Reading Festival, 25th-27th August 2017 (Festival Review)

So Reading (and Leeds) Festival is over for another year and this year’s festival was a huge success. The event, held at Richfield Avenue, took place from Friday 25th August to the 27th August and was headlined by Kasabian, Eminem and Muse. There were a couple of (not so) secret sets over the weekend too, including appearances from Wolf Alice and Queens of the Stone Age (who will no doubt be back next year, perhaps the latter as headliners).

Here are my highlights:

Friday

The Magic Gang played a triumphant late morning set on the BBC/NME Stage to set off an exciting weekend of live music. The Brighton band played an enthusiastic and energetic set, filled with previously released songs- including ‘All This Way’ and ‘Jasmine’- as well as their latest single ‘Your Love’.

If you haven’t seen Declan McKenna in 2017 then I don’t know where you’ve been! He’s played pretty much every UK festival and Reading and Leeds was no exception. The 18-year-old played his first ever Reading and Leeds set (having attended Reading for the past two years) on the BBC/NME Stage to a packed out audience. McKenna sang songs from his debut album- What Do You Think About The Car?– and jumped into the audience a few times in the set, with the first time unsuccessfully ending up in the middle of a mosh pit. McKenna laughed off forgetting the words to ‘Paracetamol’ and continued to gleefully run around the stage as the audience sang, cheered and clapped along. Declan McKenna knows how to excite an audience.

Anne-Marie might not have seemed an obvious choice for Reading Festival, but by the sheer amount of people who turned up to see the ‘Rockabye’ singer she’s clearly a popular one. The singer played a mixture of singles, including ‘Do It’ and ‘Alarm’, and lesser known songs, before ending with the hit-singles ‘Ciao Adios’ and a stunning version of Clean Bandit’s ‘Rockabye’, which she features on. The audience were in awe as she sang pitch perfect songs and as she jumped into the crowd to take selfies with the audience.

It’s been quite a year for Two Door Cinema Club. Last year they headlined the BBC/NME Stage and now they’re creeping up the Main Stage line-up, with a new album and countless tours under their belts. Two Door Cinema Club know how to put together a good setlist, which featured hit after hit and a copious amount of fan favourites. They always put on a good, feel-good show.

Bastille brought the Wild Word tour to Reading Festival, with brilliant visuals and stories of politics and life laced throughout. The band played songs spanning their back catalogue and the radio-hits from their latest album. The drumming on Pompeii was an obvious highlight, as the audience loved singing along.

British rock band You Me At Six closed the first day of the BBC/NME Stage. The set- which featured huge pyrotechnic displays- was plagued by technical difficulties, which prompted a spine-tingling acapella rendition of ‘Lover Boy’ from the album Sinners Never Sleep. The band played under a sea of mobile phone lights and lighters during ‘Take On The World’, before bringing guitar lead rock hit after hit to the Reading Stage. The band treated fans to songs from their debut album- Take Off Your Colours– ahead of its 10 year anniversary next year, with front man Josh Franceschi telling his desires of wanting to do an anniversary tour next year. The band were on top form that night.

Saturday

The not-so-secret secret act Wolf Alice played to dedicated fans and festival goers at 11:00am on Saturday morning. The set was incredibly lively with famous fans, label mates and onlookers (including The 1975’s Matty Healy and Slaves’ Isaac Holman) stood side of the stage. The band played songs from their 2015 debut album, My Love Is Cool, and showcased new songs from their forthcoming second album, Visions of a Life, including the singles ‘Yuk Foo’, ‘Beautifully Unconventional’ and ‘Don’t’ Delete The Kisses’. The atmosphere was incredible.

Blaenavon played the BBC/NME Stage early on in the day. The band brought That’s Your Lot to Reading Festival and treated the crowd to their mature, alternative music. The band played songs including ‘Orthodox Man’, ‘Let’s Pray’ and the stunning ‘Prague’ before front man Ben Gregory jumped into the crowd.

Dan Stock played on the BBC Introducing Stage. Singer songwriter Dan Stock stood solo centre stage and played as if he were playing to an arena. His lyrically clever and satisfying songs echoed that of Alex Turner and his assured stage presence commanded the respect of Jake Bugg, Declan McKenna or Liam Fray. With the aid of a band (eventually) he could become pretty huge. He’s definitely one to watch.

