2018- Ones to Watch

As the class of 2017’s Ones to Watch graduate onto big things, it makes sense to start the year off with a fresh batch of up and coming talent who are soon to be making waves within the music industry. Last year’s bands included: Sundara Karma (who went onto headline a show at Brixton’s O2 Academy and release their debut album), Rag ‘N’ Bone Man, Declan McKenna, VANT, The Big Moon (who went on to be nominated for this year’s Mercury Prize), Blaenavon, Cabbage, Will Joseph Cook, Clean Cut Kid and The Amazons, all of which have gone on to do exciting things, whether it be releasing their debut album or collecting an array of prestigious awards. This year’s list could go on forever, but I’ve picked out my highlights.

The Magic Gang

Brighton’s The Magic Gang have been about for the last few years. They’ve supported countless bands and played multiple day time festival slots, but now it’s their turn to take to the big stage. They’ve taken their time putting out gloriously upbeat, alternative singles and- hopefully- are preparing to put out a full length record in the near future. Regardless, they’re definitely worth a listen.

FOR FANS OF: Sundara Karma, The Big Moon, Circa Waves

LISTEN TO: Jasmine, How Can I Compete, Your Love, All This Way

 

Pale Waves

Pale Waves are one of the latest great bands to come from the hit-making record label Dirty Hit. In the last year or so they’ve already played Madison Square Garden, had singles produced by label mate Matty Healy (The 1975) and toured the UK a handful of times on their own. Their sound is similar to that of The 1975s, with its dark, sugar coated outside and classic indie-rock core. Oh, and they’ve already got matching band tattoos, so they’re in it for the long run!

FOR FANS OF: The 1975, The Japanese House, Swim Deep, Fickle Friends

LISTEN TO: There’s A Honey, Television Romance, New Year’s Eve

 

Billie Eilish

Straight out of LA, 16-year-old Billie Eilish is already making waves in the world of music. Her soothing indie-elctropop spell tales of teenage love and loss, in ways which are mature beyond her years. The tracks themselves are effortlessly easy to listen to, with hints of artists such as Lana Del Rey seeping through. In 2017, Eilish released the EP stylised as dont smile at me, which includes a successful collab with Vince Staples (which echoes singles ‘watch’).  The EP has the youthful optimism of Lorde’s Pure Heroine, with a cool edge. I can’t wait to see Eilish live eventually, with a sporadic selection of sold out worldwide dates popping up all over the place as we speak.

FOR FANS OF: Lana Del Rey, Lorde

LISTEN TO: Watch, idontwannabeyouanymore, Party Favor and Ocean Eyes

 

Ten Tonnes

Ten Tonnes is an exciting up and coming singer/songwriter who plays upbeat, easy to listen to alternative tunes on his electric guitar. The songs ooze an air of cool, with catchy chorus’ galore. He’s also brilliant live, with a natural, relaxed and collected stage presence, and is about to embark on a UK tour as support for RatBoy, with fellow 2018 up and coming trailblazers Bad Sounds.

FOR FANS OF: Tom Grennan, Will Joseph Cook, and feel good pop songs.

LISTEN TO: Lucy, Cracks Between, Born to Lose, Love Me To Death

 

Tom Grennan

Tom Grennan is undeniably one to watch. His voice is timeless, with a maturity many take years of graft to grasp. Grennan’s polished pop songs are a masterclass in how to write a modern classic and his soulful, blusey voice is tireless.

FOR FANS OF: Soulful strong male vocals

LISTEN TO: Found What I’ve Been Looking For, Royal Highness, Praying, Something in the Water

 

Rex Orange County

Rex Orange County’s is a British singer/songwriter, whose songs possess the lyrical wit of that of The Streets and are fused with hip-hop, pop and jazz influence. He’s already has a large following of famous fans, including Tyler, The Creator, who featured Rex Orange County on his latest album and has been tipped by BBC Music on their Sound of 2018 list, in which he came second. His music is effortlessly cool and clever. It’s something unique and special.

FOR FANS OF: The Streets, Rat Boy, Declan McKenna

LISTEN TO: Best Friend, Loving is Easy, Television/So Far So Good

 

Sigrid

Sigrid is set to be one of the most exciting solo artists of the year. The Norwegian singer’s feel good pop tunes are infectiously catchy and are set to soundtrack the Summer of 2018. She shot to fame after releasing the Don’t Kill My Vibe EP in 2017 and has been unstoppable since, with a sold out UK tour coming up and plenty of big festival sets already under her belt. What’s more, she’s recently been crowned the winner of BBC Music’s Sound of 2018. Watch this space!

