April 2017- What I’m Listening To

April was full of music surprises all set for summer.

George Ezra’s been popping up on festival annoucements ever since they’ve started releasing them late last year and he’s finally announced a UK tour, but shhhh it’s a secret. The nine night tour, which spans across late May and early June, visits some of the UK’s most obscure, intimate venues, with dates in places¬†such as Exeter, Barnstaple and Bath. The tour’s fully sold out now, but I’m sure it’ll be brilliant.

The Kooks played two very intimate shows in Brighton on the 8th April 2017, ahead of their sold out UK “best of” tour (in support of their upcoming greatest hits album). The band played two sold out shows: a matinee show at The Prince Albert (under 14s) at 1pm and a later show at The Haunt at 7:30pm. Tickets were made exclusively available from Resident Records, in Brighton, on the morning of the concerts, for ¬£11. Brighton is deemed the home for the Kooks, with the band forming there over ten years ago. Three of the four members attended BIMM Brighton. The shows were huge and a great way to start a month of touring across the UK and Europe.

America’s prestigious Coachella Festival took place from the 14th to the 16th April 2017 and a week later from the 21st to the 23rd April 2017. It was headlined by Radiohead (who struggled to overcome technical issues during their set), Lady Gaga (who replaced pregnant Beyonce, who has been confirmed for next year) and Kendrick Lamar. Artists, such as Lorde, Bon Iver and The XX, played to huge crowds across the weekend. I managed to catch some of Blossoms’ set via the Coachella live stream YouTube page, on weekend one. Their set was impressively brilliant from the Stockport lads, who dazzled a transatlantic audience. It’s strange to see Blossoms play to smaller audiences, having seen them sell out UK tours and play to big festival audiences, but it’s brilliant to see a band as good as Blossoms getting global recognition.

The news we’ve all been waiting for is finally here… Declan McKenna is set to release his debut album- called What Do You Think About The Car? –¬†which is set for release on the 21st July. The album is set to feature some of McKenna’s finest songs so far, including 2014’s ‘Brazil’, latest single ‘The Kids Don’t Wanna Come Home’ and ‘Isombard’, as well as some brand new tracks. This could potentially be one of the year’s biggest records and I can’t wait to hear it. McKenna sets off on another UK tour in May, before playing a whole host of festivals.

Royal Blood have released details of their second album, How Did We Get So Dark?, which is due out on the 16th June 2017. The Brighton duo also premiered lead single ‘Lights Out’ this month.

Paramore have finally released details of their fifth album, After Laughter, which is set for release on the 12th May. The band announced lead single ‘Hard Times’ (which is heavily 80s influenced and a bold new direction for the band, which feels like a more mature, developed version of parts of 2013’s Paramore), closely followed by the release of another new song, ‘Told You So’, as well as details of a (now sold-out) June 2017 UK tour-¬†Tour One-¬†with the album details. The band’s new line up consists of Hayley Williams, Taylor York and rejoined member Zac Farro, having lost bassist Jeremy Davis in December 2015. I can’t wait for this release. Paramore are still one of my favourite bands ever and I love how their style constantly evolves into something more sophisticated than the albums that come before it.

The Sherlocks, too, are finally set to release their debut album, ¬†Live For The Moment, on the 18th August 2017. The Sherlocks are a band who I’ve been following for the last couple of years now, so this new has been a long time coming. The Manchester band featured on my list of bands to look out for in 2016¬†and I think it’s finally their time to shine.

Haim are back with the brilliant new song ‘Want You Back’. It’s chilled out and feels very summery and I think it’ll be a staple of festival season 2017. It’s nice to have the Haim sisters back again finally; it’s been a while!

The prestigious Ivor Novello Award nominations were announced in April. It’s an award ceremony which focuses on songwriting and has seen nominations for artists and writers including Blaine Harrison and Henry Harrison (Mystery Jets- ‘Telomere’), Adele Adkins and Tobias Jesso Jr (Adele- ‘When We Were Young’) and Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (Coldplay- ‘Hymn For The Weekend’ and ‘Adventure of a Life

Reading Festival released a mammoth line up update early this month. Artists such as Liam Gallagher, VANT, Blaenavon and Declan McKenna being added to the already brilliant line up. The festival is shaping up nicely and I can’t wait to be back at the Festival in August. The event is being headlined by Kasabian, Eminem and Muse and runs from the 25th-27th August 2017, which is, as always, bank holiday weekend.

Glastonbury continued to make line up announcements throughout April. Arguably most notably, the festival has announced the Field of Avalon Stage line up, with artists such as Busted, Birdy and Scouting For Girls being added to the already star studded bill. As well as this, Josh Barry won this year’s Emerging Talent Competition and will also perform at the festival. He beat a whole host of brilliant up and coming, unsigned artists, including Lucas & King, Silences and Young Yizzy. Previous winners of the competition include the incredible Declan McKenna. The event, which runs from the 22nd to 26th June, is headlined by Radiohead, the Foo Fighters and Ed Sheeran.

Latitude Festival made another huge announcement this month. The bumper announcement includes artists including Mystery Jets, The Coral, Leon Bridges and Jesus Mary Chain.¬†Katherine Jenkins is also set to perform a special lakeside performance on the Sunday and it’s set to be magical. The festival is held between the 13th and 16th of July, in Suffolk, and is headlined by The 1975, Mumford and Sons and Fleet Foxes, .

In other festival news, Radio 1’s Big Weekend- which is due to be held in Hull on Saturday 27th May and Sunday 28th May-¬†has released its full two day line up. The event is being headlined by Katy Perry and Kings of Leon, with Plan B and Royal Blood set to headline the ‘Where it Begins’ Stage respectively. Artists including Biffy Clyro, Kasabian, Blossoms, The Amazons, You Me At Six, Lorde, Two Door Cinema Club and Alt-J have also been announced to play the event.

Record Store Day 2017 was held on the 22nd April internationally. The annual event saw thousands of music fans scramble for limited edition records by the likes of Bastille, David Bowie and Blossoms. However, as frequently seen in the music industry, limited edition records- once sold out in stores- were appearing across the internet for a grossly heightened price. The day was overall a triumphant success though.