A couple of weeks before Superfood released their triumphant ‘comeback’ album Bambino the band played Reading Festival. The festival gave a platform for the band to showcase songs from the upcoming album, including ‘Where’s The Bass Amp?’, ‘Double Dutch’ and ‘I Can’t See’, throughout which they encouraged the audience to dance. The band also played tracks from their 2014 debut album Don’t Say That, including the song ‘Superfood’.

Ahead of their biggest UK tour to date (which features shows at London’s O2 Brixton Academy) Sundara Karma delighted the Reading audience to a spectacular homecoming show. The Reading band played a no-gimmick set filled with tracks off of their (now extended) debut album, Youth is Only Every Fun in Retrospect, which was released earlier this year. The band opened up the Main Stage at Reading Festival last year in what turned out to be a career defining performance and this felt like a triumphant progression. Sundara Karma are continuing to make waves with their effortlessly cool, alternative music and the fans sure are loving it.

Everything Everything played a lot of their new album A Fever Dream at this year’s Reading Festival. The band’s set featured heavily a lot of new tracks, including the single ‘Can’t Do’, with the odd fan favourite peppered in to the audience’s excitement. The highlight of the set was the weirdly wonderful ‘No Reptiles’, with its absurd, yet clever lyrics and infectiously catchy nature, with songs like ‘Distant Past’, ‘Kemosabe’ and ‘Spring Summer Winter Dread’ also loved by the fans. It’s great to see Everything Everything back with refreshing new material though, even if it seems relatively toned down compared to what came prior to it.

Glass Animals are a band so powerful that they brought on an entire pineapple ban at this year’s festival. The Oxford band brought How To Be A Human Being to Reading with it’s chilled out, psychedelic (almost) tracks and performed in front of the world’s largest golden pineapple disco ball and a plethora of pineapples and cacti on stage. The ban on pineapples did not stop fans from smuggling the odd pineapple in, as those successful sat holding their prize goods high on top of the shoulders, commanding proud applause. The band opened up with the gloriously energetic ‘Life Itself’ and closed with the song that brought on an entire fruit ban, ‘Pork Soda’. Front man Dave Bayely even performed the entirety of ‘Gooey’, from their debut album, stood in the crowd. It was a sight to behold.

Sunday

Ten Tonnes played to a packed out tent full of festival goers on the Festival Republic Stage. The singer songwriter graduated from The BBC Introducing Stage, which he played last year, onto the Festival Republic Stage in a move that felt fitting with his growing audience. Ethan Barnett- as he’s formally known- is gathering momentum, with his catchy, easy to love, feel-good songs.

Up and coming London band King Nun played a raucous Sunday afternoon set on the Festival Republic Stage, where they showcased previously released singles including ‘Speakerface’ and ‘Tulip’. Their punk riddled indie-rock music proved popular with the young crowd who jumped, danced and moshed accordingly.

The Sherlocks returned to Reading Festival for the third year, having progressed up to the BBC/NME Stage this year. The tent was filled with fans and flares and had a similar feeling of excitement to that of a Courteeners concert. This came a week after their debut album, Live For The Moment, was released, so the band treated fans with hit after hit from the album.

Will Joseph Cook brought his gloriously, sun-kissed indie-rock tunes to a blissful Reading Festival late on a sunny Sunday afternoon. His set rivalled Giggs’ on the Main Stage- who brought pop/hip-hop sensation out Drake– and the atmosphere in the tent was chilled out in comparison. He played a whole host of songs from his debut album, Sweet Dreamer, and also treated fans to songs from his earlier EPs.

Blossoms played a tricky set before Liam Gallagher on the Main Stage. Blossoms are a band completely capable and worthy of playing huge stages, but this felt as though they were swimming against the tide, with crowds refusing to participate, Muse fans sitting about in preparation for the evening, huge lack of singing, support and engagement with the audience. The band seemed to pick up on this and it all felt a bit depleting. Having said this, the Stockport lads delivered a set full of the hits- with everyone going crazy for biggest hit ‘Charlemagne’- from their debut self-titled albums, with the usual gimmicks thrown in for good measure. I could probably recite the whole set by this point; it’s quite predictable now!

Liam Gallagher performed a gallant set on the Main Stage at Reading Festival before headliner Muse. The icon, clad in his usual green trench coat, sunglasses and iconic haircut, sang Oasis hits (including ‘Morning Glory’ and ‘Rock ‘N’ Roll Star’) and songs from his forthcoming debut album, As You Were, which is due for release in October. Gallagher ended his set with the indie classic and obvious anthem ‘Wonderwall’, which saw fans of all ages united in song. Liam actually sounded top of his game though and seemed as happy as ever.

