Paramore, The O2 Arena, 12/01/2018

On the 12th January 2018 Paramore played the O2 Arena, in London, as part of their Tour Three UK tour. The band were supported by long term friends MeWithoutYou.

The band last played The O2 in 2010 and have since shifted in sound and faces. They’ve won Grammy’s, lost members and put out two CDs, but it’s taken 8 years for them to come back as self-confident and happy as they did this time. Tour Three came off of the back of their fully sold-out Summer 2017 shows, which saw the band conquer an incredible, yet intimate sold out night at The Royal Albert Hall, in London. The band have definitely filled into their new material. They brought their spectacular musical catalogue and staging to London, with optimism by the bucket load.

Paramore opened the night- met with a roar of applause from the packed out crowd- with the gloriously up-beat, pop hit, ‘Hard Times’, which was the band’s comeback single last year. They intertwined it with a snippet of Blondie’s ‘Heart of Glass’, a band which Paramore draw reference to quite often. This prepared the audience for the highlights from their latest album, which were sewn between reworked hits from their previous four albums.

The band don’t dwell on a lot of their old material, with tracks from their first couple of albums phasing out over the last few tours. Those left in were successfully reworked to mirror their change in line-up and increasingly positive and comfortable presence. ‘Hard Times’ flows seamlessly into Brand New Eyes’ ‘Ignorance’- sung into a megaphone- and the bubble-gum pop hit ‘Still Into You’, with ‘Grow Up’ also receiving a makeover as it was peppered with a snippet of SZA’s ’20 Something’. Having said that, tradition still remained as Hayley Williams invited a lucky seated fan to join her on stage for ‘Misery Business’, par for the course.

Of course,¬†After Laughter took centre stage. The band rattled through songs from the album, performing each with perfect precision. Williams let MeWithoutYou’s Adam Weiss take the reins for their track ‘No Friend’, whilst Taylor York, Zac Farro and co. had a chance to show off their incredible instrument playing. The band closed the show with their latest single ‘Rose Coloured Boy’, which saw the audience fully won over. Their encore also saw drummer Zac Farro play ‘French Class’, one of his band HalfNoise’s tracks, similar to what they did on the last tour. It worked really well and was very refreshing to hear.

What struck me most, as a fan who has been following them for nearly 8 years now, was how comfortable the band sounded. The band’s sound and stage presence finally felt relaxed and happy and, as a result, the fans seemed to respond to it more positively. It was the ultimate dance party and enough to keep any fan happy. They spend so much time as a band building their fan base to feel like a family and that was definitely reflected in the atmosphere on the night. As Hayley Williams said, between new and old tracks, “we’re not who we were when we were 15. We won’t judge you by how you were then, so we hope you don’t judge us”. I can’t wait to see what Paramore do next and I, for one, will follow it.

Paramore, The O2 Arena, 12/01/2018


Ahhh, 2017. I don’t quite know where to begin! In a world of Brexit talks and Trump’s tweets, music lead the way for unity. From the tragic terror attack at the Manchester Arena after the Ariana Grande concert in May, which sparked international unity and created the “One Love Manchester” movement, to the rise in musicians speaking out about ‘taboo’ subjects, it really has been a big year for artists and fans alike.¬†Ed Sheeran rewrote the chart rules (literally) and couldn’t be escaped and there were plenty of leading ladies who made their way firmly into the top spots this year too, with Dua Lipa becoming the first female British solo artist to top the charts with her single ‘New Rules’ since Adele in 2015. Oh, and there was a Glass Animals inspired pineapple ban at Reading and Leeds Festival.

Personally, I’ve had my ups and downs this year. Musically it’s been absolutely incredible though! I muddled my way through A-Level exams- with the help, exclusively, of Alt-J- passed my driving test and somehow ended up touring the UK for two months, in what was the most incredible and exciting experience of my life so far. I was incredibly lucky this year to see¬†167 different live music sets (through a mixture of festival sets, concerts, support acts etc), go to two weekend festivals, three day festivals and 12 concerts (excluding the many Happy Mondays gigs I saw and including four incredible Banquet Record shows).