FOR FANS OF: MØ, Dua Lipa, Anne-Marie, and a strong female pop vocal.

LISTEN TO: Don’t Kill My Vibe, Strangers, Plot Twist

 

Sam Fender

Sam Fender is just beginning to emerge in the music industry. He’s insanely talented and provides an essential “woke” (if you will) narrative of the world. The soulful singer songwriter writes politically and socially aware tracks, which take on the topics of sexual harassment and the government’s role in society. Fender’s guitar lead music doesn’t become tiresome either and with four singles released thus far, I can’t wait to hear what comes next.

FOR FANS OF: Tom Grennan, Rag ‘N’ Bone Man, Declan McKenna, The Amazons

LISTEN TO: Play God, Start Again, Greasy Spoon

 

Superorganism

Superorganism are out of this world. Literally. They’re a fascinating band who experiment with sound in a unique and exciting way. Whilst their core is that of indie rock origin, they throw curveballs in the form of samples and sound effects. Their sound is refreshing to listen to, whilst their live set up is equally as exciting.

FOR FANS OF: Something totally unique, slightly out-there and with a pretty open-mind!

LISTEN TO: Something For Your M.I.N.D, Everybody Wants to Be Famous

 

Tom Walker

Tom Walker is a self taught musician, who has a degree in songwriting and he’s insanely brilliant at all of it. Singer/songwriter Walker fuses eclectic samples with bold beats and catchy hooks. Hip-hop and pop influence seeps in, whilst traditional songwriting remains at core. His voice is incredibly soulful and easy to listen to. He’s also set to tour the UK in March and is definitely not one to be missed.

FOR FANS OF: Jack Garratt, James Bay, Saint Raymond

LISTEN TO: Leave a Light On, Just You and I, Fly Away With Me

 

The Night Café

The Night Café are a brilliantly traditional indie-rock, alternative band. They’re pretty refined in their genre and their tracks could easily excite the toughest of audiences. They’ve supported Blaenavon on a couple of their tours and are playing the odd show around the country in their own right. They’re a band just on the cusp of making it big and I can’t wait to see them grow and mature into something huge.

FOR FANS OF: Blaenavon, Sundara Karma, The Magic Gang

LISTEN TO: Mixed Signals, Addicted, Felicity

 

FEET

FEET are one of the first bands to come out of Yala Records- the brainchild of The Maccabees Felix White. Their indie-rock, alternative sound is laced with elements of raucous punk. Whilst they’ve only officially released two songs I think they’re going to go on to do really great, big things. Watch this space.

FOR FANS OF: Slaves, Palma Violets, Cabbage, Wolf Alice

LISTEN TO: Petty Thieving, Macho Macho

 

King Nun

I remember the first time I saw King Nun. It was a boiling hot summers day at a market in Kingston in 2015 and the audience consisted of passers by and- mainly- band family members. I don’t remember how I wound up to be there, but the band played a memorable set. Two year’s later and the band have been signed to Dirty Hit Records- the record label behind The 1975, Wolf Alice, Superfood etc.- and have since put out a few singles and EPs. Their sound is loud and raucous. It’s gritty and raw and they play an electric live set. With the nurture of Dirty Hit, they’re certain to flourish into something big.

FOR FANS OF: VANT, Slaves,

LISTEN TO: Tulip, Sponge, Speakerface

 

Bad Sounds

Brothers Ewan and Callum started Bad Sounds a couple of years ago, fusing hip hop influences with cool indie-pop. They’re experimental with sound and sampling and electronic beats run deep throughout all of their tracks. They put out a couple of EPs last year (PHRESSSH and Mixtape One) and have already embarked on their maiden tour of the UK. What’s more, they’re due to join Rat Boy on his early 2018 tour- along with the formidable Ten Tonnes.

FOR FANS OF: Superfood, something totally different.

LISTEN TO: Wages, Are You High?, Avalanche

 

 

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2018- Ones to Watch

Reading Festival, 25th-27th August 2017 (Festival Review)

So Reading (and Leeds) Festival is over for another year and this year’s festival was a huge success. The event, held at Richfield Avenue, took place from Friday 25th August to the 27th August and was headlined by Kasabian, Eminem and Muse. There were a couple of (not so) secret sets over the weekend too, including appearances from Wolf Alice and Queens of the Stone Age (who will no doubt be back next year, perhaps the latter as headliners).