Halsey played the BBC/NME Stage whilst her North American tour mate Charli XCX brought her iconic pop hits and bubble-gum pop to the Dance Stage. Charli XCX played surrounded by pink confetti, dancing blow up ‘people’ (I suppose) and her all-female band and brought the party to the festival. The tent overspilled with people jumping and dancing all around. Definitely a highlight.

Haim closed the BBC/NME Stage at Reading Festival with a spectacular headline set. The band’s performance was a year over-due, as they cancelled their headline slot last year due to wanting to finish up their new album, but it was definitely worth the wait. The band played hits from their first album- Days Are Gone – and their latest album, Something To Tell You. The set featured a lot of dancing, bursts of humorous chat, a bucket full of bass face and the most captivating drumming display ending. Definitely a huge highlight over the weekend.

Overall, it was another great Reading Festival and the strong line-up proves why the festival is still going so strong after so many years. The good festivals do it properly and well, setting them miles apart from the rest.

 

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Reading Festival, 25th-27th August 2017 (Festival Review)

Community Festival, 01/07/2017 (Festival Review)

The first ever Community Festival, run by Festival Republic (the masterminds behind Reading and Leeds, Wireless, Download, Latitude and V-Festival), was held in Finsbury Park on July 1st 2017. The one day event was headlined by the brilliant Catfish and the Bottlemen and promised to showcase the best new music has to offer. The event consisted of two stages- The Main Stage and The N4 Stage- and saw 14 up and coming acts take to the stage. Community Festival, despite being a new festival, saw no teething problems and proved a roaring success amongst the hundreds of keen festival goers.

Here’s my pick of the day:

RedFaces kicked off the day with a raucous, yet exciting set. The day’s freshest faces played a captivating live set, with a sound and stage presence similar to that of The Libertines and Arctic Monkeys. The Sheffield band played a selection of new songs, including ‘Wise Up’ and ‘Kerosene’, and proved they’re ones to watch, earning their place on such a talented line-up.

Brighton band Fickle Friends took to the stage fresh from releasing their latest EP Glue. Momentum is just starting to build for the band and their set was full of radio hits and established indie anthems, including ‘Swim’ and ‘Cry Baby’. They consistantly write and release songs that you can’t help but want dance to, which are up-beat and infectiously catchy. The crowd were well and truly warmed up by the awe inspiring set.

Darlia are always fascinating. The Blackpool band played songs from their 2015 debut album, Petals, and impressed the audience with new songs, including ‘Ballard of Black and White’ and ‘Beam Me Up’. Their grungy sound is intriguing and also exciting.

You can’t deny that the The Hunna have done a lot over the last year. They’ve put out their debut record, 100, toured nationally and graduated from the BBC Introducing Stage into a world of main stages and chanting fans. Their Community Festival set seemed triumphant, with the crowd lapping up their every move. Granted, it may not be everyone’s cup of tea, but they did bring energy and enthusiasm to an already exciting line-up- what’s a festival without The Hunna these days anyway?

Nothing But Thieves are- debatably- no longer the new kids on the block. They’re established enough to have had hit after hit on their brilliant self-title debut album, including the singles ‘Trip Switch’, ‘Itch’ and ‘Wake Up Call’, and are set for success in releasing their up-coming second album. The band- with Conor Mason (lead singer)’s stunning, mature voice- played a huge set at the festival, with fans gathering in anticipation. They showcased new single ‘Amsterdam’, as well as other new songs.

If you haven’t seen Slaves live then you’re missing out. They’re extremely fascinating and tell the most brilliant anecdotes. The Kent punk duo played a mix of songs from their 2015 debut album Are You Satisfied?, as well as from their latest album Take Control (2016). They even brought out Madness’ Suggs to announce their guest appearance at Madness’s House of Common Festival, on Clapham Common, London.

I don’t think it’s fair to call The Wombats ‘new’ considering their debut album came out ten years ago. They’re one of the best live bands about and aren’t afraid to bring the stereotypically British party to any location. The band played songs spanning their impressive three album back catalogue. The huge crowd sang along word for word with the Liverpool trio and danced throughout the set and into the impromptu instrumental at the end (as they had a bit of time left). They definitely played one of the best sets of the day.

