June 2017- What I’m Listening To

A month of festivals, tour announcements and new music (thank God).

Firstly, Rat Boy are finally releasing their debut album. The record is called Scum, which we already knew after Jordan Cardy (Rat Boy) teased it at Reading Festival last year. The record is out on the 11th August 2017 and features the previously released singles ‘MOVE’, ‘GET OVER IT’, ‘REVOLUTION’ and ‘FAKE ID’.

The Killers are back with a new album and single. The band are set to release their sixth sutdio album, entitled Wonderful Wonderful,¬†later this year. The band released the catchy lead single, The Man, simultaneously to the record announcement. The single channels Two Door Cinema Club’s funky 2015 album, whist remaining iconically infectious, like most of The Killers songs are. ¬†They’re also set to tour the UK in Winter this year, following their surprise Glastonbury set.

Everything Everything have announced a new album,¬†A Fever Dream, which is due to be released on August 18th. The band also released lead single ‘Can’t Do’, which is equally as fascinating, mad and marvellous as their previous material. I love the absurdness of Everything Everything songs, which often include one absolutely brilliant, strange line, which is madly catchy.

Mystery Jets are set to release a remix EP, called The Electronic Earth EP. Key tracks have been remixed and reimagined from their 2016 album Curve of the Earth,¬†especially to dance to and “shed new light on the material”, according to the band’s website.

Wolf Alice have released the raucous ‘Yuk Foo’ (or, err, “Fuck You”, as the song’s lyrics transpire) as the lead single from the second album, Visions of a Life, which is due to be released later this year. The single is explosive, angry and intriguing. You can’t tell a lot about how the album will pan out on just one song, as usually their songs are vastly different throughout- and that’s what makes them brilliant.

George Ezra has also released the lead single from his imminent second album. The single- which he debuted on his recent UK tour and is now a staple on his 2017 festival setlists- ¬†is called ‘Don’t Matter Now’. It’s infectiously happy, upbeat and filled with summery, laid back vibes. It’s gloriously optimistic and I love it. I was lucky enough to hear his 2017 festival setlist at Wildlife Festival (his first festival of the season no less) and at Glastonbury and it’s great to hear our George performing such wonderful new tracks. I can’t wait for the album.

Lorde has announced a September UK tour, which includes a date at London’s prestigious Alexandra Palace, as well as dates at the Brighton Centre and at a string of O2 venues across the country. She will be supported by Khalid.

Reading’s Sundara Karma have also announced a September/October UK tour, which features a HUGE date at the O2 Academy Brixton. It’s so exciting watching Sundara Karma get bigger, especially after the release of their triumphant debut album earlier this year. The band are on their way to big things.

Blaenavon have also released a tour (with The Night Cafe). The tour kicks off in November and features a date at the O2 Shepherd’s Bush Empire. These dates are set to be special, especially after the success of their debut album, That’s Your Lot, which was released earlier this year.

Just when you think there could be no more tour announcements… The Libertines released details of a seaside stop UK. The tour features dates in Brighton, Blackpool and Scarborough. I’m hoping the band showcase some new material, as a follow up to 2015’s Anthems For Doomed Youth.

Reading and Leeds festival have announced details of their Alternative Stage line-up. The stage offers a break from the music, with comics, speakers and DJs.  The line-up features DJ sets from Blossoms, Circa Waves and The Big Moon, as well as a Transgressive Takeover. The line-up also features comedy sets by Bill Bailey, Katherine Ryan and Joe Lycett.

Glastonbury Festival announced earlier in the month that Liam Gallagher and Johnny Depp were amongst the latest faces to join their mega 2017 line-up. The festival itself has since gone by in a flash and was a huge success. The festival was headlined by Radiohead, Foo Fighters and Ed Sheeran and featured secret sets by the likes of The Killers and Elbow. Highlights across the weekend include the spectacular Lorde, Scotland’s finest Biffy Clyro and Blossoms. A full review will follow.