In other news, The 1975 are set to release their third album entitled¬†Music For Cars¬†at some point in 2018. That’s something to look forward to.

This month I have been listening to a lot of Alt-J (because I have been doing a lot of A-Level coursework and Alt-J is perfectly ambient, especially good for revising), Tom Grennan (who is definitely someone to look out for because he’s brilliant), Paramore, Rat Boy (‘Revolution’ is their best yet) and I’ve been rediscovering Wolf Alice and Gorillaz. Pale Waves and The Night Caf√© are two to keep an eye on too.

Next month is a month full of releases, from Paramore to The Amazons. I’m also off to see The Kooks and to Radio 1’s Big Weekend, in Hull. It should be great.

 

 

 

April 2017- What I’m Listening To

March 2017- What I’m Listening To

March was yet another glorious music month filled with festival announcements, new music and brilliant live music.

Lorde is finally back with new single ‘Green Light’ and it’s taken a while. At first ‘Green Light’ was uncomfortably different, but once you’ve heard it a few times it becomes a wonderfully sublime, boldly fearless track, with a prominent beat and¬†strong keyboard. It’s unafraid, unexpected and urges you to dance. Lorde also announced a new album, Melodrama, which is due to be released on June 16th. The album follows her 2013¬†stunning debut album, Pure Heroine, which demands your undying attention in all it’s brilliance.¬†Lorde showcased the heartbreaking song ‘Liability’, a few days after the release of ‘Green Light’. A lot of the album was inspired by Lorde’s breakup, which happened when she was writing the album. Along side the songs, she’s recently been announced to play a whole host of festivals globally, including Glastonbury, as well as a scheduled appearance at Coachella, in April.

Alt-J are also back with new single ‘3WW’. The track features Ellie Rowsell from Wolf Alice, in what feels like a huge uniting of two huge indie forces. It’s irresistible laid back feel, with acoustic guitar intertwined with a classic Alt-J twist, and theatrical love tale telling lyrics make it something not to be overlooked. The band ¬†later released the song ‘In Cold Blood’, which retains a signature Alt-J feel. They also announced the release of their third album ‘RELAXER’, which follows the 2012 Mercury Prize Award winning album,¬†An Awesome Wave, and 2014’s This Is All Yours. The album is due to be released on June 9th this year.

Ed Sheeran had a pretty good March, too. He released his number one, multi-record breaking album, Divide. The album is quite something. You won’t be able to escape it! I reviewed the album, which can be found here.

The Happy Mondays have announced a mega tour at the end of 2017. The Manchester band have announced a 25 date UK tour, which features huge dates in London and Brighton. The greatest hits tour is set to be big.

March was a big month for Kasabian. The Leicester lads announced a new album (with the most brilliant album artwork), called For Crying Out Loud, which is due to be released on the 5th May. They also announced new single ‘You’re In Love With a Psycho’, along with a music video (featuring Noel Fielding and dancing in a psychiatric hospital, which has recently come under fire), as well as a short April UK tour, which sold out very quickly, unsurprisingly, and features three sold-out nights at the O2 Kentish Town Forum. This comes after an announcement that the band will headline Reading Festival in August.

The album announcements keep coming, with London Grammar also announcing a new album- Truth is a Beautiful Thing- which is due to be released on the 9th June. The band released the title track as the lead single.

Last month, at the Brit Awards, The Chainsmokers unveiled what could potentially be the song that defines summer 2017-¬†‘Something Just Like This’, in collaboration with Coldplay. This month, Coldplay have announced a brand new EP, which is set for release on June 2nd (June is currently shaping up to be a brilliant month). The EP is set to be the “sister release” to the band’s latest album, A Head Full of Dreams, which was released in 2015. The EP features new “non-single” ‘Hypnotised’, which is pretty deep-cut and slow for a Coldplay single. The EP will also feature ‘Something Just Like This’, as well as three other new, unheard tracks and I can’t wait to hear it. The band will tour with this EP, including dates in Wales.

Rat Boy still hasn’t released an album, but he has released a brand new single- ‘Revolution’- ahead of his upcoming UK tour, which features a huge night at Camden’s prestigious Roundhouse. The song is one of Rat Boy’s best yet. The song has a chorus worth chanting, it’s pretty huge. The lyrics echo tales of youthful life and the pitt falls of our generation, something laced through most of his songs. Now… when’s that album coming?!

The Kooks have announced a ‘best of’ album to accompany their ‘best of’, greatest hits (so far) tour, which kicks off in April and leads through May this year. This comes 10 years after their stunning debut album, Inside In/Inside Out,¬†which holds a special place in my heart and soundtracked a fair bit of my childhood. The album comes out on the 19th May. The band have also released new single ‘Be Who You Are’, which remains loyal to the band’s classic sound (it sounds quite Catfish and the Bottlemen… or rather, do Catfish sound a bit like The Kooks..?!). The band are supported by Clean Cut Kid and Fickle Friends on tour later this year.

There have been many festival announcements this month including Latitude Festival¬†(13th-16th July. Headlined by The 1975, Mumford and Sons and Fleet Foxes. Other artists announced to play include Fatboy Slim, Glass Animals and Declan McKenna), fully sold-out¬†Truck Festival (21st-23rd July. Headlined by The Libertines, Franz Ferdinand and The Vaccines. Artists announced this month include The Big Moon, Deaf Havana and Hinds), Brighton’s mammoth¬†Great Escape Festival (18th-20th May. Newly announced 150 artists including Fickle Friends, RAT BOY and Strong Asian Mothers),¬†Boardmasters¬†(9th-13th August. Headlined by Two Door Cinema Club, Jamiroquai and Alt-J. New artists to announce include Idris Elba and Wretch 32).

This month’s most anticipated festival announcement was the longly awaited first Glastonbury Festival line-up announcement. The festival, which runs (officially) from the 21st-25th June, will be headlined by Radiohead, Foo Fighters, and Ed Sheeran. The line-up announcement included artists like Katy Perry, Biffy Clyro and Lorde, as well as Royal Blood, George Ezra and Boy Better Know. The legends slot will be played by Barry Gibb (of Bee Gees fame). Gibb played a song with Coldplay when they headlined in 2015. Although this is literally a fraction¬†of the artists playing across the weekend, the line up is shaping up quite nicely and I can’t wait to see who else is announced.