Here are my highlights:

Friday

The Magic Gang played a triumphant late morning set on the BBC/NME Stage to set off an exciting weekend of live music. The Brighton band played an enthusiastic and energetic set, filled with previously released songs- including ‘All This Way’ and ‘Jasmine’- as well as their latest single ‘Your Love’.

If you haven’t seen Declan McKenna in 2017 then I don’t know where you’ve been! He’s played pretty much every UK festival and Reading and Leeds was no exception. The 18-year-old played his first ever Reading and Leeds set (having attended Reading for the past two years) on the BBC/NME Stage to a packed out audience. McKenna sang songs from his debut album- What Do You Think About The Car?– and jumped into the audience a few times in the set, with the first time unsuccessfully ending up in the middle of a mosh pit. McKenna laughed off forgetting the words to ‘Paracetamol’ and continued to gleefully run around the stage as the audience sang, cheered and clapped along. Declan McKenna knows how to excite an audience.

Anne-Marie might not have seemed an obvious choice for Reading Festival, but by the sheer amount of people who turned up to see the ‘Rockabye’ singer she’s clearly a popular one. The singer played a mixture of singles, including ‘Do It’ and ‘Alarm’, and lesser known songs, before ending with the hit-singles ‘Ciao Adios’ and a stunning version of Clean Bandit’s ‘Rockabye’, which she features on. The audience were in awe as she sang pitch perfect songs and as she jumped into the crowd to take selfies with the audience.

It’s been quite a year for Two Door Cinema Club. Last year they headlined the BBC/NME Stage and now they’re creeping up the Main Stage line-up, with a new album and countless tours under their belts. Two Door Cinema Club know how to put together a good setlist, which featured hit after hit and a copious amount of fan favourites. They always put on a good, feel-good show.

Bastille brought the Wild Word tour to Reading Festival, with brilliant visuals and stories of politics and life laced throughout. The band played songs spanning their back catalogue and the radio-hits from their latest album. The drumming on Pompeii was an obvious highlight, as the audience loved singing along.

British rock band You Me At Six closed the first day of the BBC/NME Stage. The set- which featured huge pyrotechnic displays- was plagued by technical difficulties, which prompted a spine-tingling acapella rendition of ‘Lover Boy’ from the album Sinners Never Sleep. The band played under a sea of mobile phone lights and lighters during ‘Take On The World’, before bringing guitar lead rock hit after hit to the Reading Stage. The band treated fans to songs from their debut album- Take Off Your Colours– ahead of its 10 year anniversary next year, with front man Josh Franceschi telling his desires of wanting to do an anniversary tour next year. The band were on top form that night.

Saturday

The not-so-secret secret act Wolf Alice played to dedicated fans and festival goers at 11:00am on Saturday morning. The set was incredibly lively with famous fans, label mates and onlookers (including The 1975’s Matty Healy and Slaves’ Isaac Holman) stood side of the stage. The band played songs from their 2015 debut album, My Love Is Cool, and showcased new songs from their forthcoming second album, Visions of a Life, including the singles ‘Yuk Foo’, ‘Beautifully Unconventional’ and ‘Don’t’ Delete The Kisses’. The atmosphere was incredible.

Blaenavon played the BBC/NME Stage early on in the day. The band brought That’s Your Lot to Reading Festival and treated the crowd to their mature, alternative music. The band played songs including ‘Orthodox Man’, ‘Let’s Pray’ and the stunning ‘Prague’ before front man Ben Gregory jumped into the crowd.

Dan Stock played on the BBC Introducing Stage. Singer songwriter Dan Stock stood solo centre stage and played as if he were playing to an arena. His lyrically clever and satisfying songs echoed that of Alex Turner and his assured stage presence commanded the respect of Jake Bugg, Declan McKenna or Liam Fray. With the aid of a band (eventually) he could become pretty huge. He’s definitely one to watch.

A couple of weeks before Superfood released their triumphant ‘comeback’ album Bambino the band played Reading Festival. The festival gave a platform for the band to showcase songs from the upcoming album, including ‘Where’s The Bass Amp?’, ‘Double Dutch’ and ‘I Can’t See’, throughout which they encouraged the audience to dance. The band also played tracks from their 2014 debut album Don’t Say That, including the song ‘Superfood’.