In July, I look forward to Finsbury Park’s first Community Festival (headlined by Catfish and the Bottlemen, with The Wombats, Slaves and Fickle Friends amongst loads of great acts) and the long awaited release of Declan McKenna’s debut album. There’s also Haim’s new album, which is set to be good.

This month I’ve listened to a lot of Anne-Marie’s brilliant ‘Ciao Adios’, which is already soundtracking my summer, as well as the Clean Bandit hit she features on- ‘Rockabye’- having seen her play at BBC Radio One’s Big Weekend. There’s also the summer hit that is Little Mix’s ‘Power’, which I’ve been enjoying (in various layers of guilty pleasure) since Big Weekend. I’ve also been listening to a lot of Everywhere’s latest single, ‘Man Up’, who are my new band of the month in June. I’ve also been loving Declan McKenna’s ‘Paracetamol’, as well as bit of Blondie. There’s also a lot of Lorde on this playlist, especially ‘The Louvre’, which I recommend you listen to at full volume on repeat for full effect.

 

June 2017- What I’m Listening To

May 2017- What I’m Listening To

Firstly, I’d like to open this post with something tragically sad that I wish I didn’t have to talk about- the horrific terrorist attack on Manchester Arena. The terrorist attack on the Manchester Arena happened on the 22nd May 2017, after an Ariana Grande concert, and the death toll stands at 22, with many others injured and still in hospital. The youngest victim was 9. Many parents collecting their children were injured, as well as many (young) concert goers. Ariana Grande has offered a HUGE amount of support for the victims though and even managed to arrange (or rather be the crucial figure head of) a One Love Manchester¬†benefit concert, with some of the biggest names in the music industry, which raised millions, within weeks of the event. It didn’t stop her, which it quite easily could have. I think it’s important to talk about these sorts of things because we have to get on with our daily lives in the same ways as we did before and because they’re tragically sad and need to be talked about. What really struck me was that it was just young kids enjoying music, something which I strongly believe we should all do and expose our children to (it’s a beautiful thing). It’s the fact that these children would’ve gone to see their favourite pop star, perhaps on their own or with their wonderful families (I have so much time for parents who take their kids to see things, regardless of whether or not they actually like it), at a place where they clearly felt safe and how they were met with terror and lifelong fear. It’s the blatant attack on a culture full of compassion, love and acceptance. It really hit me when I saw Little Mix at Radio One’s Big Weekend. There were children everywhere, with their (albeit less enthusiastic) parents, singing their hearts out and dancing to their childhood heroes, the ones they look up to. It was quite magical and to think someone would go about trying to destroy the innocence of this is truly heart breaking. I hear security is being stepped up, but of course this can’t be undone. We just can’t let it stop us.

 


 

Paramore have released their new album (finally)! It’s the band’s first album since the 2013 self-titled album and since bassist Jeremy Davis’ departure and ex-drummer Zac Farro’s return. It’s a stunning blend of old and new and feels more perfected and polished than their other albums. Their genre certainty feels assured and confident. They’ve definitely matured and are undoubtably on the top of their game. The album’s called After Laughter and was released on the 12th May. I thoroughly recommend you check it out (or read my review of it here). ¬†They’ve also announced their third ‘Parahoy’ cruise, which sets sail from the 6th to the 10th April 2018, on a cruise around the Bahamas. It’s set to be huge and they’re set to welcome some of the biggest, most exciting names in the music industry on it too.

Glastonbury Festival have announced the famous Shangri La’s 2017 line-up this month. The line up features names from Rat Boy, Napalm Death and Gentleman’s Dub Club across eight stages. The stunningly artistic, themed area (which features artwork by the likes of Stanley Donwood) has welcomed a brand new area this year- the Earache Express- which is dedicated to metal music, a first for the festival! This joins the newly added, 2016 addition, women only venue ‘The Sisterhood’ in the area. You can’t forget to mention the stunningly immersive 360 experience of the gas tower either, which features 360 degree screens around a permanent gas tower structure, where many DJs play throughout the festival, including DJ Yoda.