Aaaand Palma Violets are believed to have split this month. The Lambeth band¬†released two brilliant albums (180 (2013) and Danger in the Club (2015)) – which featured such delights as ‘Best of Friends’, ‘We Found Love’ and ‘Rattlesnake Highway’- and quickly became one of my festival¬†favourites. I fondly remember watching the band play William’s Green at Glastonbury in 2015, before watching Kanye headline on the Saturday evening. The band played the most fascinating, energetic, mad, raucous set I’ve ever seen (I’ve not seen anything quite like it since) and the euphoric feeling having seen it all play out, as if it didn’t happen. It was all topped off by a huge stage invasion (which saw one of my dad’s work colleagues on the stage). It was unforgettable and one of the greatest highlights of my first Glastonbury. They’re a band I will miss.

In other sad news, Chuck Berry has died aged 90, on the 18th March. The rock ‘n’ roll legend leaves a huge legacy of influential rock ‘n’ roll music, which will undoubtably go on to inspire generations to come.

This month’s playlist includes The Black Keys (who I’ve been listening to a lot lately, off the back of Dan Auerbach’s solo album intention announcements), Tom Odell and Alt-J (who are proving to be the perfect revision band). The playlist also features a lot of Ed Sheeran (sorry.)

 

March 2017- What I’m Listening To

FEBRUARY 2017 WHAT I’M LISTENING TO

February saw the continued festival announcements and there were plenty to keep you busy. With announcements from festivals, such as Victorious Festival (Friday 25th, Saturday 26th and Sunday 27th August, Portsmouth, headlined by Madness, Stereophonics and Elbow, with the likes of Slaves, Jake Bugg and Sundara Karma announced so far), Parklife Festival (10th and 11th June, Manchester, headlined by The 1975 and Frank Ocean, with artists like George Ezra and Two Door Cinema Club also announced to play), Festival No. 6 (September 7th- 10th, Portmeirion, headlined by Bloc Party, Mogwai and The Flaming Lips, with artists like Rag ‘N’ Bone Man, Kate Tempest and Charlotte Church announced to play)¬†and Boardmasters (August 9th-13th, Cornwall, headlined by Two Door Cinema Club, Jamiroquai and Alt-J, with artists like The Vaccines, Kate Nash and Frank Turner recently added) just a few of the month’s announcements.

Now sold out Truck Festival unveiled their 20th anniversary celebration lineup, which announced The Libertines, The Vaccines and Franz Ferdinand¬†to headline. The festival takes place from 21st- 23rd July and is set to play host to a whole host of brilliant artists, such as The Wombats, Sundara Karma, VANT and Twin Atlantic. Clearly, it’s the place to be this summer for up and coming artists.

Glastonbury have announced the Foo Fighters as their Saturday night headliners, which has been highly anticipated. The band were due to headline in 2015, but pulled out¬†as lead singer Dave Ghrol suffered a leg injury before the event (they were, however, replaced by the phenomenal Florence and the Machine). The band announced their prestigious headline slot by playing a secret set in Frome, Somerset. Tickets were sent out exclusively to fans via boarding passes. Their headline set is set to be a spectacle and I can’t wait.

The line-up for Community Festival was released in February and it looks insane. Community Festival is a day festival held at London’s Finsbury Park on July 1st, which, boasted by its website, is a “one day celebration of the best in new music”. The event is headlined by Catfish and the Bottlemen, with artists like The Wombats, Slaves, Nothing But Thieves, The Hunna and Fickle Friends announced to play the ¬£40 festival- a bargain!

Bestival has announced that they’re having a change of site in 2017. The festival is moving from the Isle of Wight to Dorset! The festival is being played in September by artists such as The XX and Jamie T.

Imagine Dragons have teased the follow up to 2015’s Smoke and Mirrors,¬†with new single “Believer”. It remains in a similar vein to their old material. It’s got their iconic heavy use of drum, catchy lyrics that warrant area/festival crowds chanting and it’s no doubt a brilliant comeback from the Las Vegas band.

The Amazons released their new single ‘Black Magic’ in anticipation from their debut album release, which is due this year. It’s a huge, guitar laced track and hopefully an indicator of what’s to come- it’s brilliant. The Amazons are destined to be huge. They’ve recently toured Europe with You Me At Six and set out on UK tour in April.

All Time Low are set to release a new album, the first since 2015’s Future Hearts, called Last Young Renegade. It’s the first album they’ll have released on their new record label, Fueled By Ramen, who support huge artists like Paramore and Panic! At The Disco. ¬†The band have released the lead single from the record, entitled Dirty Laundry, ahead of their UK tour next month.

18-year-old indie-rock master Declan McKenna released his latest single- ‘The Kids Don’t Wanna Come Home’- this month. It’s a brilliant song, which you won’t be able to get out of your head. Declan McKenna keeps bringing out absolute bangers, and this one is no different. McKenna speaks for a lot of young people and, with bands like VANT, are hugely necessary in today’s world. The lyrics, again, are politically laced and set off by an chilled out indie-rock tune. I can’t wait to see what he does next.

The dreamy Will Joseph Cook has announced details of his debut album, Sweet Dreamer, which is due to be released on April 14th this year, on Atlantic Records. The 12 track album features the singles ‘Take Me Dancing’, title track ‘Sweet Dreamer’ and ‘Girls Like Me’. It’s set to be huge.

From one debut album announcement to another… Clean Cut kid are finally releasing their debut album! The album is called FELT¬†and is due for release on the 28th April. The album will feature all their previous hits (I hope) and is set to be a success (they deserve it). The band are off on a UK tour in April/May and are set to support The Kooks with Fickle Friends on their May UK tour, which features a sold out night at Alexandra Palace.