Here are three of my biggest musical highlights:

1) I got to see Paramore play on my 18th Birthday. Paramore are my favourite band ever, and they have been for the last goodness knows how long. Somehow, after weeks of trying, I managed to get tickets to the sold out gig, whilst sat on the bus with a massive stomach ache (the things you remember, eh?). The day itself was absolutely incredible and the atmosphere was truly buzzing. They played a venue far smaller than they’re capable of, which made it feel really intimate, and the crowd sang along- loudly- word for word. It felt like the most triumphant welcome back for the band and made my birthday the best yet.

2) I had my mind sufficiently blown by Haim at Reading Festival. This year was my fourth Reading Festival and somehow I ended up winning VIP tickets. I’ve been going for years and have been lucky enough to see some of the most exciting live sets, but nothing else has been as awe-inspiring as Haim’s closing set on the NME/BBC Radio 1 Stage this year. The band played what felt like the quickest, most fun set ever, with dancing interludes, an abundance of crowd interaction and the most incredible drumming to close the set- not to mention Este’s bass face! It was the first time I’d seen the trio and it definitely won’t be my last.

3) By far the biggest highlight of the year was Lorde’s Glastonbury debut. In fact, in many ways it ruined my Glastonbury as everything else didn’t seem quite as good after that. In my eyes, she could’ve headlined. Lorde played the Other Stage on the one week “birthday” of Melodrama’s release. She opened by teasing the crowd with an orchestral version of ‘Green Light’, before playing a mixture of tracks from her both her albums.¬† The highlight of the set for me though was ‘The Louvre’, which she introduced by talking about “crushes” and the “rush” you get from them. She then sat on the side of the stage- to be closer to the fans- and sang ‘Liability’, which she told the audience was about “not feeling as though you’re good enough”. The set felt special. It was a real spectacle, with dancers in tilting glass boxes and huge graphics projected onto large screens, but one which didn’t feel too brash or gimmicky. It was absolutely breathtaking.

In other news, it was a year of politics too, with the line between artist and political stance becoming increasingly blurred. From snap elections to “youthquakes” to “OOOOHHH JEREMY COOOORBYNNN” being shouted at almost every music event this year, it’s been an exciting year of political unrest. This, along with other global events (Trump, climate change etc), has inspired a wave of new music, with the likes of VANT and Declan McKenna leading the way. It’s been exciting to follow. It would be crazy not to mention the thousands of people who flocked to see Jeremy Corbyn speak at Glastonbury Festival. It felt like some sort of revolution was stirring.

By far the most exciting thing I’ve done this year is tour for a couple of months with the Happy Mondays selling their merchandise. I got to meet and work with some of the most incredible, creative and inspiring people ever, which was absolutely crazy. It was a brilliant experience. As well as this, I got to see a lot of the country and visit a whole load of exciting venues, in cities such as Liverpool, Manchester and Glasgow. I also got to see first hand how hard the security guards work in order to keep everyone safe and that, in itself, deserves some credit.

This year I listened to A LOT of Declan McKenna. I started the year off by listening- like every other person on Earth- to a tonne of Ed Sheeran. He was simultaneously the only person I wanted to listen to and the last person I wanted to listen to. It sounds dramatic, but no one could escape Sheeran’s grasp… I distinctly remember working one Saturday morning and listening to his latest album, Divide, on repeat for four and a half hours.¬†I also kick started the year with a bit of Sundara Karma and Blaenavon, both of which released triumphant debut albums this year. Lorde soundtracked my summer though, along with Anne-Marie, Little Mix, Clean Bandit, Haim, Glass Animals and Dua Lipa. In the Autumn I was obsessed by Wolf Alice, Blondie and Marika Hackman, whose album I’m¬†Not Your Man was one of the best released this year. Recently I’ve been loving Rex Orange County’s “Best Friend” and a whole load of other up and coming artists. I’m so excited to see what 2018 brings for them.

So, what’s to come? This blog is going to undertake a big makeover at some point. I’ve got SO much planned, which I’m really excited to share. I’m looking forward to seeing lots of up and coming artists release their debut albums, to going to many festivals and concerts and to seeing what the year brings in terms of comebacks.

Thank you for reading this blog. I know I’ve not been so good at blogging over the last couple of months, but I’m going to change that.