Catfish and the Bottlemen made a rare appearance headlining the new event.  They’ve remained pretty quiet since their sold out run of areas late last year, which saw them playing Wembley Arena, and are hopefully set to release new music soon. The band played hits from their first record- The Balcony– and a selection of tracks form their second record- The Ride. The indie-rock sensations brought a successful day to a close and proved what could happen with hard work and determination in just few years. It was the perfect end to a brilliant day and left the day with a euphoric, triumphant feel.

In conclusion, the first ever Community Festival was a success. I hope the event returns next year as there’s a lot of great new music that needs exposure and it proved such a success this year. The day was laced with the latest music, fan favourites and was a celebration of what can be achieved with drive and enthusiasm. The atmosphere was special too, with friendly fans and a real ‘community’ spirit (if you pardon the pun). I couldn’t recommend it more.

Community Festival, 01/07/2017 (Festival Review)

Glastonbury Festival 2017 Review

*Apologies that these posts have taken an age. We’ve been without internet for nearly a month!*

This year’s Glastonbury Festival took place on Worthy Farm from the 22nd-27th June. The festival was headlined by Radiohead, Foo Fighters and Ed Sheeran, with Bee Gee Barry Gibb playing the festival’s prestigious Sunday afternoon legends slot. Other notable acts across the weekend included Lorde, The Courteeners and Declan McKenna. The Killers performed a surprise set, which was headline worthy, on the John Peel Stage, and Elbow, too, performed a surprise set, which was on The Park Stage, on Friday.

This year’s festival felt very exciting. It came at a time of political unrest (a year on from Brexit), great new music- with grime deservedly taking centre stage- and a line-up sufficient to fill the Glastonbury shaped gap in the festival calendar next year, when they take a fallow year. This year’s festival was surprisingly sunny too- result!

Friday 23rd June

Glass Animals, BBC Introducing – There’s little more exciting than the opening act on the BBC Introducing Stage. It’s often big enough- yet secret and special enough- to rival whatever 80s legend is playing a killer set on The Other Stage, in this case it was The Pretenders (who played a pretty brilliant set). In recent years we’ve seen the likes of Circa Waves and plenty of other BBC Introducing alumni christen the stage, but this year it was the turn of glorious, indie art-pop band Glass Animals. The stripped back set was extremely short and sweet- a mere four songs long- but left the audience hungry (perhaps because of the sheer volume of pineapples dotted about the stage and throughout the audience) for their full band performance later that day. They played ‘Life Itself’ and ‘Season 2 Episode 3’, at the audience’s request, from their latest album How to be a Human Being, which was released later last year. They also played the hit ‘Gooey’ and ‘Black Mambo’, from their 2014 debut album ZABA.

Blossoms, The Pyramid Stage – It’s always brilliant to see a band graduate onto the prestigious Pyramid Stage (we saw Wolf Alice triumphantly do it in 2016), but none more refreshing, exciting or well deserved than that of Blossoms’ early afternoon set. The band played a setlist filled mainly with songs from their debut album Blossoms, which was released last year, with the odd B-Side and latest single ‘This Moment’ with Chase and Status thrown in for good measure. I’ve seen enough Blossoms shows over the last year to say that this was nothing much different to the rest yet this felt extra special. The sheer volume of the crowd reflected the huge year that Blossoms have had and it’s great to see them finally get the recognition they deserve.

Declan McKenna, John Peel Stage – 18-year-old Declan McKenna is no stranger to Glastonbury Festival, but this was his first taste of major stage success, despite being given the chance to play the same stage two years prior. The set came just weeks before the release of his stunning debut album, What Do You Think About the Car? It felt like a pivotal set of his career, with the chance to open up his already huge fan base to a totally different audience. His youthful depictions of life, love and-importantly- politics are refreshing and his energetic stage presence is exciting. He ran about and scaled things like any 18-year-old playing Glastonbury would dream of doing. He even crowd surfed, much to the securities dismay. He played again over the weekend (Sunday on the Left Field Stage, which seemed very fitting). I recommend you watch out for Declan McKenna; he’s only just getting started.

