their music a lot since. They’ve supported The Wombats on huge dates- like at Alexandra Palace- and have played festivals up and down the country, including Reading and Leeds. They’re exciting and fresh indie rock. Oscar, lead singer, has a really unique and powerful voice which sings songs meant for arenas and huge audiences. The songs are unbelievably catchy and will soon become staples on every playlist! They’re inspired by a load of huge names, like Bowie and The Doors.

FOR FANS OF: Huuuuuge, arena style chorus’ (and bands like Catfish and the Bottlemen, in terms of area filling songs, and Circa Waves)

HAVE A LISTEN TO: Flame, Loveblood and Vivienne

The Japanese House– Ever since I heard Zane Lowe play “Still” on BBC Radio 1 last year I’ve been obsessed with the laid back, easy listening tunes of The Japanese House. The Japanese House is 19-year-old Amber Bain and she’s signed to Dirty Hit Records (The 1975, Wolf Alice). She’s worked with The 1975’s George Daniel and Matty Healy to produce music (including the EP “Pools to Bathe In”). The lyrics are lined with melancholic themes but are extremely emotional and easy to listen to. She’s supporting The 1975 on tour in March, which I’m excited to see, and I eagerly anticipate new material.

FOR FANS OF: The 1975 and laid-back, easy to listen to tunes with a unique twist.

HAVE A LISTEN TO: Still, Cool Blue and Teeth

Black Honey– On a Sunday morning at Reading Festival I discovered Brighton based, female fronted band “Black Honey ”  on the Festival Republic stage. There’s nothing I hate more than comparing female fronted bands to Wolf Alice- as everyone does, about every female fronted band- but Black Honey do, indeed, sound similar to Wolf Alice. Perhaps even a bit like Blondie (and even The Pretty Reckless). Izzy, the lead vocals, has a slight “Lana Del Rey” about her voice too. The tunes are huge, “Madonna” in particular, and are extremely memorable. They’ll be huge this year and follow in the success of female fronted bands like Wolf Alice. It’s definitely the time for a female fronted bands in alternative, indie rock.

FOR FANS OF: Wolf Alice, huge tunes and powerful female fronted indie-rock bands.

HAVE A LISTEN TO: Madonna, Sleep Forever and Corrine.

The Sherlocks– Where do you even start with The Sherlocks? They followed my sister on Twitter a year or two ago which provoked a peek at their performance at Reading Festival last year (which turned into being totally encapsulated by the set and ending up seeing it in its entirety). They have the determination of a young Alex Turner with a Gallagher brothers edge. They sound a bit like The Courteeners, with a Catfish and the Bottlemen aftertaste and a bit of Kasabian charm (especially in Escapade). They’re young, exciting and have all the elements to become something pretty big and special. I’m excited to see where they’re lead over the next year. They’re touring the UK in February.

FOR FANS OF: The Courteeners, Catfish and the Bottlemen and 2006 Alex Turner haircuts

HAVE A LISTEN TO: Live For The Moment, Escapade and Heart of Gold

Blossoms– Finally, there’s Blossoms. The music reminds me of bands like Peace whilst the vocals have a Van McCann (Catfish and the Bottlemen) touch. In some ways it reminds me of bands like The Kooks or Tame Impala. I particularly like how defined they are in their genre with their music that sets them apart from other bands and makes them totally unique. Blossoms are definitely ones to watch over the next year or so, so expect them to pop up all over the place!

FOR FANS OF: The Kooks, Tame Impala, Catfish and the Bottlemen and Peace

HAVE A LISTEN TO: At Most a Kiss, Charlemagne and Blown Rose

 

 

2016- The Ones to Watch