Album of the Year 2017

2017  was a year which saw the release of many massive albums, many of which challenged and changed the way we view music. The year was dominated by huge chart topping albums by globally recognised artists, like Stormzy and Ed Sheeran, many of which opened up the listener to a more intimate, sensitive side of the artist, by tackling so-called ‘taboo’ topics, such as mental health. There was also the return of politically loaded records, which were birthed from the political and social upheaval of the last few years, and we saw a whole host of women take the reins in the album charts with hugely deserved hit albums. It’s no surprise this year’s top five albums were the hardest to choose yet.

Here’s my top five:


I can’t begin to tell you how excited I was when I heard VANT’s debut album, DUMB BLOOD, for the first time all the way back in February. Pre-release the album already boasted a plethora of successful, punchy statement singles, including ‘FLY-BY ALIEN’, ‘PARKING LOT’ and ‘KARMA SEEKER’. The album- which was released on the hugely successful and influential major record label Parlophone– takes on current world events (such as war and climate change), the band’s shared frustrations about God and peace and, crucially, voices a ‘lost’ generation through a major platform. The album itself has an almost revolutionary punk feel, whilst remaining true to its indie-rock, guitar roots. It feels like a statement. Sadly, this will be the last album from the London based band, as they announced their indefinite hiatus later on in the year, but this is definitely one of the greatest things to have come out of 2017.

4) Visions of a Life– Wolf Alice

The second album is often said to be a tricky one, especially when your debut album gained you a Mercury Prize nomination and a Grammy nod, but Wolf Alice returned blas√© about any of that. The album’s raucous lead single, ‘Yuk Foo’, thoroughly cemented their return, with its shouted lyrics and self-assured sentiment. Wolf Alice finally seemed comfortable with their sound, and didn’t really care if you didn’t. They went onto release the far from cheesy love song ‘Don’t Delete the Kisses’ and effortlessly cool ‘Beautifully Unconventional’ before the album’s full release, which exemplified their versatility. Their sound felt more sophisticated and polished than ever before, yet as experimental as ever. Songs like ‘Formidable Cool’, ‘Planet Hunter’ and ‘Space and Time’, which shows glimmer of a 1980s Blondie within it, are stand alone hits, which sit nicely within their already brilliant back catalogue too.

3) After Laughter– Paramore

I don’t think many people were expecting Paramore’s return so soon. The band had lost bassist Jeremy Davis, were caught in the midst of a fierce legal battle and lead singer Hayley Williams had been going through hard times of her own. But right from the heart of the flames, rose an After Laughter shaped Phoenix, which couldn’t have been any more triumphant. Ex-drummer Zac Farro rejoined the band and they managed to put together a bold 12 track album- produced by guitarist Taylor York and previous collaborator Justin Meldal-Johnsen. The lead single ‘Hard Times’ was a huge upbeat, 80s influenced, guilt free ‘pop’ song- a far cry from the days of Riot! and All We Know if Falling. So what though? The album is mostly upbeat, but outlines the struggles of the last few years, of love and loss, of mental health struggles and the strain of fame, with a melancholic undertone. It feels intimate and comfortable, as opposed to the experimental nature of 2013’s self-titled sensation, Paramore. Songs like ‘Caught in the Middle’, ‘Rose-Coloured Boy’ and ‘Fake Happy’ are songs you want to belt out in the car, in the shower, at huge sold-out concerts. Music can unite people and I think this album brought the band closer to the fans. Paramore have really regenerated themselves in a way which sees them bare all to the listener. It would’ve been very easy for Paramore to give up and yet from the turmoil came this gem of an album.

2) What Do You Think About The Car? -Declan McKenna

There aren’t many 18 year olds who can say they’ve put out a top 20 album, played some of the world’s biggest festivals and have already been recognised for their incredible success, but Declan McKenna has certainly achieved all those things. What Do You Think About The Car? is one of the year’s most thought provoking albums. It brings up questions of world politics and challenges ideas of society through McKenna’s cleverly written, witty lyrics. The debut album features previously released singles, including the FIFA 2014 World Cup corruption inspired ‘Brazil’, ‘Isombard’, where McKenna imagines the narrative of a right wing, ‘Fox News’ style character, and ‘Paracetamol’, which focuses on the representation of transgender people in the media, as well as exciting new tracks, such as ‘Why Do You Feel So Down?’ and ‘Listen to Your Friends’, which features a cleverly written bridge. He broaches subjects with a concise sensitivity, which questions the absurdity of the world we live in. It’s very refreshing to hear. The references are often subtle, so the songs can be enjoyed plainly as good, exciting indie-rock too. Declan Mckenna seems to be leading the way in up and coming music and I’m looking forward to seeing what else comes from his success.