The 1975 released a charity single, in support of children’s charity War Child,¬†ahead of their charity concert in London, for Brits week. The song ‘By Your Side’- a cover version of a song by Sade- is a slight change of direction from the band, yet it’s exciting to hear new music from the Manchester band.

This year’s Grammy awards took place and saw records taken home by the likes of Beyonc√©, Twenty One Pilots, Chance the Rapper and The Chainsmokers. Adele won plenty of awards (obviously) and took away the prestigious ‘record of the year’ award, beating Beyonc√©’s Formation.¬†Adele did, however, snap her award in half giving half to Beyonc√©. Standard.

This year’s Brit Awards took place at The O2 Arena, London. The awards ceremony saw performances from The 1975, Emeli Sande, Ed Sheeran (with special guest Stormzy), Little Mix and Katy Perry (with dancing houses and giant Trump/May puppets, no less) amongst others. Awards were won by the likes of Bowie, Emeli¬†Sande and Little Mix. The 1975 won ‘Best Group’, which was very exciting, and Blossoms were beaten by Critic’s Choice Award winner Rag ‘N’ Bone Man to the prestigious ‘Best British Breakthrough Artist’ award. Robbie Williams was honoured at the ceremony and celebrated with a shocking, yet memorable performances.

Next month I look forward to seeing Blossoms and Circa Waves, as well as Circa Waves’s new album.

This month I have been obsessed with Blaenavon’s ‘Orthodox Man’ because it’s absolutely brilliant (a real masterpiece). The playlist also features Ed Sheeran, Pulp, the Happy Mondays and King No-One.

FEBRUARY 2017 WHAT I’M LISTENING TO

What I’m Listening To- October 2016

As Winter ‘creeps’ up, it’s time to get cosy with some new music and golden oldies.

This October Dirty Hit announced that they had signed King Nun, a fantastic up and coming band which I’ve liked for a while now, with a debut single, ‘Tulip’. I saw the band last year (for free!!!!) in the middle of Kingston for a Banquet Records summer show type thing, along with the equally talented Jungle Doctors. I remember thinking that they were good and now they’re back with this! The single is loud and frantic and I love it. It’s all over the place- in a nice way. It’s raw and heavily guitar laced. Keep an eye on the London lads.

VANT have just finished touring with You Me At Six and have announced details of their debut album. I am so excited about this, as I’ve been waiting so long for it. Their debut album,¬†Peace and Love, is due on the 17th February. ¬†It’ll feature all the current faves and a whole host of new ones- how exciting! VANT, from planet Earth, are on a UK tour currently.

Ahhhhh, this is a weird and exciting thing that happened over the last few months which I haven’t previously been able to talk about. Way back in August, in a time before Reading 2016, I was called by the BBC to take part in a ‘Music Focus Group’, which didn’t end up being a ‘Music Focus Group’ after all (and, for your information, they don’t actually exist, which I was most upset about). I don’t want to give too much away because I don’t know if it’s a format they’ll do again in the future, and there’s no fun in spoiling it for others, but somehow I ended up getting stuck in a lift with Ricky Wilson of the Kaiser Chiefs reassuring me it’d be alright and then, in a really odd turn of events, having the Kaiser Chiefs sing ‘Ruby’ in front of me… literally. in. front. They also played their recent single ‘Hole In My Soul’, too, and it was all filmed! It was an odd, but nonetheless brilliant experience which I was very grateful to have been able to take part in. Luckily for everyone, I think there’s still a few days of it left on the old BBC iPlayer to be enjoyed: http://www.bbc.co.uk/programmes/p03xkg0j/episodes/player – thank me later!

Glastonbury organisers have announced Radiohead as the first confirmed headliner for Glastonbury 2017, via a large Radiohead crop circle type thing. The band will headline Glastonbury Festival on the Friday. The air is rife with rumours of who else will be joining Radiohead, with many reports indicating it could be The Foo Fighters, Lady Gaga, The Stone Roses or Ed Sheeran. Robbie Williams has announced an interest to headline and Cliff Richard is also rumoured (help us)! Obviously, these rumours will keep coming thick and fast before anything is officially released. Either way, I can’t wait for the full line up release next year eeeee. The thought of summer festivals is giving me hope through the relatively festival free winter.

The Courteeners released their album Mapping the Rendezvous this month, too. It’s an album that I can’t wait to review shortly. The band tour in November, with Liverpool beauties Clean Cut Kid, and also play two shows at Banquet Records in December.

Two Door Cinema Club released their brilliant disco fuelled album,¬†Gameshow. The band also announced a tour which includes a couple of dates at Alexandra Palace in the new year, which I’m so excited for.

This month’s playlist includes a lot of Two Door Cinema Club because I’ve been craving the summer vibes all throughout ‘the changing of the seasons’ (I hope you appreciated that Two Door Cinema Club reference), M√ł (because ‘Final Song’ is a good song) and Blossoms, as always. I had a nostalgic evening listening to Lily Allen too.

In November I’ve got so many concerts coming up. From Catfish and the Bottlemen to Jake Bugg to Tom Odell, it’s a busy month! I’ve also got a week on tour with Black Grape for work experience, which I am beyond excited for. I can’t wait to see what the next month brings.

What I’m Listening To- October 2016

June 2016- What I’m Listening To

June- the month of new releases, reunions and festivals.

Let’s start with the rather unexpected comeback from The Strokes. At the end of May, Julian Casablancas (lead singer of The Strokes) debuted a new track, “Oblivius”, on his SiriusXM radio show. The new track came after an announcement that The Strokes would release an EP called the ‘Future Present Past EP’, on the 3rd June, which would be their first release since ‘Comedown Machine’, three years ago. The EP was released on the 3rd June and featured three tracks: ‘Oblivius’, ‘Drag Queen’ and ‘Threat of Joy’. They played the Governors Ball festival in New York City on the 3rd June. Their new material is edgy and effortlessly cool. It’s guitar laced classic indie rock and I love it. I can’t wait to hear more of what the band will release over the next few months.