Ahead of their biggest UK tour to date (which features shows at London’s O2 Brixton Academy) Sundara Karma delighted the Reading audience to a spectacular homecoming show. The Reading band played a no-gimmick set filled with tracks off of their (now extended) debut album, Youth is Only Every Fun in Retrospect, which was released earlier this year. The band opened up the Main Stage at Reading Festival last year in what turned out to be a career defining performance and this felt like a triumphant progression. Sundara Karma are continuing to make waves with their effortlessly cool, alternative music and the fans sure are loving it.

Everything Everything played a lot of their new album A Fever Dream at this year’s Reading Festival. The band’s set featured heavily a lot of new tracks, including the single ‘Can’t Do’, with the odd fan favourite peppered in to the audience’s excitement. The highlight of the set was the weirdly wonderful ‘No Reptiles’, with its absurd, yet clever lyrics and infectiously catchy nature, with songs like ‘Distant Past’, ‘Kemosabe’ and ‘Spring Summer Winter Dread’ also loved by the fans. It’s great to see Everything Everything back with refreshing new material though, even if it seems relatively toned down compared to what came prior to it.

Glass Animals are a band so powerful that they brought on an entire pineapple ban at this year’s festival. The Oxford band brought How To Be A Human Being to Reading with it’s chilled out, psychedelic (almost) tracks and performed in front of the world’s largest golden pineapple disco ball and a plethora of pineapples and cacti on stage. The ban on pineapples did not stop fans from smuggling the odd pineapple in, as those successful sat holding their prize goods high on top of the shoulders, commanding proud applause. The band opened up with the gloriously energetic ‘Life Itself’ and closed with the song that brought on an entire fruit ban, ‘Pork Soda’. Front man Dave Bayely even performed the entirety of ‘Gooey’, from their debut album, stood in the crowd. It was a sight to behold.

Sunday

Ten Tonnes played to a packed out tent full of festival goers on the Festival Republic Stage. The singer songwriter graduated from The BBC Introducing Stage, which he played last year, onto the Festival Republic Stage in a move that felt fitting with his growing audience. Ethan Barnett- as he’s formally known- is gathering momentum, with his catchy, easy to love, feel-good songs.

Up and coming London band King Nun played a raucous Sunday afternoon set on the Festival Republic Stage, where they showcased previously released singles including ‘Speakerface’ and ‘Tulip’. Their punk riddled indie-rock music proved popular with the young crowd who jumped, danced and moshed accordingly.

The Sherlocks returned to Reading Festival for the third year, having progressed up to the BBC/NME Stage this year. The tent was filled with fans and flares and had a similar feeling of excitement to that of a Courteeners concert. This came a week after their debut album, Live For The Moment, was released, so the band treated fans with hit after hit from the album.

Will Joseph Cook brought his gloriously, sun-kissed indie-rock tunes to a blissful Reading Festival late on a sunny Sunday afternoon. His set rivalled Giggs’ on the Main Stage- who brought pop/hip-hop sensation out Drake– and the atmosphere in the tent was chilled out in comparison. He played a whole host of songs from his debut album, Sweet Dreamer, and also treated fans to songs from his earlier EPs.

Blossoms played a tricky set before Liam Gallagher on the Main Stage. Blossoms are a band completely capable and worthy of playing huge stages, but this felt as though they were swimming against the tide, with crowds refusing to participate, Muse fans sitting about in preparation for the evening, huge lack of singing, support and engagement with the audience. The band seemed to pick up on this and it all felt a bit depleting. Having said this, the Stockport lads delivered a set full of the hits- with everyone going crazy for biggest hit ‘Charlemagne’- from their debut self-titled albums, with the usual gimmicks thrown in for good measure. I could probably recite the whole set by this point; it’s quite predictable now!

Liam Gallagher performed a gallant set on the Main Stage at Reading Festival before headliner Muse. The icon, clad in his usual green trench coat, sunglasses and iconic haircut, sang Oasis hits (including ‘Morning Glory’ and ‘Rock ‘N’ Roll Star’) and songs from his forthcoming debut album, As You Were, which is due for release in October. Gallagher ended his set with the indie classic and obvious anthem ‘Wonderwall’, which saw fans of all ages united in song. Liam actually sounded top of his game though and seemed as happy as ever.

Halsey played the BBC/NME Stage whilst her North American tour mate Charli XCX brought her iconic pop hits and bubble-gum pop to the Dance Stage. Charli XCX played surrounded by pink confetti, dancing blow up ‘people’ (I suppose) and her all-female band and brought the party to the festival. The tent overspilled with people jumping and dancing all around. Definitely a highlight.