1) Melodrama– Lorde

Each year there seems to be an album so clearly above any other album released that year, last year it was The 1975’s cinematic second album and this year it’s Lorde’s stunning Melodrama.

When Lorde released her debut album, Pure Heroine, she was 16 years old. She sang of love and lust, as well as the struggles of being a teenager who was ‘different’. She sang with a maturity which seemed far beyond her years, in a style that crossed genres and was championed by the likes of David Bowie. The album- and its hit single ‘Royals’- won the New Zealand born singer two Grammy’s, out of four nominations. So, where do you go from there?

Lorde returned early last year, off the back of her first major heartbreak, with the album’s lead single ‘Green Light’. The song went on to be one of the summer’s biggest releases, with its gloriously feel good, upbeat dance vibe and its infectiously catchy, in-part nonsensical- or rather metaphorical- lyrics. The song created a huge buzz for the new album.

The highly anticipated Melodrama was released on June 16th 2017 in the UK and I remember rushing out to buy it the next day. We played it for the first time in the car, whilst driving down country lanes on a hot and sunny summer afternoon, and I remember feeling as though the album was special. The album opens up with ‘Green Light’, but takes us on a creative vision and artistic journey into the minds of both Lorde and her collaborator/producer Jack Antonoff (who has also worked with Taylor Swift and Pink this year). It’s an album which demands to be heard in full. It commands the respect of vinyl, a format on which it is due to be released on early next year, whilst still allowing the listener to dip in to it for a quick fix. The lyrics seem more mature than that on Pure Heroine, as if she has had to grow up over the last few years, literally in age and through the experiences she has had. They centre on heartbreak and loss, as well as growing up on the whole. Notably, ‘The Louvre’ is the album’s obvious stand out. Lorde manages to encapsulate a feeling of intense infatuation, which many can relate to, through a doting love song. The lyrics “but we’re the greatest, they’ll hang us in The Louvre, down the back, but who cares still the Louvre” are, by far, the greatest of 2017. ‘Liability’ is also extremely poignant. It focuses on self-image and introspection, which is incredibly intimate in itself. Lorde seems to focus on how she feels the world around her sees her and how she herself fits into it, whilst laying out the flaws she finds within herself. She releases her self-worth, as the song is reprised later on in the album. We grow up with her. In addition, ‘Writer in the Dark’ has an incredible undertone of Kate Bush within it, whilst the use of samples in ‘Hard Feelings/Loveless’ seems to add another dimension to the album.

Melodrama is a masterpiece.


Here it seems obvious to mention- despite just falling short of my top five- Ed Sheeran’s third album Divide. Any album which can hoard the top 16 of the UK singles charts (yes, that’s every single song on the album, including the deluxe bonus tracks), go double platinum immediately and outsell any other album in its first week ever, outselling the combined next 500 most popular albums that week, deserves some credit. The album- and Sheeran himself- is extraordinarily clever. There’s a song on there for every type of music fan- from dance to rap to ballads to pure pop. You literally cannot escape ‘Shape of You’ and I guarantee you that once it’s played you’ll have its catchy chorus and hook lingering in your head for hours.

Other artists to narrowly miss out on the top five were Blaenavon’s debut That’s Your Lot, Sundara Karma’s Youth is Only Ever Fun in Retrospect, Marika Hackman’s I’m Not Your Man, Stormzy’s Gang Signs and Prayer, Will Joseph Cook’s Sweet Dreamer, Superfood’s Bambino, Dua Lipa’s self titled debut, Dua Lipa, amongst others.

In 2018, I’m looking forward to album releases by Fickle Friends, The Vaccines, The Wombats, The 1975 (with Music For Cars), and Arctic Monkeys. I’m saying Arctic Monkeys will resurface between September and November… Unless they’re feeling friendly and want to headline a summer festival- then they’ll be back by May! Who know’s what’ll make it onto this list in the next year, but I do know that I’m excited about what’s to come.