June didn’t disappoint on the album release front either, with releases from artists and bands like Tom Odell,¬†Spring King and Jake Bugg. Tom Odell’s stunning follow up album was the perfect reinvention of classic Odell. Whilst he still manages to get the piano in many of the songs, Odell is less dependant on the piano and ventures away from the keys throughout the album. “Wrong Crowd” is a bold move, but it works and he sounds great (“exquisite” even, if you ask my dad). The same can be said for Jake Bugg’s third album, “On My One”. “On My One” is an eclectic mix of old, country laced classics intertwined with many an upbeat anthem, a ballad or two and, surprisingly, a rap, which is perhaps best forgotten. It’s one of my favourite Jake Bugg albums and I can’t wait to see him on tour in November. Spring King, too, have released an album. “Tell Me If You Like To” was released on the 10th June. Its raucous, raw sound, with hints of Palma Violets, makes it an interesting, yet thrilling, listen.

Bastille are also back. The band released “Good Grief” on the 16th June and also announced that they are set to release an album, ‘Wild World’, on September 9th this year. The album follows their debut album,”Bad Blood”, which was released three years ago (in 2013), and will be followed up by a UK arena tour, where the band are set to play huge areas like The O2 in London, as well as a huge string of festival sets. “Good Grief” is infuriatingly catchy. It’s an incredible track which has been stuck in my head since its release. If the rest of the album is anything like this then we’re in for a treat!

As if this wasn’t enough, Jamie T has released a song, too. On the 29th June 2016 Jamie T unveiled latest single “Tinfoil Boy” from his ¬†upcoming album, “Trick”, released on September 2nd. The album has a set of supporting concert dates, too, which sees Jamie T (whose real name is Jamie Treays) play three nights at the O2 Academy Brixton. “Tinfoil Boy” is¬†quite vocal for T, but it has huge echoey lines and hooks¬†reminiscent of earlier material. I can’t wait to hear what else he has to release.

Following a weird stint playing undercover comeback shows as a band billed as “a tribute to Two Door Cinema Club”, Two Door Cinema Club have debuted a new song called “Gameshow” (which was not played at any of the comeback shows) and another new song, and upcoming single, called “Are We Ready? (Wreck)”. The single is from their upcoming album ‘Gameshow’, released October 14th. “Are We Ready? (Wreck)” is a song I find very exciting. It’s upbeat and refreshing, with hints of classic Two Door Cinema Club. The sung “na na na na…” bit reminds me of Fall Out Boy’s “Centuries”, if you wanted a very distanced comparison, and I can imagine huge crowds singing back the lyrics (are we ready? Hold it steady).

On the first of June, The 1975, once again, hit us with a cryptic clues and a countdown. The band announced that they would play their biggest ever show in December this year, but, frustratingly, kept the location secret. Many speculated a date at London’s prestigious O2 Arena and they were spot on. The 1975 will play, to a sold out arena, The O2 Arena on the 16th December 2016. They promise to include “expanded visuals and a brand new set list including songs that have never been played live” and noted that their performance is “constantly evolving” and will “fuse art and technology to create a unique live experience”. I am beyond excited to see how this will play out. The band latterly released arena dates encasing this one in December, which includes another date at The O2 Arena. The 1975 also released the cinematically stunning video for “Somebody Else”. I’d love to delve into and explore the video further, but overall it’s a sympathetically shot video with brilliant and clever nods to past videos. It’s quickly cut, honest and clever. I like it.

In June, for my birthday (19th June), I saw Coldplay at Wembley Stadium. Coldplay are a live band who never get boring. It’s amazing how after constant touring they can still put on fascinating, encapsulating and almost perfect performances, which are never short of the odd, well handled hick up. The band genuinely seem to be having the time of their lives and looked genuinely grateful that people were still out and supporting their band. They managed to entertain a crowd which easily spanned three generations. They were incredible.

Obviously no June post would be complete without mentioning the formidable Glastonbury Festival. There’s nothing I love more than spending the weekend covered in mud with good people, good music and good tasting (yet probably not healthy) food. The festival was headlined by Muse, Adele and Coldplay, with the Sunday tea-time legends slot going to Jeff Lynne’s ELO (who have just released a one off date at Wembley Stadium on the 24th June 2017). Other acts across the weekend included Tom Odell, Wolf Alice, Madness and Jess Glynne. It was an incredible weekend and I could go on about it for ages. You can catch up on the blog posts here!

Other notable festivals from June 2016 included Shoreham’s Wildlife Festival, headlined by Disclosure and Rudimental, and The Isle of Wight festival, which both looked incredible.

This month’s playlist includes songs from artists I saw at Glastonbury, new releases from this month and some golden oldies. It also includes artists like Christine and the Queen, who I have been listening to a lot this month, as I’m baffled by her incredible talent. There’s also a bit of Viola Beach (having seen Coldplay’s emotional Glastonbury tribute) and Adele, of course.

 

 

 

 

June 2016- What I’m Listening To

Glastonbury Festival 2016- Sunday 26th June 2016

This is the fourth and final Glastonbury Festival 2016 blog post! You can find the introduction here, Friday’s post here and Saturday’s highlights here. All of the sets mentioned across the blog posts are still available to (re)live on the BBC iPlayer for the next few weeks too.

The Sunday of this year’s Glastonbury Festival was headlined by firm favourites Coldplay, their fourth headline set at Worthy Farm. The legends slot went to none other than Jeff Lynne’s ELO and other notable acts across the day included Bear’s Den, Years & Years, Catfish and the Bottlemen and Beck.

Mystery Jets have been around years, so it’s unsurprising that they walked out on stage to an overflowing tent full of fans of all ages. They stated that one of the best shows they’ve ever played happened at Glastonbury festival and this came close to beating it. This show was in support of their latest album “Curve Of The Earth”, released this year. They played songs such as “Bombay Blue” and “Telomere” from it, but the firm fan favourites still remain as “Two Doors Down” and “Young Love”, both of which are from 2008’s “Twenty One”. Their set was brilliant and the band seemed to have just as much fun as the fans did!