Haim closed the BBC/NME Stage at Reading Festival with a spectacular headline set. The band’s performance was a year over-due, as they cancelled their headline slot last year due to wanting to finish up their new album, but it was definitely worth the wait. The band played hits from their first album- Days Are Gone – and their latest album, Something To Tell You. The set featured a lot of dancing, bursts of humorous chat, a bucket full of bass face and the most captivating drumming display ending. Definitely a huge highlight over the weekend.

Overall, it was another great Reading Festival and the strong line-up proves why the festival is still going so strong after so many years. The good festivals do it properly and well, setting them miles apart from the rest.

 

Reading Festival, 25th-27th August 2017 (Festival Review)

Glastonbury Festival 2017 Review

*Apologies that these posts have taken an age. We’ve been without internet for nearly a month!*

This year’s Glastonbury Festival took place on Worthy Farm from the 22nd-27th June. The festival was headlined by Radiohead, Foo Fighters and Ed Sheeran, with Bee Gee Barry Gibb playing the festival’s prestigious Sunday afternoon legends slot. Other notable acts across the weekend included Lorde, The Courteeners and Declan McKenna. The Killers performed a surprise set, which was headline worthy, on the John Peel Stage, and Elbow, too, performed a surprise set, which was on The Park Stage, on Friday.

This year’s festival felt very exciting. It came at a time of political unrest (a year on from Brexit), great new music- with grime deservedly taking centre stage- and a line-up sufficient to fill the Glastonbury shaped gap in the festival calendar next year, when they take a fallow year. This year’s festival was surprisingly sunny too- result!

Friday 23rd June

Glass Animals, BBC Introducing – There’s little more exciting than the opening act on the BBC Introducing Stage. It’s often big enough- yet secret and special enough- to rival whatever 80s legend is playing a killer set on The Other Stage, in this case it was The Pretenders (who played a pretty brilliant set). In recent years we’ve seen the likes of Circa Waves and plenty of other BBC Introducing alumni christen the stage, but this year it was the turn of glorious, indie art-pop band Glass Animals. The stripped back set was extremely short and sweet- a mere four songs long- but left the audience hungry (perhaps because of the sheer volume of pineapples dotted about the stage and throughout the audience) for their full band performance later that day. They played ‘Life Itself’ and ‘Season 2 Episode 3’, at the audience’s request, from their latest album How to be a Human Being, which was released later last year. They also played the hit ‘Gooey’ and ‘Black Mambo’, from their 2014 debut album ZABA.

Blossoms, The Pyramid Stage – It’s always brilliant to see a band graduate onto the prestigious Pyramid Stage (we saw Wolf Alice triumphantly do it in 2016), but none more refreshing, exciting or well deserved than that of Blossoms’ early afternoon set. The band played a setlist filled mainly with songs from their debut album Blossoms, which was released last year, with the odd B-Side and latest single ‘This Moment’ with Chase and Status thrown in for good measure. I’ve seen enough Blossoms shows over the last year to say that this was nothing much different to the rest yet this felt extra special. The sheer volume of the crowd reflected the huge year that Blossoms have had and it’s great to see them finally get the recognition they deserve.

Declan McKenna, John Peel Stage – 18-year-old Declan McKenna is no stranger to Glastonbury Festival, but this was his first taste of major stage success, despite being given the chance to play the same stage two years prior. The set came just weeks before the release of his stunning debut album, What Do You Think About the Car? It felt like a pivotal set of his career, with the chance to open up his already huge fan base to a totally different audience. His youthful depictions of life, love and-importantly- politics are refreshing and his energetic stage presence is exciting. He ran about and scaled things like any 18-year-old playing Glastonbury would dream of doing. He even crowd surfed, much to the securities dismay. He played again over the weekend (Sunday on the Left Field Stage, which seemed very fitting). I recommend you watch out for Declan McKenna; he’s only just getting started.

George Ezra, The Other Stage – George Ezra played the ultimate feel good, sing-a-long set on The Other Stage. His set rivalled an unannounced, not-so-secret set by Elbow on The Park Stage, yet the size of his crowd wasn’t hindered by this. Ezra played all the hits from his first album, opening with a jazzed-up, trumpet filled ‘Cassy-O’, closely followed by ‘Barcelona’ and ‘Blame It On Me’ and ‘Listen to the Man’, from his first album, Wanted On Voyage. George Ezra also showcased many a song from his long awaited second album, speaking tales of writing the album- like a delightful in person version of his weekly email updates- and what he learnt in the process of making it. He encouraged the crowd to sing along with his new songs, which they did and they did loudly. He even played his latest single ‘Don’t Matter Now’, which, at the time, had only been out for a matter of weeks and yet everyone knew all the words. When he ended with undoubtedly his biggest hit, ‘Budapest’, he seemed somewhat overwhelmed and moved by the audience’s reaction. He didn’t even need to sing it because the audience sang it so loudly for him! George Ezra is always a pleasure to see, but he really does pull out the stops for Glastonbury.