Glastonbury also released their full line up this month, where names like Liam Gallagher joined the bill. The festival runs from the 22nd to the 26th June 2017, at Worthy Farm, Pilton.

Haim have released their latest single, ‘Want You Back’. The single is a brilliant blend of pure pop, with hints of the classic alternative vibe that made them famous. It’s a significant follow up single and makes me eager for their new album, Something to Tell You, which is due out in July (07/07/2017).

90s band Black Grape have announced their first album in 20 years, Pop Voodoo. It was initially due for release on the 7th July, but has been pushed back due to mixing delays. The album features the newly released songs ‘Everything You Know is Wrong’ and ‘Nine Lives’. The album gets political in lyric, so is crucial to our current (volatile) political climate. It’s set to be huge.

Wolf Alice have been sending our cryptic postcards to unsuspecting fans with lyrics on the back. These mysterious ‘clues’ are hopefully an indication of new music!

Blossoms have released a huge new song with Chase and Status called ‘The Moment’. It’s a blend of Blossoms’ glorious indie-rock, with a clear Chase and Status touch. Perhaps this collaboration was unsurprising as a follow up to their 2016 collaboration with Slaves on ‘Control’.

Sundara Karma have also announced that they are re-releasing their debut album, Youth is Only Ever Fun in Retrospect, which originally came on in January this year. ‘Explore’ is the first new single to be released, joining two other new tracks on the re-release, which is out on the 7th July. I can’t wait!

Soundgarden’s front man Chris Cornell sadly died this month, at the age of 52, on the 18th May. The news is tragic, but his will undoubtedly live on.

Next mont is set to be massive. There’s Wildlife Festival, Paramore at the Royal Albert Hall and, of course, Glastonbury. There’s even a new release from the mystical Lorde. I can’t wait!

This month’s playlist features Liam Gallagher’s new single ‘Wall of Glass’, Blondie and The Courteeners, as well as Alt-J’s stunning new song ‘3WW’ (which I’ve had on repeat) and a throwback to Mystery Jet’s stunning Radlands hit ‘Greatest Hits’ (another on repeat track). There’s also Biffy Clyro, Dan Auerbach, The Kooks and The Magic Gang’s new track.

 

 

 

 

 

May 2017- What I’m Listening To

What I’m Listening To- September 2016

September saw festival season draw to an end, with festivals like Bestival and Always the Sun drawing the season to a close. This year’s Bestival had mixed reviews, whilst Guildford’s first Always the Sun Festival was a great triumph.

This month saw various releases from Jamie T (and his incredible new album, Trick) and Bastille (a review is on the way, but it’s taking forever, sorry). Mystery Jets also re-released their latest album, Curve Of The Earth, in a special ‘The Whole World’ edition, which includes five new tracks (including the brilliant ‘The World is Overtaking Me’, which I love).

I have been so in love with Mystery Jets this month. I’d seen them at Glastonbury, ¬†where I’d fallen in love with ‘Two Doors Down’, and I was so excited about seeing them at Always The Sun festival, earlier this month. Having seen them at Always The Sun festival I’ve been listening to them constantly since. I’ve especially loved ‘Flash a Hungry Smile’, ‘Alice Springs’ and ‘The Hale Bop’, but there are so many other brilliant ones. Twenty One¬†has been on repeat since.

Wolf Alice announced that they are part of a brilliant film project this month. The film On The Road¬†is directed by Michael Winterbottom with Wolf Alice and their busy touring schedule the subject of the film. It follows the band on tour and there’s even cameos from bands like Swim Deep. The film premieres as part of the London Film Festival at BFI South Bank on October 9th.