George Ezra, The Other Stage – George Ezra played the ultimate feel good, sing-a-long set on The Other Stage. His set rivalled an unannounced, not-so-secret set by Elbow on The Park Stage, yet the size of his crowd wasn’t hindered by this. Ezra played all the hits from his first album, opening with a jazzed-up, trumpet filled ‘Cassy-O’, closely followed by ‘Barcelona’ and ‘Blame It On Me’ and ‘Listen to the Man’, from his first album, Wanted On Voyage. George Ezra also showcased many a song from his long awaited second album, speaking tales of writing the album- like a delightful in person version of his weekly email updates- and what he learnt in the process of making it. He encouraged the crowd to sing along with his new songs, which they did and they did loudly. He even played his latest single ‘Don’t Matter Now’, which, at the time, had only been out for a matter of weeks and yet everyone knew all the words. When he ended with undoubtedly his biggest hit, ‘Budapest’, he seemed somewhat overwhelmed and moved by the audience’s reaction. He didn’t even need to sing it because the audience sang it so loudly for him! George Ezra is always a pleasure to see, but he really does pull out the stops for Glastonbury.

Lorde, The Other Stage – Lorde played Glastonbury for the first time this year, but she was welcomed as if she was a regular. There’s not many times that I’m emotionally moved by a performance, but Lorde’s set was something else. It seemed dramatic, theatrical, a spectacle- all words which, too, describe her incredible second album, Melodrama. Her second album was released a week to the day and Lorde described it as celebrating the album’s “birthday”. She performed in front of a moving glass cage-type contraption. Various actors would fill the container and interact to the music with one another, in front of a changing screen, using props. This was not a gimmick. At first I was confused, but the theatrical performance seemed fitting with the huge, dramatic production. Lorde opened with a short, orchestra lead version of ‘Green Light’ before bursting into a set full of new and old favourites. The pinnacle point of the set was Lorde performing ‘The Louvre’, from her latest album, which she explained was about “having a crush” and urged the audience to “close their eyes” and think of their crush when listening to the song. This flowed seamlessly into the emotional “The Louvre”, whereby Lorde sat on the front of the stage and explained how it was a song about “not feeling like you’re good enough”. It was highly emotional and felt incredible intimate, ironic given the setting. Lorde sang and danced throughout, even ending up in the crowd at points. She played an incredible set, one which topped my entire weekend.

Saturday 24th June

The Magic Gang, William’s Green – Brighton’s own The Magic Gang managed to bring their chilled indie-rock to an eager crowd on the Saturday morning of Glastonbury Festival. Many a huge band have played William’s Green at some point in their career and I’m sure this won’t be the last time we see The Magic Gang at the festival. The band played a selection of tracks from their EPs, including latest single ‘Your Love’, and the audience loved every minute of it.

The Amazons, John Peel – I’m a huge supporter of The Amazons and love their music, but if ever there was a moment you don’t want to have your electrics fail on you this was it. The set was laced with technical issues but proved triumphant nonetheless. The band played to a packed out John Peel tent, which is a promising sign for any up and coming artist, and played the majority of their 2017 self-titled debut album. The set was full of highlights, from the bold ‘Junk Food Forever’ to fan favourite ‘Black Magic’.

Katy Perry, The Pyramid Stage – When faced with the hideous clash between Liam Gallagher and Katy Perry, who do you choose? I spoke to a guy who saw both and his verdict was Perry. The risk of missing a potential- yet hideously unlikely- Oasis reunion tempted the masses but pop-sensation Katy Perry played to nothing short of a full Pyramid field. I find Katy Perry extremely fascinating and her bubbly stage presence and brash production overtly captivating. The set was odd from start to finish (what else would you expect?). Perry came out dressed as some sort of sparkly school child- pink hat and rucksack in tow- with latest album eye logo plastered pretty much everywhere. There was a huge pink moving eye, pom-pom clad dancers a plenty and confetti cannons to make any audience happy. Gimmicky? Maybe. Fascinating and theatrical? Absolutely. Perry played hits from her latest album, including the singles ‘Chained to the Rhythm’, ‘Bon Appétit’ and ‘Swish Swish’, but ultimately it felt obvious she was there to sell her latest album- Witness– which had recently (unfairly) flopped in the charts. Perry played unknown song upon unknown song from her latest album, which became slightly laborious after a while. Having said that, the odd hit she peppered in was absolutely incredible and the atmosphere was buzzing. The mash-up of hits and (infuriating) rearrangement of ‘Teenage Dream’ made up for the lack of desire for the newer songs. You can’t say she’s not entertaining though!