This year’s Sunday tea time legends slot was filled by Jeff Lynne’s ELO. They’ve just¬†done a UK arena tour and have recently announced, off of the back of Glastonbury, a huge one off show at London’s prestigious Wembley Stadium. The band played songs from their impressive back catalogue which spans over 40 years. The band played songs such as “Evil Woman”, “Don’t Bring Me Down” and “Livin’ Thing”, which the audience enjoyed. They played with an operatic back up singer, who sang at various points of the set. The highlight of the set, obviously, was the hugely popular and influential “Mr Blue Sky”. Whilst the set was mostly lost on me, just hearing ELO play “Mr Blue Sky” made my weekend. The song is one which was played frequently throughout my childhood and it’s a song I love so much. The sky, however, was far from blue as it drizzled throughout the set, but our rain ponchos were (which sort of made up for it, I suppose).

Years & Years are one of the most current and progressive bands on the scene. Their music, dance infused, was perfect for the for a dull and drizzly afternoon, which was brightened by Olly Alexander’s (lead singer) unapologetically bright rainbow coloured outfit and tassley jacket. They played songs from their brilliant first album “Communion”, which was released last year, including “Take Shelter”, “Eyes Wide Shut”, “King” and “Desire”. There was also a cover or ‘mash-up’ of Katy Perry’s “Dark Horse” and Drake’s “Hotline Bling”. This set comes almost exactly a year after the first time they played Glastonbury, on the John Peel Stage. They’re gradually working their way up the festival line up. The band performed on the weekend of gay pride. Olly Alexander did an inspirational and clearly emotional speech about his sexuality and the problems and fears he faces with it. He opened with “I am gay, very gay” and suggested we all “shove a rainbow in fear’s face”. ¬†The band walked off stage to rainbow confetti, having been joined by dancers for the final two songs.

The best time I’ve ever seen Catfish and the Bottlemen was at Glastonbury last year. I’ve seen them a few times since and never have they lived up to the time they played Glastonbury. This year they returned to Worthy Farm with a Brit Award (for Best British Breakthrough Artist) and a new UK number one album, for “The Ride”, which was released in May. The band seem to step up a notch when they play Glastonbury, as though they’re out to win fans (and their set did just that). The band cleverly curated the perfect setlist by infusing songs off of their stunning debut album, “The Balcony”, with songs from their latest album, “The Ride”. ¬†They played songs, such as “Kathleen”, “Pacifier” and “Cocoon”, from their debut album and seamlessly intertwined them with songs like “Soundcheck”, “Anything” and, latest single, “7”. Like usual, they opened the set with “Homesick”, the first song off of “The Balcony”, and closed with “Tyrants”, the closing song from “The Balcony”.Van McCann (lead singer) is an incredible front man and expresses the true gratitude the band have for being able to play festivals like these. Catfish know how to effortlessly pull of a huge set like this and cement their right to play at the festival. I wouldn’t be surprised, given a few more years and albums, if they were soon able to headline festivals like this.

American singer-songwriter Beck played the tricky slot before Coldplay on the Pyramid Stage. Throughout the weekend we had questioned who he was and how capable he was of filling such a huge slot when none of us could name anything he’d done, but Beck is one of those artists who, when they begin to play, you seem to know every single song of. The set was mad, energetic and full of surprises. He played songs such as “Loser” (which, shamefully, I knew from Glee), “Sexx Laws” and “Dreams”. He even managed an encore of “Where It’s At/ One Foot In The Grave”. The set was something you had to see to believe. It was odd, but brilliant.

Coldplay headlined Glastonbury for the forth time this year. They play off the back of the release of their latest album, “A Head Full of Dreams”, and a sold out stadium tour, which featured four sold out shows at Wembley Stadium. The band brought their huge production to Worthy Farm, with over 100,000 ‘xylobands’ distributed throughout the day for the crowd. Despite the huge number of bands given out, I never managed to find one (which I’m still gutted about and, yes, it did dampen the set for me, as I didn’t feel as involved from a purely aesthetic view). The band played songs spanning their impressive seven album collection. It was a nostalgic set, especially as they played songs such as “Fix You”, “Yellow” and “A Sky Full Of Stars”, all of which were incredibly emotional. The band played many songs from “A Head Full Of Dreams”, too, including the title track to open (following a controversial Charlie Chaplin speech), “Hymn For The Weekend” and “Adventure Of A Lifetime”, where Chris Martin (lead singer) encouraged everyone to “get down” despite the mud and jump up together on the count of three. The band played “Everglow”, but had to restart as Martin’s piano was out of tune. They ended the song by playing a clip of Muhammad Ali, another highly emotional tribute.

At this point, I’d like to talk about something beyond incredible that Coldplay did. I had heard speculation of a Viola Beach tribute taking place during the set prior to the festival. I was unsure about this at first, thinking they were just “jumping on the band wagon” to look respectable. I was not, however, expecting them to do what they did. The band began talking about when they first played the festival on what is now know as the John Peel Stage and how they were thankful for the incredible new music which passes through the festival and that year every year. They went on to tell of how sad they were of hearing the deaths of the formidable up and coming band Viola Beach and how they were sad that they were never given the chance to do something like headline the Pyramid Stage at Glastonbury. The band then said they would like to let Viola Beach have the opportunity to headline Glastonbury and let a recording of their song “Boys That Sing” play on a huge LED screen at the centre of the stage. The band joined in to finish the song at the end. It was extremely moving and I did, admittedly, cry throughout. Viola Beach were an incredible talented band, who, no doubt, would’ve gone on to play at the festival countless times. What Coldplay did was incredibly special (they said they would usually have done a Bowie tribute at this point) and exemplified the type of attitude we need towards new music. I was amazed and moved by this.

The set was jam packed full of amazing surprises. The band played an extended five song encore. They usually take a request from those in the audience and this time was no different, however they took a request from Mr Glastonbury, Michael Eavis, himself. They asked him which band he would like to headline and he said “The Bee Gees”. Barry Gibb joined Coldplay on stage to play two songs, “To Love Somebody” and “Stayin’ Alive”. The whole crowd sing along to “Stayin’ Alive” was quite something and the atmosphere was second to none, which doesn’t necessarily come across through the recordings. They then played “A Sky Full Of Stars” to falling star confetti and, finally, “Up & Up”, with Martin’s children Apple and Moses singing backing vocals. Martin stopped just before the end and said he wanted to continue playing. Eavis joined him on stage to sing a wonderful cover of “My Way”. This was, again, quite emotional and fun. It was brilliant and embodied the family spirit of Glastonbury. I’m sure it would have been lost on many of those watching at home, but Michael Eavis is a key and foundational part of the festival, obviously, and this was nothing but special to see. His performance was slightly better than the time he sang “Happy Birthday” with Stevie Wonder. “Up&Up” was reprised before the end and that concluded a stunning set and overwhelmingly brilliant weekend.