This year’s Mercury Prize Ceremony took place in September. The award was won by Skepta for his formidable album Konnichiwa, which was released earlier this year. Other artists up for the award included Radiohead for A Moon Shaped Pool, David Bowie for his last album Blackstar and The 1975 (who won the people’s choice vote, the first time they’ve ever done it) ¬†for I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It (which no one could say), which was released in February. Skepta’s Konnichiwa was definitely a worthy winner.

This month’s playlist features a lot of Mystery Jets and Spring King. Other artists on this months playlist are The Hunna, Blossoms (who I saw this month and they were insanely brilliant, as always) and The 1975.

Next month I look forward to seeing Jamie T and for the release of Two Door Cinema Club’s latest album, Gameshow‘s release.

 

 

What I’m Listening To- September 2016

Always the Sun Festival, Guildford, 10/09/2016

Always the Sun is a new, two day festival, in Guildford, Surrey. It was set up by Guildford venue The Boileroom in order to celebrate their 10 year anniversary. The venue has played host to many big, current artists, such as Catfish and the Bottlemen, Blossoms, Wolf Alice and You Me At Six, as well as plenty of up and coming artists, too. The two day festival featured a host of up and coming artists and a fair share of already established bands too. It was headlined by Mystery Jets and Turin Brakes. The music and arts festival had two main stages, The Park Stage and The Andertons Stage, as well as an acoustic Buskers Stage, a DJ tent, called HMS Tropica, complete with its own ship shaped DJ booth, and many a food, stage and craft tent (and a spot of punk rock yoga). Despite being a two day festival, I only went on the Saturday (boo, especially as Sunday was very sunny) and it poured it down with rain quite literally the whole day, but this didn’t put off many eager festival goers, whose spirits were not dampened by the rain. Whilst I would imagine better weather would have meant more punters, I personally loved the intimate feel of the festival. I mean, how often do you get to see Mystery Jets from the barrier?

The festival was opened by Big Bug. The band played laid back, indie-rock tunes and set the festival off on a brilliant- and rather wet- note. Due to the rain, there wasn’t a huge turn out, but the band seemed relatively unphased as they played to a crowd of 10 as if it were a crowd of 10,000. The band themselves are easy to listen to and a brilliant little find. Have a listen to ‘Automobile’ or ‘Painted Blue’.¬†

A band called Big Zero played on The Park Stage early Saturday afternoon, still in the pouring rain. Big Zero are a band you won’t forget. Their futuristic look (silver outfits complete with the best sunglasses I’ve seen in ages, made better by the fact it was raining) complemented their refreshingly futuristic synthy guitar laced sound. The band were captivating and entertaining from start to finish, with an opening song “Hey Big Zero”, or something equally as catchy, still lingering in my mind. The band credit bands and artists like The Cars, The Police, Elvis Costello and The Sex Pistols among their influences. I can also hear bits of newer artists like VANT within their music, too. Check out ‘Plug Me In’, ‘Disco At The End Of The World’ and ‘Buy Synthetic’.¬†

Tusks is an artist I can only describe as the female equivalent to Jack Garratt, in terms of it being a one woman act playing all the instruments. Tusks played on The Park Stage after Big Zero had played their futuristic set and it couldn’t have been any more of a contrast. Tusks as an artist¬†creates¬†effortlessly calm and cool music, which is perfect and easy to listen to. It’s got hints of artists like Lorde, Alessia Cara and even Wolf Alice, which all intertwine to create something different. Her set was a nice break from some of the heavier, frantic bands that played and she’s definitely an artist to have a listen to (check out ‘Ivy’ or ‘False’ for a good start). Her music is one for when studying or relaxing with friends or alone.¬†

Native People are a band that played the festival to an audience of new and old fans. They seemed to connect to the audience in a way which no other band did- there were groups of people waiting for them to come off stage and meet them for pictures and temporary tattoos. Their music has that classic indie-rock sound, which is an undoubtable winner. Their set was filled with songs from various singles and their latest EP, To Lose What EP. I’m really excited to see what and where they go as a band- they were one of my favourites of the whole day- and ¬†they’re currently on a UK tour. Have a listen to ‘Call Me’, ‘Don’t Save Me’ and ‘To Lose What’.