Album of the Year 2017

November 2017 and December 2017- What I’m Listening To

Apologies… It’s been an absolute age since I last wrote a blog post, but what an exciting few months it has been. For the last two months I’ve been doing the merchandise on tour for the legendary late 80s/90s Manchester band the Happy Mondays and it’s been the most incredible experience ever. However, it has been time consuming and full on, so I’ve neglected the blog a bit. I’m back now though- and more inspired and excited about music than ever!

This post is going to feature two playlists, so I can catch you up a bit on what’s been going on…

So, November. Quick round up. The Wombats are back and releasing new music (“Turn” and “Lemon in a Knife Fight” are an exciting taste of what’s to come in 2018),¬† The Vaccines are teasing an immanent new album and the 2018 festival season is shaping up to be huge. My playlist includes Rex Orange County’s ‘Best Friend’, which I absolutely adore, Noel Gallagher’s latest scissor-tastic single ‘Holy Mountain’, E^ST, Tidal Waves and The Charlatans, as I’ve just finished watching E4’s¬†My Mad Fat Diary, for which the music is heavily influenced by the music of the 90s.

December has been a bit more hazy! The festival announcements keep coming- the most notably exciting so far has got to be the one day Finsbury Park event, Community Festival. I, however, spent the month over indulging in glorious, guilt free pop music, with Camila Cabello’s ‘Havana’, Ed Sheeran’s¬†‘Perfect’ (not the Beyonc√© version though) and Taylor Swift’s¬†‘Gorgeous’ on repeat.¬† Yes, you read that right (and I’m not even sorry).¬† There’s even Elbow,¬†who seem to have soundtracked what I’ve managed to squeeze in of Christmas over the last month, with their cover of The Beatles ‘Golden Slumber’. There’s a couple of new tracks from Peace and¬†The Wombats and a large helping of the Happy Mondays, who I’ve fortunately managed to catch countless times over the last month.

New year means new music, Paramore at the O2, more festival announcements and the start of something new- hopefully!

November 2017 and December 2017- What I’m Listening To

October 2017- What I’m Listening To

October was a big month.

October saw a reckless terror attack on innocent music goers in the US, the release of a Wolf Alice tour based Michael Winterbottom film and a plethora of tour dates released by The Streets. There was Liam Gallagher selling out a huge 2018 Finsbury Park gig in minutes, the dawn of an all new All Points East festival and dates released for the next Bestival and Glastonbury Festival. There was even promises of new music from The Wombats, Saint Raymond and the news of V Festival changing its household name.

But the biggest news of all, or at least for me, was that the brilliant VANT were splitting up. In the last year they’ve released an absolutely incredible and refreshing debut album and toured constantly. I’ve championed the band for the last year and they made it onto my ‘ones to watch in 2017’ list. The band stood for something big and exciting- revolutionary. They voiced a generation via a big platform through a major record label, whilst still keeping in touch with fans. The news was shocking and unexpected, but brought information about a new EP and a short farewell tour. I’ll definitely miss the band, but their short success is definitely something to be proud of. Long live VANT.

This month I’ve been listening to a lot of Loyle Carner, Wolf Alice and Lorde. I can’t get enough of up and coming artists including Superorganism and their explosive single ‘Something for your M.I.N.D’, Cassia and Pale Waves.

I discovered the incredibly talented Marika Hackman. I have my mind blown by music often, but discovering Marika Hackman was one of the best things to have happened over the last few months, having seen her play at Reading earlier this year. I’ve had I’m Not Your Man on repeat for the last month and I can’t get enough of it. The indie-folk singer sings effortless cool, calm and collected songs, with somewhat dark, twisted lyrics deep rooted with wit and humour. She’s absolutely brilliant and I urge everyone to have a listen. I recommend you start with ‘Boyfriend’.

I’ve also been listening to a lot of Blondie. ‘Rapture’ is my power song and gets me prepped for any difficult situation. Its been a bus journey staple.


October 2017- What I’m Listening To

September 2017- What I’ve Been Listening To

This year’s Mercury Prize awards took place on the 14th September 2017 at The Eventim Apollo in London. Amongst this year’s nominated ‘album of the year’ contenders there’s the likes of Glass Animals, Blossoms, Kate Tempest and Loyle Carner. The list includes seven debut albums and five albums by artists from South London- that’s just under half of all the nominees. This year’s Mercury Prize was awarded to Sampha, for his stunning debut album Process. The South London singer won ¬£25,000 alongside the award.