Alt-J, Headliners of The Other Stage – We tried the HUGE (on all accounts) Pyramid Stage set Foo Fighters, which was filled with hit upon hit from their massive expansive back catalogue, tributes to Florence and the Machine’s 2015 filler- but killer- headline set and two and a half or so hours of Dave Grohl being the absolute legend he is, but settled for Alt-J’s euphoric Other Stage headline set. Alt-J are a band I’m fascinated by. Their live sets always feel as though they’re an experience. A journey. This was no exception. The audience were taken on a journey through the last few years of Alt J material, as each song was seamlessly- and effortlessly- sewn together by instrumental and an impressive light show. Alt-J proved that they know how to navigate a good headline set.

Sunday 25th June  

Sundara Karma, John Peel Stage – You can’t go far without escaping the up and coming indie kings that are Sundara Karma and rightly so. Sundara Karma have picked up massive momentum this year, having released their huge debut album Youth is Only Ever Fun in Retrospect, toured the UK both on a headline tour and with indie legends Two Door Cinema Club and set to embark on a huge tour which includes a date at the Brixton Academy. The tent was filled with new and old fans, as they played songs from their debut in both its standard and recently released extended form. I’m beyond excited to see where this leads them, but things are looking up- perhaps they’ll do a Wolf Alice or Blossoms and we’ll see them on the Pyramid Stage in a matter of years?

Rag ‘N’ Bone Man, The Other Stage – Is there anything Rag ‘N’ Bone Man can’t do? More specifically, is there anything he can’t do without total grace and gratitude? Brighton’s Rag ‘N’ Bone Man seemed to soak up and enjoy every minute of his Glastonbury set. He seemed genuinely grateful that so many people had turned out to watch his hour long set and that’s something that came through in his flawless singing. He sang many a song from his debut album ‘Human’, which was released earlier this year, including the pop-hit title track and others, including ‘Skin’ and ‘Wolves’. He even brought out and shared the stage with his previous rap collective, an understandable yet contradictory move away from his famous soulful voice. He’s a special act.

The Killers, The John Peel Stage – The weekend had been swarming with rumours as to what the mysterious Sunday John Peel Stage TBA act could be. The area was so heaving they had to block all entrances off and stop more people from entering the field and people spilled out of the tent in all directions (you were lucky if you could get close). Luckily, the set turned out to be none other than The Killers, who played a headline worthy set. The band rattled through their hits- ‘Somebody Told Me’, ‘When You Were Young’, ‘Smile Like You Mean it’- as well as their infectious new single, ‘The Man’. Brandon Flowers needn’t sing as the crowd sung along (loudly) word for word on every single song. It was pretty incredible really. The hightlights included the bridge of ‘All These Things I’ve Done’ where thousands sung ‘I got soul, but I’m not a soldier’ back to a blown away Flowers and, of course, Mr Brightside, which still remains one of the greatest songs of all times.

Biffy Clyro, The Pyramid Stage – Biffy Fucking Clyro played Glaston-fucking-bury for the first time in a few years and they had been missed. The band played a hit-filled, guitar fuelled set which could quite easily have filled a headline slot. It’s refreshing to see such an incredible rock act play at such an accessible, all-genre embracing festival and seeing the crowd- plenty of whom waiting for pop icon Ed Sheeran- enjoy it despite it being unusually different from the day’s headliner. Songs such as ‘Many of Horror’ provided one of the most goosebump inducing moments of the weekend, as the entire crowd sung back to Simon Neil (lead singer) and Co.

Ed Sheeran, Pyramid Stage Headliner – I’d been eagerly anticipating Ed Sheeran’s headliner set for the best part of six months, let along the few days of the festival that had already been. Sheeran played- entirely solo, with the help of his trusty loop-pedal- centre stage with hundreds of screens behind him projecting his face almost everywhere whilst he delivered a set everyone could sing along to. He made remarks about the audience ‘knowing it even if they didn’t like it’ and assertively directed the crowd to sing, jump and dance at intervals. I wasn’t disappointed by his set, but it had nothing on the likes of Biffy Clyro, The Killers or, especially, Lorde. He’s pretty admirable and gutsy to do it though, you have to give it to him.

 

 

 

 

Glastonbury Festival 2017 Review

Wildlife Festival 2017- Friday Review

Wildlife Festival returned to Shoreham airport for the third time this year, with Jess Glynne and Dizzee Rascal as headliners. The festival- which primarily focuses on dance and grime music- ran from the 9th and 10th June 2017, across Friday and Saturday (which allowed the festival to run later into the evening).