Late afternoon aaaaand it was still raining, but Get Inuit still dazzled nonetheless. They’re a band who already have huge tours under their belt- including one with Slaves and currently with Spring King- and ¬†Jamie Glass (lead singer and guitarist) provided a hilariously comic running commentary between songs. The band played songs such as ‘Teriyaki’ and ‘Pro Procrastinator’ as the audience continued to grow. They’re a band just finding their feet, but they’re almost certain to explode over the next year (so keep an eye out).

The Big Moon are a band I love. Ever since I saw them supporting The Maccabees back in January (2016), I’ve been listening to the band and eagerly anticipating new material. They were one of the main reasons I wanted to go to the festival in the first place. The all female band impressed a large audience with hits such as ‘Sucker’, ‘Cupid’ and, latest single, ‘Silent Movie Susie’. Their sound is classic and championed by bands and touring mates, such as Spring King and Mystery Jets. I will say though- and it’s the first time I’ve ever really experienced something that bad, but it can’t be uncommon for them- their set was spoiled for me by the grim middle aged¬†man behind me who spent the whole time shouting rude remarks and derogatory, sexist comments at the band. God knows why he thought such a vulgar commentary was necessary, but it wasn’t welcomed or tolerated. Ugh. Not sure why that’s still (or ever was) a thing, if I’m honest.¬†

The rain finally stopped for Spring King, thank God! The Manchester band had played Guildford, at the Boileroom, before and so knew what to expect from the building crowd. The set rivaled Palm Honey’s set on the Andertons Stage, which proved popular among people at the festival. The band played plenty of songs from their debut album, Tell Me If You Like To, which was released in June, including ‘Detroit’, ‘The Summer’ and ‘Who Are You?’. They, of course, ended the energetic, raucous set with their hit ‘Rectifier’. Somehow the band managed to start a conga line through the crowd for the first time ever- it was quite something!¬†

The Mystery Jets headlined the festival on the Saturday. Mystery Jets are a timeless band. They played a set packed full of hits new and old, playing¬†many songs off of their latest album,¬†Curve of the Earth.¬†The band played songs like ‘Alice Springs’, ‘Flash a Hungry Smile’ and ‘Half in Love With Elizabeth’ to a mixed age crowd with plenty of talking, mainly by Jack Flanagan (guitarist, who joined the band in 2014) and, lead singer, Blaine Harrison in between. The whole crowd joined in by singing ‘Two Doors Down’, at the end, as well as ‘Young Love’ from Twenty One. Their set was simply fantastic and I wish I could go back! I can’t stop listening to the band. They said they were excited to feel as though they were “headlining a festival” and it definitely was a special moment.¬†

Overall, the Saturday of Always The Sun festival was brilliant- I just wish I could’ve gone on the Sunday too (to see bands like Blaenavon and The Amazons)! The day was filled with brilliant new bands and some of my favourite bands around at the moment, despite the rain. This festival, which was conveniently so close to home, was a fabulous find and I hope to go again next year, if they put it on again, and hopefully I can discover some more great new bands.

 

Always the Sun Festival, Guildford, 10/09/2016

Glastonbury Festival 2016- Sunday 26th June 2016

This is the fourth and final Glastonbury Festival 2016 blog post! You can find the introduction here, Friday’s post here and Saturday’s highlights here. All of the sets mentioned across the blog posts are still available to (re)live on the BBC iPlayer for the next few weeks too.

The Sunday of this year’s Glastonbury Festival was headlined by firm favourites Coldplay, their fourth headline set at Worthy Farm. The legends slot went to none other than Jeff Lynne’s ELO and other notable acts across the day included Bear’s Den, Years & Years, Catfish and the Bottlemen and Beck.