Lorde, The Other Stage – Lorde played Glastonbury for the first time this year, but she was welcomed as if she was a regular. There’s not many times that I’m emotionally moved by a performance, but Lorde’s set was something else. It seemed dramatic, theatrical, a spectacle- all words which, too, describe her incredible second album, Melodrama. Her second album was released a week to the day and Lorde described it as celebrating the album’s “birthday”. She performed in front of a moving glass cage-type contraption. Various actors would fill the container and interact to the music with one another, in front of a changing screen, using props. This was not a gimmick. At first I was confused, but the theatrical performance seemed fitting with the huge, dramatic production. Lorde opened with a short, orchestra lead version of ‘Green Light’ before bursting into a set full of new and old favourites. The pinnacle point of the set was Lorde performing ‘The Louvre’, from her latest album, which she explained was about “having a crush” and urged the audience to “close their eyes” and think of their crush when listening to the song. This flowed seamlessly into the emotional “The Louvre”, whereby Lorde sat on the front of the stage and explained how it was a song about “not feeling like you’re good enough”. It was highly emotional and felt incredible intimate, ironic given the setting. Lorde sang and danced throughout, even ending up in the crowd at points. She played an incredible set, one which topped my entire weekend.

Saturday 24th June

The Magic Gang, William’s Green – Brighton’s own The Magic Gang managed to bring their chilled indie-rock to an eager crowd on the Saturday morning of Glastonbury Festival. Many a huge band have played William’s Green at some point in their career and I’m sure this won’t be the last time we see The Magic Gang at the festival. The band played a selection of tracks from their EPs, including latest single ‘Your Love’, and the audience loved every minute of it.

The Amazons, John Peel – I’m a huge supporter of The Amazons and love their music, but if ever there was a moment you don’t want to have your electrics fail on you this was it. The set was laced with technical issues but proved triumphant nonetheless. The band played to a packed out John Peel tent, which is a promising sign for any up and coming artist, and played the majority of their 2017 self-titled debut album. The set was full of highlights, from the bold ‘Junk Food Forever’ to fan favourite ‘Black Magic’.

Katy Perry, The Pyramid Stage – When faced with the hideous clash between Liam Gallagher and Katy Perry, who do you choose? I spoke to a guy who saw both and his verdict was Perry. The risk of missing a potential- yet hideously unlikely- Oasis reunion tempted the masses but pop-sensation Katy Perry played to nothing short of a full Pyramid field. I find Katy Perry extremely fascinating and her bubbly stage presence and brash production overtly captivating. The set was odd from start to finish (what else would you expect?). Perry came out dressed as some sort of sparkly school child- pink hat and rucksack in tow- with latest album eye logo plastered pretty much everywhere. There was a huge pink moving eye, pom-pom clad dancers a plenty and confetti cannons to make any audience happy. Gimmicky? Maybe. Fascinating and theatrical? Absolutely. Perry played hits from her latest album, including the singles ‘Chained to the Rhythm’, ‘Bon Appétit’ and ‘Swish Swish’, but ultimately it felt obvious she was there to sell her latest album- Witness– which had recently (unfairly) flopped in the charts. Perry played unknown song upon unknown song from her latest album, which became slightly laborious after a while. Having said that, the odd hit she peppered in was absolutely incredible and the atmosphere was buzzing. The mash-up of hits and (infuriating) rearrangement of ‘Teenage Dream’ made up for the lack of desire for the newer songs. You can’t say she’s not entertaining though!

Alt-J, Headliners of The Other Stage – We tried the HUGE (on all accounts) Pyramid Stage set Foo Fighters, which was filled with hit upon hit from their massive expansive back catalogue, tributes to Florence and the Machine’s 2015 filler- but killer- headline set and two and a half or so hours of Dave Grohl being the absolute legend he is, but settled for Alt-J’s euphoric Other Stage headline set. Alt-J are a band I’m fascinated by. Their live sets always feel as though they’re an experience. A journey. This was no exception. The audience were taken on a journey through the last few years of Alt J material, as each song was seamlessly- and effortlessly- sewn together by instrumental and an impressive light show. Alt-J proved that they know how to navigate a good headline set.