Brighton’s The Great Escape Festival have announced the first 50 acts performing at the festival. Ten Tonnes, King Nun, The Orielles, Stereo Honey, Feet, Sam Fender and Dan Stock are amongst the first 50 to be announced, with many more up and coming artists still to be announced. The 50 acts will play in bars and clubs across London from the 21st-23rd November.

Bedford born Tom Grennan has announced a huge UK tour alongside an album announcement. The album Lighting Matches¬†is due to be released on the 9th March next year. It includes the latest single ‘Royal Highness’, ‘Praying’ and ‘Something in the Water’. Grennan is set to tour the album in March next year.

Noel Gallagher (and his High Flying Birds) have also announced a new album, called Who Built The Moon?,¬†which is due for release later this year. Allegedly the album is inspired by French Psychadelic pop, which sounds fascinating.¬† The album is a collaboration between Gallagher and David Holmes and is set to feature some iconic musicians, such as Paul Weller and Johnny Marr. The announcement came with details of a new single, ‘Holy Mountain’, which is released on October 9th. The news didn’t stop there, Gallagher also announced a whole host of 2018 UK tour dates, including a huge show at London’s SSE Arena.

Jake Bugg is expanding his 2018 acoustic tour in support of his latest album. Bugg has announced dates in Brighton and London, amongst others, in ‘intimate’ venues which are set to make a spectacle of his solo show.

In other news, the BBC are bringing music back onto prime time TV- finally! Yes, we have Jools Holland, which is absolutely massive in terms of breaking new artists and showcasing some of the most uniquely talented artists from across the world, but the new show Sounds Like Friday Night is set to reach a broader audience. The programme, which will air on Friday nights, will be presented by Radio 1’s Greg James and Dotty. It will air for the first time on the 27th October and will feature a different artist as a host each week. On the first episode Jason Deurlo will co-host. The show is set to show live performances from successful bands and artists and also show sketches featuring some famous faces too. I’m looking forward to it because I think it’ll be interesting to see how the BBC are attempting to bring music back onto television, which is something we’re missing.

This month’s playlist features loads of Haim and Glass Animals, who I have been loving since Reading Festival last month (you can check out my review of it here). It also features songs from Superfood’s absolutely massive new album, Bambino, which was also released this month, as well as tracks from Ten Tonnes, Khalid, Pale Waves and Lorde. There’s a few tracks from Wolf Alice’s stunning second album thrown in too.

Next month I can’t wait to see Declan McKenna on his upcoming UK tour and I can’t wait to celebrate BBC Introducing’s 10 year anniversary with them at the O2 Brixton Academy.


September 2017- What I’ve Been Listening To

Reading Festival, 25th-27th August 2017 (Festival Review)

So Reading (and Leeds) Festival is over for another year and this year’s festival was a huge success. The event, held at Richfield Avenue, took place from Friday 25th August to the 27th August and was headlined by Kasabian, Eminem and Muse. There were a couple of (not so) secret sets over the weekend too, including appearances from Wolf Alice and Queens of the Stone Age (who will no doubt be back next year, perhaps the latter as headliners).

Here are my highlights:


The Magic Gang¬†played a triumphant late morning set on the BBC/NME Stage to set off an exciting weekend of live music. The Brighton band played an enthusiastic and energetic set, filled with previously released songs- including ‘All This Way’ and ‘Jasmine’- as well as their latest single ‘Your Love’.

If you haven’t seen Declan McKenna¬†in 2017 then I don’t know where you’ve been! He’s played pretty much every UK festival and Reading and Leeds was no exception. The 18-year-old played his first ever Reading and Leeds set (having attended Reading for the past two years) on the BBC/NME Stage to a packed out audience. McKenna sang songs from his debut album- What Do You Think About The Car?– and jumped into the audience a few times in the set, with the first time unsuccessfully ending up in the middle of a mosh pit. McKenna laughed off forgetting the words to ‘Paracetamol’ and continued to gleefully run around the stage as the audience sang, cheered and clapped along. Declan McKenna knows how to excite an audience.