Mystery Jets have been around years, so it’s unsurprising that they walked out on stage to an overflowing tent full of fans of all ages. They stated that one of the best shows they’ve ever played happened at Glastonbury festival and this came close to beating it. This show was in support of their latest album “Curve Of The Earth”, released this year. They played songs such as “Bombay Blue” and “Telomere” from it, but the firm fan favourites still remain as “Two Doors Down” and “Young Love”, both of which are from 2008’s “Twenty One”. Their set was brilliant and the band seemed to have just as much fun as the fans did!

This year’s Sunday tea time legends slot was filled by Jeff Lynne’s ELO. They’ve just¬†done a UK arena tour and have recently announced, off of the back of Glastonbury, a huge one off show at London’s prestigious Wembley Stadium. The band played songs from their impressive back catalogue which spans over 40 years. The band played songs such as “Evil Woman”, “Don’t Bring Me Down” and “Livin’ Thing”, which the audience enjoyed. They played with an operatic back up singer, who sang at various points of the set. The highlight of the set, obviously, was the hugely popular and influential “Mr Blue Sky”. Whilst the set was mostly lost on me, just hearing ELO play “Mr Blue Sky” made my weekend. The song is one which was played frequently throughout my childhood and it’s a song I love so much. The sky, however, was far from blue as it drizzled throughout the set, but our rain ponchos were (which sort of made up for it, I suppose).

Years & Years are one of the most current and progressive bands on the scene. Their music, dance infused, was perfect for the for a dull and drizzly afternoon, which was brightened by Olly Alexander’s (lead singer) unapologetically bright rainbow coloured outfit and tassley jacket. They played songs from their brilliant first album “Communion”, which was released last year, including “Take Shelter”, “Eyes Wide Shut”, “King” and “Desire”. There was also a cover or ‘mash-up’ of Katy Perry’s “Dark Horse” and Drake’s “Hotline Bling”. This set comes almost exactly a year after the first time they played Glastonbury, on the John Peel Stage. They’re gradually working their way up the festival line up. The band performed on the weekend of gay pride. Olly Alexander did an inspirational and clearly emotional speech about his sexuality and the problems and fears he faces with it. He opened with “I am gay, very gay” and suggested we all “shove a rainbow in fear’s face”. ¬†The band walked off stage to rainbow confetti, having been joined by dancers for the final two songs.

The best time I’ve ever seen Catfish and the Bottlemen was at Glastonbury last year. I’ve seen them a few times since and never have they lived up to the time they played Glastonbury. This year they returned to Worthy Farm with a Brit Award (for Best British Breakthrough Artist) and a new UK number one album, for “The Ride”, which was released in May. The band seem to step up a notch when they play Glastonbury, as though they’re out to win fans (and their set did just that). The band cleverly curated the perfect setlist by infusing songs off of their stunning debut album, “The Balcony”, with songs from their latest album, “The Ride”. ¬†They played songs, such as “Kathleen”, “Pacifier” and “Cocoon”, from their debut album and seamlessly intertwined them with songs like “Soundcheck”, “Anything” and, latest single, “7”. Like usual, they opened the set with “Homesick”, the first song off of “The Balcony”, and closed with “Tyrants”, the closing song from “The Balcony”.Van McCann (lead singer) is an incredible front man and expresses the true gratitude the band have for being able to play festivals like these. Catfish know how to effortlessly pull of a huge set like this and cement their right to play at the festival. I wouldn’t be surprised, given a few more years and albums, if they were soon able to headline festivals like this.

American singer-songwriter Beck played the tricky slot before Coldplay on the Pyramid Stage. Throughout the weekend we had questioned who he was and how capable he was of filling such a huge slot when none of us could name anything he’d done, but Beck is one of those artists who, when they begin to play, you seem to know every single song of. The set was mad, energetic and full of surprises. He played songs such as “Loser” (which, shamefully, I knew from Glee), “Sexx Laws” and “Dreams”. He even managed an encore of “Where It’s At/ One Foot In The Grave”. The set was something you had to see to believe. It was odd, but brilliant.