Coldplay are a band who know how to play festival and big venues. I hope this is the fourth of many more Glastonbury headline sets as their production and songs are a firm favourite on the farm with the Eavis’ and audience alike. They had to battle with the brilliant Jake Bugg and Grimes on the other stages.

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Glastonbury Festival 2016- Sunday 26th June 2016

Glastonbury Festival 2016- Saturday 25th June 2016

This is the third of four blog posts about Glastonbury 2016. You can find the introduction here and the Friday post here.

The Saturday of this year’s festival saw yet another risky headliner. Last year we had Kanye West and this year we had, arguably the most significant and/or popular female solo artist of the last year, Adele. Adele is an artist who is globally appealing. Her songs touch a wide range of people across all age groups and she can even play into the hearts of those who maybe aren’t fans with her irresistibly entertaining and hilarious live act. Many still labelled her boring and depressing though. Other acts across the day included Wolf Alice, Madness, The 1975 and Tame Impala.

At 11:50 in the morning, on the John Peel Stage, Nothing But Thieves played to a packed out tent. The set comes off the back of their recent supporting slot to the Friday night headliner, Muse, and the release of their debut album, “Nothing But Thieves”, last year. It’s the first time they have played the festival so it was unsurprising that they wanted to win new fans over with an impeccable set. Conor Mason (lead singer)¬†showed off his incredible vocal range with breathtaking vocals echoing those similar of artists like Muse, further proving they’re on a steady path to success. They played hits like “Itch”, “Trip Switch” and “Wake Up Call”. These songs proved particularly successful with the Worthy Farm crowd early, in festival terms, on Saturday.

We stumbled upon a nervous Izzy Bizu playing The Park Stage. She played a short set, but it was enjoyed by a large crowd. Bizu is effortlessly, and enviably so, cool. Her songs are laid back, chilled out and extremely easy to listen to. It wasn’t a fussy and over the top set. It was just her, her band and the boiling heat (scarcely seen over the weekend). She was joined by her friend and writing partner, HONNE, at one stage for a song, “Someone that loves you”, and told many little anecdotes throughout the set- she even let us know that she’d scattered various polaroids across the site, with prizes on, for us to find. Keep an eye out for Izzy Bizu and check out “White Tiger”.

Wolf Alice played another stunning set at Glastonbury Festival, following last year’s¬†highly talked about set on The Park Stage, and this year they played on the prestigious Pyramid Stage. In a weird way the fact that they were playing on a stage as big as that of The Pyramid Stage filled me with an odd sense of pride and satisfaction. Wolf Alice are genuinely one of the greatest live acts I’ve ever seen (and I say this over and over) and aren’t to be missed. This set, however, was different to the many times I’ve seen them before. If you ask me, I’ll tell you their set at The Brighton Dome is one of the greatest things I’ve ever seen before (and, to this day, one of, if not, the best concert I’ve ever been to), but this was incredible again. It seemed like a weird cyclical thing. Last year, just after the release of their debut album, “My Love Is Cool”, they played Glastonbury Festival and then this year, after a whirlwind year of constant touring, almost exactly a year on from the original Glastonbury performance that sparked it all, they played the same festival on a much larger stage, with many more fans. It seems like the end of an era. Ellie (Rowsell, lead singer) was even wearing a gold dress, perhaps to symbolise the album artwork, and it felt as though they were perhaps winding down and preparing for another album- or so we can hope! The set saw guitarist Joff Oddie’s poor hand covered in blood by the end and Ellie jumped down into the crowd at the end to high five fans (and she even hugged a young fan). Their gratitude radiated through the faultless set. Ellie even stated that her and Joff had entered the annual “Emerging Talent Competition” a few years back (this “made up for it” apparently) but hadn’t been selected- look at them now! It’s incredible to think how big things have gotten for Wolf Alice. They played songs such as “You’re a Germ”, “Bros” and, latest single, “Lisbon”, as well as a few b-sides and EP tracks, such as “Blush” and (Grammy nominated) “Moaning Lisa Smile”. They’re a firm favourite at Worthy Farm and I’m sure this performance is only the start of a long stint of successful Glasto sets.

Madness managed to pull in one of the largest crowds of the weekend. It was an audience composed of all ages and provided great family entertainment- Suggs was particularly excited to see the staggered ages. It was a hit fuelled set and managed to put a smile on everyone’s faces. The band genuinely looked like they were having the time of their lives and were joined by their families on stage at the end. Madness played an array of their most popular songs, from “Baggy Trousers” and “Wings of a Dove” to “House of Fun” and “Our House”. They took a short ‘encore’, by turning round and waiting for people to clap and scream enough to warrant more songs, for they didn’t have time to go off stage, before they closed with a whole crowd sing along to “It Must Be Love”. ¬†There was also a very odd cover of AC/DC’s “Highway to Hell” and an emotional Bowie tribute with a cover of “Kooks”. The set was hilarious, fun and family friendly.

Shortly after Madness dazzled a huge crowd on the Pyramid Stage, Tom Odell took to the stage on the Other Stage. Tom Odell is a hugely talented singer-songwriter, who is perhaps best known for “that song in the John Lewis Christmas advert” (“Real Love”, John Lennon cover), who has recently released his brilliant second album, “Wrong Crowd”, after 3 years. Tom Odell sat at his piano and played throughout the set, but ventured away from the piano at points in order to sing and interact with the crowd. His sets feel intimate and personal, as well as highly emotional. Odell has an incredibly special voice, complimented by his “Wrong Crowd” band, which works well and thrives in a setting like this. His songs are appealing to all and his wonderful showmanship, despite being behind the piano most of the time, is second to none. He played all the big songs from the first album, “Long Way Down”, including “Another Love”, “Can’t Pretend” and “Grow Old With Me”. He also played songs from his latest album including “Concrete”, “Wrong Crowd” and “Magnetised”, which was the latest single. He ended up stood on top of the piano at the end of his set, which was quite impressive, too. ¬†His set was “exquisite”, to quote my dad, and he’s bound to gain popularity whilst touring with the latest album. Tom Odell appeals to everyone, so I’d strongly urge you to have a listen!