Sunday 25th June  

Sundara Karma, John Peel Stage – You can’t go far without escaping the up and coming indie kings that are Sundara Karma and rightly so. Sundara Karma have picked up massive momentum this year, having released their huge debut album Youth is Only Ever Fun in Retrospect, toured the UK both on a headline tour and with indie legends Two Door Cinema Club and set to embark on a huge tour which includes a date at the Brixton Academy. The tent was filled with new and old fans, as they played songs from their debut in both its standard and recently released extended form. I’m beyond excited to see where this leads them, but things are looking up- perhaps they’ll do a Wolf Alice or Blossoms and we’ll see them on the Pyramid Stage in a matter of years?

Rag ‘N’ Bone Man, The Other Stage – Is there anything Rag ‘N’ Bone Man can’t do? More specifically, is there anything he can’t do without total grace and gratitude? Brighton’s Rag ‘N’ Bone Man seemed to soak up and enjoy every minute of his Glastonbury set. He seemed genuinely grateful that so many people had turned out to watch his hour long set and that’s something that came through in his flawless singing. He sang many a song from his debut album ‘Human’, which was released earlier this year, including the pop-hit title track and others, including ‘Skin’ and ‘Wolves’. He even brought out and shared the stage with his previous rap collective, an understandable yet contradictory move away from his famous soulful voice. He’s a special act.

The Killers, The John Peel Stage – The weekend had been swarming with rumours as to what the mysterious Sunday John Peel Stage TBA act could be. The area was so heaving they had to block all entrances off and stop more people from entering the field and people spilled out of the tent in all directions (you were lucky if you could get close). Luckily, the set turned out to be none other than The Killers, who played a headline worthy set. The band rattled through their hits- ‘Somebody Told Me’, ‘When You Were Young’, ‘Smile Like You Mean it’- as well as their infectious new single, ‘The Man’. Brandon Flowers needn’t sing as the crowd sung along (loudly) word for word on every single song. It was pretty incredible really. The hightlights included the bridge of ‘All These Things I’ve Done’ where thousands sung ‘I got soul, but I’m not a soldier’ back to a blown away Flowers and, of course, Mr Brightside, which still remains one of the greatest songs of all times.

Biffy Clyro, The Pyramid Stage – Biffy Fucking Clyro played Glaston-fucking-bury for the first time in a few years and they had been missed. The band played a hit-filled, guitar fuelled set which could quite easily have filled a headline slot. It’s refreshing to see such an incredible rock act play at such an accessible, all-genre embracing festival and seeing the crowd- plenty of whom waiting for pop icon Ed Sheeran- enjoy it despite it being unusually different from the day’s headliner. Songs such as ‘Many of Horror’ provided one of the most goosebump inducing moments of the weekend, as the entire crowd sung back to Simon Neil (lead singer) and Co.

Ed Sheeran, Pyramid Stage Headliner – I’d been eagerly anticipating Ed Sheeran’s headliner set for the best part of six months, let along the few days of the festival that had already been. Sheeran played- entirely solo, with the help of his trusty loop-pedal- centre stage with hundreds of screens behind him projecting his face almost everywhere whilst he delivered a set everyone could sing along to. He made remarks about the audience ‘knowing it even if they didn’t like it’ and assertively directed the crowd to sing, jump and dance at intervals. I wasn’t disappointed by his set, but it had nothing on the likes of Biffy Clyro, The Killers or, especially, Lorde. He’s pretty admirable and gutsy to do it though, you have to give it to him.

 

 

 

 