Anne-Marie might not have seemed an obvious choice for Reading Festival, but by the sheer amount of people who turned up to see the ‘Rockabye’ singer she’s clearly a popular one. The singer played a mixture of singles, including ‘Do It’ and ‘Alarm’, and lesser known songs, before ending with the hit-singles ‘Ciao Adios’ and a stunning version of Clean Bandit’s ‘Rockabye’, which she features on. The audience were in awe as she sang pitch perfect songs and as she jumped into the crowd to take selfies with the audience.

It’s been quite a year for Two Door Cinema Club. Last year they headlined the BBC/NME Stage and now they’re creeping up the Main Stage line-up, with a new album and countless tours under their belts. Two Door Cinema Club know how to put together a good setlist, which featured hit after hit and a copious amount of fan favourites. They always put on a good, feel-good show.

Bastille brought the Wild Word tour to Reading Festival, with brilliant visuals and stories of politics and life laced throughout. The band played songs spanning their back catalogue and the radio-hits from their latest album. The drumming on Pompeii was an obvious highlight, as the audience loved singing along.

British rock band You Me At Six¬†closed the first day of the BBC/NME Stage. The set- which featured huge pyrotechnic displays- was plagued by technical difficulties, which prompted a spine-tingling acapella rendition of ‘Lover Boy’ from the album Sinners Never Sleep. The band played under a sea of mobile phone lights and lighters during ‘Take On The World’, before bringing guitar lead rock hit after hit to the Reading Stage. The band treated fans to songs from their debut album- Take Off Your Colours– ahead of its 10 year anniversary next year, with front man Josh Franceschi telling his desires of wanting to do an anniversary tour next year. The band were on top form that night.


The not-so-secret secret act Wolf Alice¬†played to dedicated fans and festival goers at 11:00am on Saturday morning. The set was incredibly lively with famous fans, label mates and onlookers (including The 1975’s Matty Healy and Slaves’ Isaac Holman) stood side of the stage. The band played songs from their 2015 debut album, My Love Is Cool, and showcased new songs from their forthcoming second album, Visions of a Life,¬†including the singles ‘Yuk Foo’, ‘Beautifully Unconventional’ and ‘Don’t’ Delete The Kisses’. The atmosphere was incredible.

Blaenavon¬†played the BBC/NME Stage early on in the day. The band brought That’s Your Lot to Reading Festival and treated the crowd to their mature, alternative music. The band played songs including ‘Orthodox Man’, ‘Let’s Pray’ and the stunning ‘Prague’ before front man Ben Gregory jumped into the crowd.

Dan Stock¬†played on the BBC Introducing Stage. Singer songwriter Dan Stock stood solo centre stage and played as if he were playing to an arena. His lyrically clever and satisfying songs echoed that of Alex Turner and his assured stage presence commanded the respect of Jake Bugg, Declan McKenna or Liam Fray. With the aid of a band (eventually) he could become pretty huge. He’s definitely one to watch.

A couple of weeks before Superfood¬†released their triumphant ‘comeback’ album Bambino¬†the band played Reading Festival. The festival gave a platform for the band to showcase songs from the upcoming album, including ‘Where’s The Bass Amp?’, ‘Double Dutch’ and ‘I Can’t See’, throughout which they encouraged the audience to dance. The band also played tracks from their 2014 debut album Don’t Say That, including the song ‘Superfood’.

Ahead of their biggest UK tour to date (which features shows at London’s O2 Brixton Academy) Sundara Karma delighted the Reading audience to a spectacular homecoming show. The Reading band played a no-gimmick set filled with tracks off of their (now extended) debut album, Youth is Only Every Fun in Retrospect, which was released earlier this year. The band opened up the Main Stage at Reading Festival last year in what turned out to be a career defining performance and this felt like a triumphant progression. Sundara Karma are continuing to make waves with their effortlessly cool, alternative music and the fans sure are loving it.

Everything Everything¬†played a lot of their new album A Fever Dream¬†at this year’s Reading Festival. The band’s set featured heavily a lot of new tracks, including the single ‘Can’t Do’, with the odd fan favourite peppered in to the audience’s excitement. The highlight of the set was the weirdly wonderful ‘No Reptiles’, with its absurd, yet clever lyrics and infectiously catchy nature, with songs like ‘Distant Past’, ‘Kemosabe’ and ‘Spring Summer Winter Dread’ also loved by the fans. It’s great to see Everything Everything back with refreshing new material though, even if it seems relatively toned down compared to what came prior to it.