I attended the festival on the Friday. It felt like a local, quite intimate festival, yet it consistently pulls in huge, globally renowned artists. The crowd were energetic and young, yet the atmosphere felt strange at times. The dance tents were full at all times.

Here are my highlights…

Zara Larsson- Wild Life Stage

Zara Larsson played a brilliant- albeit short- hit filled set, which featured collaborations she has appeared on, songs from her 2017 debut album- So Good– and even an Ed Sheeran cover. Larsson has mastered the art of a good pop song and the songs sounded perfect under the beaming sun. A guilt-free pleasure.

Clean Bandit- Wild Life Stage 

Clean Bandit have soundtracked summers ever since they released ‘Rather Be’, with festival headliner and pop-sensation Jess Glynne, in 2014. Clean Bandit’s set was a huge sing-a-long, as the band played hits from their first album- New Eyes– and singles from the (pending) upcoming second album. The band performed with session singers, but brought out guests including Stylo G. The band played songs including Christmas number one, ‘Rockabye’, and ‘Symphony’, for which they brought out Zara Larsson.

Chaka Khan- Wild Life Stage

You’d be foolish to think that 60-something-year-old Chaka Khan couldn’t sing anymore. The Queen of Funk played a hit filled set, which spanned across her 40 year back catalogue.  It goes without saying that the highlight of the set was the huge crowd sing-a-long to the iconic ‘I’m Every Woman’ and ‘Ain’t Nobody’, which Khan seemed to forget the words to.

George Ezra- Wild Life Stage

I can’t stress how pleased I was to hear George Ezra was back on the festival and touring circuit. Ezra played a glorious, trumpet filled set, which showcased songs from his upcoming second album, hits from his debut Wanted on Voyage, as well as a few old B-sides. Ezra had re-arranged some old fan favourites to include his touring band and give the songs a new lease of life. He also showcased brand new single ‘Don’t Matter Now’ and encouraged fans to sing to some of his new tracks. I can’t wait to hear more new George Ezra material. I can’t help but feel as though George Ezra was out of place at the primarily dance music led festival. He played an assured set, which the crowd enjoyed, but his placing on a line-up encased by artists like Stormzy and Wiley seemed strange. He managed to play a brilliant set though.

Jess Glynne- Wild Life Stage, headliner

Jess Glynne- and her incredible sparkly trousers- headlined the Wild Life Stage on the Friday of the festival. Glynne played songs from her first album I Cry When I Laugh to an excited and enthusiastic crowd. Huge screens changed to the music, whilst backing dancers and a full band made the stage an even bigger spectacle. The pop-senstation played a thoroughly enjoyable set, which was hit after hit. The crowd sang and danced all evening.

Overall, the day was exciting and full of great, fun music. The weekend also featured sets from Fat Boy Slim and a DJ set by festival creators, Disclosure.

Wildlife Festival 2017- Friday Review

BBC Radio 1’s Big Weekend Hull 2017 (Review)

This year’s BBC Radio One’s Big Weekend was held in Hull, at Hull’s Burton Constable Hall, on the 27th and 28th May 2017. The free music festival was jam packed with the biggest and hottest names in the music industry and was a huge success.  Katy Perry and Kings of Leon headlined the two day bank holiday weekend event, with acts like Two Door Cinema Club, Bastille and The Amazons playing across the weekend. It’s always one of the most fascinating and exciting music festivals of the summer, for where else can you watch Kings of Leon, Little Mix and Twin Atlantic all within a matter of hours?

I was lucky enough to attend the festival on the Sunday this year and the day was full of glorious pop music and all things Radio 1. Bands and artists played short hit fuelled sets (exactly the sort of thing you’d hear on the radio) with the station’s DJs playing in-between sets.

Here are my highlights (a very small selection of them)-

Little Mix opened the main stage on the Sunday. The X-Factor winning girl group played a phenomenal confetti filled set, full of all the hits (that you’d know even if you don’t- or rather won’t admit to- like), dancing timed to the second and huge, captivating graphics. It was totally feel good and empowering and distinctly awe-inspiring for the many families in the crowd. Little Mix are very clearly the biggest girl group in the music industry currently and what they’re doing for music is very significant, even if you don’t like it personally. The set felt special and unifying (especially considering the huge amounts of families, mainly children, in the crowd) after the tragic events in Manchester, which happened a matter of days before.