Glastonbury Festival 2017 Review

May 2017- What I’m Listening To

Firstly, I’d like to open this post with something tragically sad that I wish I didn’t have to talk about- the horrific terrorist attack on Manchester Arena. The terrorist attack on the Manchester Arena happened on the 22nd May 2017, after an Ariana Grande concert, and the death toll stands at 22, with many others injured and still in hospital. The youngest victim was 9. Many parents collecting their children were injured, as well as many (young) concert goers. Ariana Grande has offered a HUGE amount of support for the victims though and even managed to arrange (or rather be the crucial figure head of) a One Love Manchester benefit concert, with some of the biggest names in the music industry, which raised millions, within weeks of the event. It didn’t stop her, which it quite easily could have. I think it’s important to talk about these sorts of things because we have to get on with our daily lives in the same ways as we did before and because they’re tragically sad and need to be talked about. What really struck me was that it was just young kids enjoying music, something which I strongly believe we should all do and expose our children to (it’s a beautiful thing). It’s the fact that these children would’ve gone to see their favourite pop star, perhaps on their own or with their wonderful families (I have so much time for parents who take their kids to see things, regardless of whether or not they actually like it), at a place where they clearly felt safe and how they were met with terror and lifelong fear. It’s the blatant attack on a culture full of compassion, love and acceptance. It really hit me when I saw Little Mix at Radio One’s Big Weekend. There were children everywhere, with their (albeit less enthusiastic) parents, singing their hearts out and dancing to their childhood heroes, the ones they look up to. It was quite magical and to think someone would go about trying to destroy the innocence of this is truly heart breaking. I hear security is being stepped up, but of course this can’t be undone. We just can’t let it stop us.

 


 

Paramore have released their new album (finally)! It’s the band’s first album since the 2013 self-titled album and since bassist Jeremy Davis’ departure and ex-drummer Zac Farro’s return. It’s a stunning blend of old and new and feels more perfected and polished than their other albums. Their genre certainty feels assured and confident. They’ve definitely matured and are undoubtably on the top of their game. The album’s called After Laughter and was released on the 12th May. I thoroughly recommend you check it out (or read my review of it here).  They’ve also announced their third ‘Parahoy’ cruise, which sets sail from the 6th to the 10th April 2018, on a cruise around the Bahamas. It’s set to be huge and they’re set to welcome some of the biggest, most exciting names in the music industry on it too.

Glastonbury Festival have announced the famous Shangri La’s 2017 line-up this month. The line up features names from Rat Boy, Napalm Death and Gentleman’s Dub Club across eight stages. The stunningly artistic, themed area (which features artwork by the likes of Stanley Donwood) has welcomed a brand new area this year- the Earache Express- which is dedicated to metal music, a first for the festival! This joins the newly added, 2016 addition, women only venue ‘The Sisterhood’ in the area. You can’t forget to mention the stunningly immersive 360 experience of the gas tower either, which features 360 degree screens around a permanent gas tower structure, where many DJs play throughout the festival, including DJ Yoda.

Glastonbury also released their full line up this month, where names like Liam Gallagher joined the bill. The festival runs from the 22nd to the 26th June 2017, at Worthy Farm, Pilton.

Haim have released their latest single, ‘Want You Back’. The single is a brilliant blend of pure pop, with hints of the classic alternative vibe that made them famous. It’s a significant follow up single and makes me eager for their new album, Something to Tell You, which is due out in July (07/07/2017).

90s band Black Grape have announced their first album in 20 years, Pop Voodoo. It was initially due for release on the 7th July, but has been pushed back due to mixing delays. The album features the newly released songs ‘Everything You Know is Wrong’ and ‘Nine Lives’. The album gets political in lyric, so is crucial to our current (volatile) political climate. It’s set to be huge.

Wolf Alice have been sending our cryptic postcards to unsuspecting fans with lyrics on the back. These mysterious ‘clues’ are hopefully an indication of new music!

Blossoms have released a huge new song with Chase and Status called ‘The Moment’. It’s a blend of Blossoms’ glorious indie-rock, with a clear Chase and Status touch. Perhaps this collaboration was unsurprising as a follow up to their 2016 collaboration with Slaves on ‘Control’.

Sundara Karma have also announced that they are re-releasing their debut album, Youth is Only Ever Fun in Retrospect, which originally came on in January this year. ‘Explore’ is the first new single to be released, joining two other new tracks on the re-release, which is out on the 7th July. I can’t wait!

Soundgarden’s front man Chris Cornell sadly died this month, at the age of 52, on the 18th May. The news is tragic, but his will undoubtedly live on.

Next mont is set to be massive. There’s Wildlife Festival, Paramore at the Royal Albert Hall and, of course, Glastonbury. There’s even a new release from the mystical Lorde. I can’t wait!

This month’s playlist features Liam Gallagher’s new single ‘Wall of Glass’, Blondie and The Courteeners, as well as Alt-J’s stunning new song ‘3WW’ (which I’ve had on repeat) and a throwback to Mystery Jet’s stunning Radlands hit ‘Greatest Hits’ (another on repeat track). There’s also Biffy Clyro, Dan Auerbach, The Kooks and The Magic Gang’s new track.

 

 

 

 

 

May 2017- What I’m Listening To