Glass Animals¬†are a band so powerful that they brought on an entire pineapple ban at this year’s festival. The Oxford band brought How To Be A Human Being to Reading with it’s chilled out, psychedelic (almost) tracks and performed in front of the world’s largest golden pineapple disco ball and a plethora of pineapples and cacti on stage. The ban on pineapples did not stop fans from smuggling the odd pineapple in, as those successful sat holding their prize goods high on top of the shoulders, commanding proud applause. The band opened up with the gloriously energetic ‘Life Itself’ and closed with the song that brought on an entire fruit ban, ‘Pork Soda’. Front man Dave Bayely even performed the entirety of ‘Gooey’, from their debut album, stood in the crowd. It was a sight to behold.


Ten Tonnes played to a packed out tent full of festival goers on the Festival Republic Stage. The singer songwriter graduated from The BBC Introducing Stage, which he played last year, onto the Festival Republic Stage in a move that felt fitting with his growing audience. Ethan Barnett- as he’s formally known- is gathering momentum, with his catchy, easy to love, feel-good songs.

Up and coming London band¬†King Nun¬†played a raucous Sunday afternoon set on the Festival Republic Stage, where they showcased previously released singles including ‘Speakerface’ and ‘Tulip’. Their punk riddled indie-rock music proved popular with the young crowd who jumped, danced and moshed accordingly.

The Sherlocks returned to Reading Festival for the third year, having progressed up to the BBC/NME Stage this year. The tent was filled with fans and flares and had a similar feeling of excitement to that of a Courteeners concert. This came a week after their debut album, Live For The Moment, was released, so the band treated fans with hit after hit from the album.

Will Joseph Cook¬†brought his gloriously, sun-kissed indie-rock tunes to a blissful Reading Festival late on a sunny Sunday afternoon. His set rivalled Giggs’¬†on the Main Stage- who brought pop/hip-hop sensation out Drake– and the atmosphere in the tent was chilled out in comparison. He played a whole host of songs from his debut album, Sweet Dreamer, and also treated fans to songs from his earlier EPs.

Blossoms¬†played a tricky set before Liam Gallagher on the Main Stage. Blossoms are a band completely capable and worthy of playing huge stages, but this felt as though they were swimming against the tide, with crowds refusing to participate, Muse fans sitting about in preparation for the evening, huge lack of singing, support and engagement with the audience. The band seemed to pick up on this and it all felt a bit depleting. Having said this, the Stockport lads delivered a set full of the hits- with everyone going crazy for biggest hit ‘Charlemagne’- from their debut self-titled albums, with the usual gimmicks thrown in for good measure. I could probably recite the whole set by this point; it’s quite predictable now!

Liam Gallagher¬†performed a gallant set on the Main Stage at Reading Festival before headliner Muse. The icon, clad in his usual green trench coat, sunglasses and iconic haircut, sang Oasis hits (including ‘Morning Glory’ and ‘Rock ‘N’ Roll Star’) and songs from his forthcoming debut album, As You Were,¬†which is due for release in October. Gallagher ended his set with the indie classic and obvious anthem ‘Wonderwall’, which saw fans of all ages united in song. Liam actually sounded top of his game though and seemed as happy as ever.

Halsey played the BBC/NME Stage whilst her North American tour mate Charli XCX brought her iconic pop hits and bubble-gum pop to the Dance Stage. Charli XCX played surrounded by pink confetti, dancing blow up ‘people’ (I suppose) and her all-female band and brought the party to the festival. The tent overspilled with people jumping and dancing all around. Definitely a highlight.

Haim closed the BBC/NME Stage at Reading Festival with a spectacular headline set. The band’s performance was a year over-due, as they cancelled their headline slot last year due to wanting to finish up their new album, but it was definitely worth the wait. The band played hits from their first album- Days Are Gone – and their latest album, Something To Tell You. The set featured a lot of dancing, bursts of humorous chat, a bucket full of bass face and the most captivating drumming display ending. Definitely a huge highlight over the weekend.

Overall, it was another great Reading Festival and the strong line-up proves why the festival is still going so strong after so many years. The good festivals do it properly and well, setting them miles apart from the rest.


Reading Festival, 25th-27th August 2017 (Festival Review)