Bastille brought their worldwide tour (in support of their latest album, Wild World) to a sunny Hull and played an energetic afternoon set. The band played sing-a-long hits from their first album, Bad Blood, including ‘Flaws’ and the iconic ‘Pompeii’, as well as a whole host of songs from their UK number 1 2016 second album, Wild World. The highlights of the set was definitely when the single ‘Good Grief’ was played to a backdrop of post-modern, satirical, futuristic collage graphics.

Pop sensation Shawn Mendes brought illuminations to Hull with his Sunday set. Mendes brought all the hits to Burton Constable Hall in what transpired to be a huge sing-a-long spanning all ages. He played a selection of songs from his new album Illuminate, including the singles ‘There’s Nothin’ Holding Me Back’, ‘Mercy’ and ‘Stitches’. It was the Radio sensation’s first ever festival performance and he performed it with ease.

Brighton’s brilliant rock duo Royal Blood played a huge set headlining the Where It Begins stage at Radio 1’s Big Weekend. The band played what could’ve been an arena show to a packed out tent, just before the release of their second album How Did it Get so Dark? (June 16th 2017). The band played a blend of stunning instrumental and memorable hit, including ‘Two Tonne Skeleton’, ‘Little Monster’ and ‘Figure it Out’ (from their 2014 debut album Royal Blood). The band also played new single ‘Lights Out’, which was met by applause from the eager crowd.

Scotland’s finest Twin Atlantic played the Where it Begins tent on Sunday afternoon to a captivated audience. The band played a riff filled set featuring songs from all four of their albums, including the latest album GLA (which was released last year). Frontman Sam McTrusty was full of energy as he leapt into the crowd and crowd surfed at the end of the set. Twin Atlantic are one of my personal favourite live bands ever because the energy their shows give off is just electric. You just have to experience it.

Alternative icons Circa Waves brought sun-kissed tunes and an overdue dance session to the sunny Hull festival. The band, who are consistently brilliant live, played a short set filled with songs from their 2015 debut album, Young Chasers, including ‘Fossils’, ‘Stuck in my Teeth’ and the fan favourite ‘T-Shirt Weather’, as well as a handful of tracks from their latest 2017 album, Different Creatures, including the mosh-pit inducing ‘Fire That Burn’s, ‘Goodbye’ and the single ‘Wake Up Call’. It was definitely one of the highlights for me.

Stockport’s finest Blossoms brought their huge debut album tour to Hull, one year on from their return to the festival as special guests on the BBC Introducing Stage in Exeter. Blossoms played a set filled with crowd pleasing hits, including ‘Blow’, ‘Blown Rose’ and ‘At Most a Kiss’. Like at ever Blossoms show, the band dedicated acoustic hit ‘My Favourite Room’ to a member of the crowd who had “recently been dumped”, an appreciated gesture. Lead singer Tom Ogden effortlessly merged the ending of the song into an impromptu mash-up of Babybird’s ‘You’re Gorgeous’ and Oasis’s ‘Half The World Away’, which the crowd loved. The band played latest single ‘This Moment’ (featuring Chase and Status) at the end of the set, before ending with the indie anthem ‘Charlemagne’, which never fails to excite a crowd.

The day was headlined by American rockers Kings of Leon, but their set was slightly lack lustre, bar the handful of iconic anthems the band have, which the audience and atmosphere made entirely. The band, whilst still sounding brilliant in instrument, played a 50 minute long set, which saw the audience consistently disintegrate throughout the set. The band’s iconic status made their headline set fitting, but their lack of connection to the mainly young, radio listening crowd seemed uncomfortable and awkward in part. It seemed as though the set was a year too late, as the hype for their latest album, Walls, had somewhat fizzled out. The band are set to headline British Summer Time in July though.

Overall the weekend was brilliant with plenty of huge sets. I’d like to mention how brilliant the tail end of Anne Marie’s set was (with the singer performing hits such as Christmas number one single, ‘Rockabye’, which was originally sung with Clean Bandit and latest single ‘Ciao Adios’), how fascinating Christine and the Queen’s captivating dancing was and the star filled Clean Bandit set, which was perfect for a Sunday afternoon dance.

BBC Radio 1’s Big Weekend Hull 2017 (Review)