Coldplay headlined Glastonbury for the forth time this year. They play off the back of the release of their latest album, “A Head Full of Dreams”, and a sold out stadium tour, which featured four sold out shows at Wembley Stadium. The band brought their huge production to Worthy Farm, with over 100,000 ‘xylobands’ distributed throughout the day for the crowd. Despite the huge number of bands given out, I never managed to find one (which I’m still gutted about and, yes, it did dampen the set for me, as I didn’t feel as involved from a purely aesthetic view). The band played songs spanning their impressive seven album collection. It was a nostalgic set, especially as they played songs such as “Fix You”, “Yellow” and “A Sky Full Of Stars”, all of which were incredibly emotional. The band played many songs from “A Head Full Of Dreams”, too, including the title track to open (following a controversial Charlie Chaplin speech), “Hymn For The Weekend” and “Adventure Of A Lifetime”, where Chris Martin (lead singer) encouraged everyone to “get down” despite the mud and jump up together on the count of three. The band played “Everglow”, but had to restart as Martin’s piano was out of tune. They ended the song by playing a clip of Muhammad Ali, another highly emotional tribute.

At this point, I’d like to talk about something beyond incredible that Coldplay did. I had heard speculation of a Viola Beach tribute taking place during the set prior to the festival. I was unsure about this at first, thinking they were just “jumping on the band wagon” to look respectable. I was not, however, expecting them to do what they did. The band began talking about when they first played the festival on what is now know as the John Peel Stage and how they were thankful for the incredible new music which passes through the festival and that year every year. They went on to tell of how sad they were of hearing the deaths of the formidable up and coming band Viola Beach and how they were sad that they were never given the chance to do something like headline the Pyramid Stage at Glastonbury. The band then said they would like to let Viola Beach have the opportunity to headline Glastonbury and let a recording of their song “Boys That Sing” play on a huge LED screen at the centre of the stage. The band joined in to finish the song at the end. It was extremely moving and I did, admittedly, cry throughout. Viola Beach were an incredible talented band, who, no doubt, would’ve gone on to play at the festival countless times. What Coldplay did was incredibly special (they said they would usually have done a Bowie tribute at this point) and exemplified the type of attitude we need towards new music. I was amazed and moved by this.

The set was jam packed full of amazing surprises. The band played an extended five song encore. They usually take a request from those in the audience and this time was no different, however they took a request from Mr Glastonbury, Michael Eavis, himself. They asked him which band he would like to headline and he said “The Bee Gees”. Barry Gibb joined Coldplay on stage to play two songs, “To Love Somebody” and “Stayin’ Alive”. The whole crowd sing along to “Stayin’ Alive” was quite something and the atmosphere was second to none, which doesn’t necessarily come across through the recordings. They then played “A Sky Full Of Stars” to falling star confetti and, finally, “Up & Up”, with Martin’s children Apple and Moses singing backing vocals. Martin stopped just before the end and said he wanted to continue playing. Eavis joined him on stage to sing a wonderful cover of “My Way”. This was, again, quite emotional and fun. It was brilliant and embodied the family spirit of Glastonbury. I’m sure it would have been lost on many of those watching at home, but Michael Eavis is a key and foundational part of the festival, obviously, and this was nothing but special to see. His performance was slightly better than the time he sang “Happy Birthday” with Stevie Wonder. “Up&Up” was reprised before the end and that concluded a stunning set and overwhelmingly brilliant weekend.

Coldplay are a band who know how to play festival and big venues. I hope this is the fourth of many more Glastonbury headline sets as their production and songs are a firm favourite on the farm with the Eavis’ and audience alike. They had to battle with the brilliant Jake Bugg and Grimes on the other stages.

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Glastonbury Festival 2016- Sunday 26th June 2016