The 1975 played an incredible set on Saturday afternoon on The Other Stage. I must admit, I wasn’t expecting anything much from the set prior to seeing it as I’d last seen The 1975 at Radio One’s Big Weekend, when they didn’t seem to want to be there and it was all a bit embarrassing. This, on the other hand, was something else. The 1975 are finally back and Matty Healy (lead singer) is back on top form. The set was brilliant and captivating with a similar live set up to how they’ve been touring for nearly the last year (with the light blocks). Their production is always impressive and works particularly well at festivals like this, as it’s as much about the art as it is about the music. I particularly loved Matty Healy’s speech about the EU before “Loving Someone” (Ellie Goulding was even spotted showing her support for the band and their speech from the front of the stage). The set proved the band’s capabilities and suggested they could go on to play higher up on the festival line-up (“see you in a few years” Healy said whilst leaving). George Daniel (drummer), whilst still not drumming, managed to pass Healy his guitar during the set too, which achieved a huge round of applause from the crowd. Healy had the odd cigarette between songs and danced throughout in his wonderful white suit and with his brilliant new haircut (a fringe- the highlight of my weekend). He made the crowd jump during “The Sound”, from their latest album, ‘I Like It When You Sleep, For You Are So Beautiful Yet So Unaware Of It’. The also played other songs from iliwysfyasbysuoi (oh my), such as “Love Me” and “A Change of Heart”, as well as many songs from their debut album, “The 1975”, including “Chocolate”, “Girls” and “Sex”. They even managed to squeeze “You” in from their pre debut album EP, “Sex”. It was a move appreciated by many big fans and enjoyed by those who didn’t know it as much too. Overall it was a triumphant set thoroughly enjoyed by many.

If you don’t know Tame Impala you’re missing out. Tame Impala are an Australian psychedelic rock band who won the “Best International Group” award at the Brit awards 2016. The band’s music is infused with psychedelic twists, which prove popular with a live audience. The set up is interesting and was complimented by a large LED screen at the back of the stage featuring many moving graphics. They played songs such as “Let It Happen” and “The Less I Know The Better”, both of which are from 2015’s “Currents”, as well as many songs from previous albums and a Mark Ronson cover of “Daffodils” (Kevin Parker, lead singer, played a DJ set with Ronson that weekend too). The set was the perfect warm up for headliner Adele.

Adele headlined the Saturday of the festival. It was the second time she’s played the festival- the first time she played she played the Guardian tea tent years ago just before Florence and the Machine. Adele is a globally recognised and loved artist, which made this so special. The set was the talk of the weekend as many were eager to see Adele and her potty mouth headline a festival like Glastonbury for, really, the first time. Adele opened with comeback single “Hello” (to a backdrop of her blinking eyes). It was an incredibly strong opening to the set, as the whole crowd sang along with her. “Fucking hell” were the first words she muttered as she began performing. I love how her singing voice and speaking voice and mannerisms totally juxtapose one another. She goes from singing in an angelic voice to cursing the next minute in a thick cockney accent in a hilariously comedic way and it all seems totally natural.

Adele let us into many personal anecdotes throughout the set. She told “us”, as though we were her best mates gathered in her living room having a cup of tea with her, about the absence of a “Skyfall” video and the fact she’d been watching Muse from her house the night before and joked that she almost didn’t come. She made remarks about the mud and toilet situation throughout (as though she was ‘one of us’), stating that she had been coming to the festival for years. At this point she pulled a young girl out of the crowd for a selfie and a chat, it was incredibly special to watch.

Nestled between songs, spanning across all three of her albums, such as “Water Under The Bridge” (one of her only “not depressing” songs, apparently, as she dismissed the critics for branding her songs too “depressing”, although we can all be “depressed together”, and suggested they “wouldn’t be watching” anyway), “Send My Love (to Your New Lover)” and “Rolling in the Deep”, there was a medical emergency (which she spoke through, telling stories of grannies and drunk middle aged women and watched as help was gotten), foreign fans up on stage and booing of hometowns (“there will be no booing at one of my concerts; we’re all one big happy family”). She played a Bob Dylan cover of “Make You Feel My Love”, which “broke and fixed her heart” when she first heard it. At points the audience were encouraged to use the torches on their phone to create a sea of lights, at other points there was confetti and at other points Adele was in the heart of the crowd (wearing a fez). Adele played “River Lea” for the first time, although she had to restart during the first verse to make sure it was perfect as she was out of breath from dancing.

She played a two song encore. Before coming on to play “When We Were Young” a video played of her first Glastonbury performance. Adele suggested that she agreed to do the festival whilst watching Kanye West headline last year with organiser Emily Eavis. “When We Were Young” was highly emotional and definitely a highlight of the set for me. Behind her were various clips and photos of her as a child and it made the it more special and personal. With her face plastered through a projection onto the side of the Pyramid Stage, Adele closed with “Someone Like You”, the song which got her the ‘big break’. This was incredible and the atmosphere was buzzing.

Adele is an artist who you almost didn’t want to sing. I could literally have listened to her talk for an hour and a half and still have had a brilliant time. She’s effortlessly funny and full of incredible stories. It felt unimaginably intimate and special, as though she was talking to the audience personally despite it being broadcast all over the world live. Yes, she curses and makes hilariously savage remarks (“you still live with your mother”), but she’s undeniably talented and brilliant. Her set was definitely one of my highlights of the weekend and I’d love to be able to see her again. It lived up to all my expectations.

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Glastonbury Festival 2016- Saturday 25th June 2016